Switch to: Citations

References in:

Art and Cultural Heritage: An ASA Curriculum Diversification Guide

American Society for Aesthetics, Curriculum Diversification Guides (2017)

Add references

You must login to add references.
  1. Cultural Appropriation Without Cultural Essentialism?Erich Hatala Matthes - 2016 - Social Theory and Practice 42 (2):343-366.
    Is there something morally wrong with cultural appropriation in the arts? I argue that the little philosophical work on this topic has been overly dismissive of moral objections to cultural appropriation. Nevertheless, I argue that philosophers working on epistemic injustice have developed powerful conceptual tools that can aid in our understanding of objections that have been levied by other scholars and artists. I then consider the relationship between these objections and the harms of cultural essentialism. I argue that focusing on (...)
    Download  
     
    Export citation  
     
    Bookmark   8 citations  
  • Art, Property Rights, and the Interests of Humanity.Janna Thompson - 2004 - Journal of Value Inquiry 38 (4):545-560.
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  • Art, Authenticity and Appropriation.James O. Young - 2006 - Frontiers of Philosophy in China 1 (3):455-476.
    It is often suggested that artists from one culture (outsiders) cannot successfully employ styles, stories, motifs and other artistic content developed in the context of another culture. I call this suggestion the aesthetic handicap thesis and argue against it. Cultural appropriation can result in works of high aesthetic value.
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  • Rock Art Aesthetics and Cultural Appropriation.Thomas Heyd - 2003 - Journal of Aesthetics and Art Criticism 61 (1):37-46.
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • Authenticity.Anna Karlström - 2015 - In Kathryn Lafrenz Samuels & Trinidad Rico (eds.), Heritage Keywords. University Press of Colorado.
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark   2 citations  
  • Rock Art Aesthetics and Cultural Appropriation.Thomas Heyd - 2003 - Journal of Aesthetics and Art Criticism 61 (1):37–46.
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  • Profound Offense and Cultural Appropriation.James O. Young - 2005 - Journal of Aesthetics and Art Criticism 63 (2):135–146.
    Download  
     
    Export citation  
     
    Bookmark   9 citations  
  • Aboriginal Painting: Identity and Authenticity.Elizabeth Burns Coleman - 2001 - Journal of Aesthetics and Art Criticism 59 (4):385–402.
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  • Can We Own the Past? Cultural Artifacts as Public Goods.Peter Lindsay - 2012 - Critical Review of International Social and Political Philosophy 15 (1):1-17.
    This paper examines a concrete political controversy in order to shed light on a broad philosophical issue. The controversy is with regard to who owns cultural antiquities ? the nations (often in the developing world) on whose soil they originated, or the museums of developed nations that have, through a variety of means, come into possession of them. Despite their opposing views, both sides accept the claim that ownership can be derived from prior facts about cultural identity. Moreover, when their (...)
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  • Cultures and Cultural Property.James O. Young - 2007 - Journal of Applied Philosophy 24 (2):111–124.
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  • Cultural Property and Collective Identity.Elizabeth Burns Coleman - 2006 - In Michael Higgins & Stefan Herbrechter (eds.), Returning (to) Communities: Theory, Culture and Political Practice of the Communal. Brill.
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  • Why Restore Works of Art?Yuriko Saito - 1985 - Journal of Aesthetics and Art Criticism 44 (2):141-151.
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  • Cultural Property, Restitution and Value.Thompson Janna - 2003 - Journal of Applied Philosophy 20 (3):251–262.
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  • The Magic of Others.Lenore Keeshig-Tobias - 1990 - In Eleanor Wachtel, Sarah Sheard & Libby Scheier (eds.), Language in Her Eye: Views on Writing and Gender by Canadian Women Writing in English. Coach House Press.
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  • Real Old Things.Carolyn Korsmeyer - 2016 - British Journal of Aesthetics 56 (3):219-231.
    Although we experience many cultural artifacts by way of reproductions, there remains a particular thrill in experiencing genuine objects—‘real things’. I argue that genuineness is a property that possesses many dimensions of value, including aesthetic value. Typically, aesthetic qualities are perceptual, but genuineness is not a perceptual property. I investigate the aesthetic dimensions of genuineness by considering the role of touch in encounters with old things, using the example of an ancient bronze figurine whose reputation as genuine has waxed and (...)
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  • Notes on Appropriation.Loretta Todd - 1990 - Parallelogramme 16 (1):24-33.
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark   4 citations  
  • The Ethics and Politics of Cultural Preservation.Chike Jeffers - 2015 - Journal of Value Inquiry 49 (1-2):205-220.
    Multiculturalism is, by this point, a well-worn topic in social and political philosophy. Still, in what follows, I hope to usefully contribute to the philosophical discussion of multiculturalism by asking and trying to answer some foundational questions about the practical significance of cultural membership. Specifically, I want to investigate the normative concerns associated with the goal of preserving culture. In the first part of this article, I raise questions about the ethics of cultural preservation. Is it a permissible or impermissible (...)
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  • Do Subaltern Artifacts Belong in Art Museums?Ivan Gaskell, A. W. Eaton, James O. Young & Conrad Brunk - 2009 - In James O. Young & Conrad Brunk (eds.), The Ethics of Cultural Appropriation. Wiley.
    Download  
     
    Export citation  
     
    Bookmark   9 citations  
  • A Philosophical Perspective on the Ethics and Resolution of Cultural Property Issues.Karen J. Warren - 1999 - In Phyllis Mauch Messenger (ed.), The Ethics of Collecting Cultural Property: Whose Culture? Whose Property? Alburquerque : University of New Mexico Press. pp. 1-26.
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark   3 citations  
  • Objects of Appropriation.Dominic McIver Lopes & Andrea Naomi Walsh - 2009 - In James O. Young & Conrad Brunk (eds.), The Ethics of Cultural Appropriation. Wiley.
    Download  
     
    Export citation  
     
    Bookmark   3 citations