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  1. (1 other version)59. Sources of the Self: The Making of the Modern Identity.Charles Taylor - 2014 - In Bernard Williams (ed.), Essays and Reviews: 1959-2002. Princeton: Princeton University Press. pp. 301-311.
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  • The Civilizing Process.Norbert Elias - 1939/1969 - New York: Urizen Books.
    The Civilizing Process stands out as Norbert Elias' greatest work, tracing the 'civilizing' of manners and personality in Western Europe since the Middle Ages, and showing how this was related to the formation of states and the monopolization of power within them. It comprises the two volumes originally published in English as The History of Manners and State Formation and Civilization, now, in a single volume, the book is restored to its original format and made available world-wide to a new (...)
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  • The Consequences of Modernity.Anthony Giddens - 1990
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  • Critique of Commodity Aesthetics: Appearance, Sexuality and Advertising in Capitalist Society.Wolfgang Fritz Haug & Robert Bock - 1987 - Journal of Aesthetics and Art Criticism 45 (3):319-321.
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  • Disciplines of delight: the psychoanalysis of popular culture.Barry Richards - 1994 - London: Free Association Books.
    In recent times it has seemed to many people as if the unifying impact of mass forms of popular culture has been overshadowed by the postmodernism of cultural pluralism, identity politics, niche marketing and lifestyle diversity. Using insights from psychoanalysis, this new book suggests that powerful forces may still be at work extending and deepening their hold on popular experience through the unifying forms of modern culture. The practices and aesthetic codes of popular culture provide ways of confronting and managing (...)
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  • On Status Competition and Emotion Management: The Study of Emotions as a New Field.Cas Wouters - 1992 - Theory, Culture and Society 9 (1):229-252.
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  • Bodies and Machines.Mark Seltzer - 1992 - Psychology Press.
    Bodies and Machines is a striking and persuasive examination of the body-machine complex and its effects on the modern American cultural imagination. Bodies and Machines explores the links between techniques of representation and social and scientific technologies of power in a wide range of realist and naturalist discourses and practices. Seltzer draws on realist and naturalist writing, such as the work of Hawthorne and Henry James, and the discourses which inform it: from scouting manuals and the programmes of systematic management (...)
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