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Picturing words: The semantics of speech balloons

In Proceedings of the 22nd Amsterdam Colloquium. Amsterdam: pp. 584-592 (2019)

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  1. Beyond Resemblance.Gabriel Greenberg - 2013 - Philosophical Review 122 (2):215-287.
    What is it for a picture to depict a scene? The most orthodox philosophical theory of pictorial representation holds that depiction is grounded in resemblance. A picture represents a scene in virtue of being similar to that scene in certain ways. This essay presents evidence against this claim: curvilinear perspective is one common style of depiction in which successful pictorial representation depends as much on a picture's systematic differences with the scene depicted as on the similarities; it cannot be analyzed (...)
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  • Presuppositions and Pronouns.Bart Geurts - 1999 - Elsevier.
    In this volume, Geurts takes discourse representation theory (DRT), and turns it into a unified account of anaphora and presupposition, which he applies not only to the standard problem cases but also to the interpretation of modal expressions, attitude reports, and proper names. The resulting theory, for all its simplicity, is without doubt the most comprehensive of its kind to date. The central idea underlying Geurts' 'binding theory' of presupposition is that anaphora is just a special case of presupposition projection. (...)
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  • Afterthoughts.David Kaplan - 1989 - In J. Almog, J. Perry & H. Wettstein (eds.), Themes From Kaplan. Oxford University Press. pp. 565-614.
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  • Introduction: Varieties of Iconicity.Valeria Giardino & Gabriel Greenberg - 2015 - Review of Philosophy and Psychology 6 (1):1-25.
    This introduction aims to familiarize readers with basic dimensions of variation among pictorial and diagrammatic representations, as we understand them, in order to serve as a backdrop to the articles in this volume. Instead of trying to canvas the vast range of representational kinds, we focus on a few important axes of difference, and a small handful of illustrative examples. We begin in Section 1 with background: the distinction between pictures and diagrams, the concept of systems of representation, and that (...)
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  • The Pragmatics of Attraction: Explaining Unquotation in Direct and Free Indirect Discourse.Emar Maier - 2017 - In Paul Saka & Michael Johnson (eds.), The Semantics and Pragmatics of Quotation. Berlin/Heidelberg: Springer.
    The quotational theory of free indirect discourse postulates that pronouns and tenses are systematically unquoted. But where does this unquotation come from? Based on cases of apparent unquotation in direct discourse constructions (including data from Kwaza speakers, Catalan signers, and Dutch children), I suggest a general pragmatic answer: unquotation is essentially a way to resolve a conflict that arises between two opposing constraints. On the one hand, the reporter wants to use indexicals that refer directly to the most salient speech (...)
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  • The Visual Language of Comics: Introduction to the Structure and Cognition of Sequential Images.[author unknown] - 2013
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  • Shifting Perspectives in Pictorial Narratives.Emar Maier & Sofia Bimpikou - 2019 - In Uli Sauerland & Stephanie Solt (eds.), Proceeding of Sinn und Bedeutung 23. Barcelona: Leibniz-Centre General Linguistics (ZAS).
    We propose an extension of Discourse Respresentation Theory (DRT) for analyzing pictorial narratives. We test drive our PicDRT framework by analyzing the way authors represent characters’ mental states and perception in comics. Our investigation goes beyond Abusch and Rooth (2017) in handling not just free perception sequences, but also a form of apparent perspective blending somewhat reminiscent of free indirect discourse.
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  • Open Quotation.François Recanati - 2001 - Mind 110 (439):637-687.
    The issues addressed in philosophical papers on quotation generally concern only a particular type of quotation, which I call ‘closed quotation’. The other main type, ‘open quotation’, is ignored, and this neglect leads to bad theorizing. Not only is a general theory of quotation out of reach: the specific phenomenon of closed quotation itself cannot be properly understood if it is not appropriately situated within the kind to which it belongs. Once the distinction between open and closed quotation has been (...)
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  • A Theory of Truth and Semantic Representation.Hans Kamp - 1981 - In P. Portner & B. H. Partee (eds.), Formal Semantics - the Essential Readings. Blackwell. pp. 189--222.
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  • Quotation, Demonstration, and Iconicity.Kathryn Davidson - 2015 - Linguistics and Philosophy 38 (6):477-520.
    Sometimes form-meaning mappings in language are not arbitrary, but iconic: they depict what they represent. Incorporating iconic elements of language into a compositional semantics faces a number of challenges in formal frameworks as evidenced by the lengthy literature in linguistics and philosophy on quotation/direct speech, which iconically portrays the words of another in the form that they were used. This paper compares the well-studied type of iconicity found with verbs of quotation with another form of iconicity common in sign languages: (...)
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  • Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1971 - British Journal for the Philosophy of Science 22 (2):187-198.
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