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Beauty

In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. New York: Routledge. pp. 307-319 (2000)

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  1. (2 other versions)Summa Theologica.Thomasn D. Aquinas - 1273 - Hayes Barton Press. Edited by Steven M. Cahn.
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  • Aesthetic Concepts.Frank Sibley - 1959 - Philosophical Review 68 (4):421-450.
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  • Towards a Unified Theory of Beauty.Jennifer A. McMahon - 1999 - Literature & Aesthetics 9:7-27.
    The Pythagorean tradition dominates the understanding of beauty up until the end of the 18th Century. According to this tradition, the experience of beauty is stimulated by certain relations perceived to be between an object/construct's elements. As such, the object of the experience of beauty is indeterminate: it has neither a determinate perceptual analogue (one cannot simply identify beauty as you can a straight line or a particular shape) nor a determinate concept (there are no necessary and sufficient conditions for (...)
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  • (2 other versions)Summa Theologiae (1265-1273).Thomas Aquinas - 1911 - Edited by Fathers of the English Dominican Province.
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  • (1 other version)Of the Standard of Taste.David Hume - 1985 - Liberty Fund. Edited by E. Miller.
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  • The great theory of beauty and its decline.Wladyslaw Tatarkiewicz - 1972 - Journal of Aesthetics and Art Criticism 31 (2):165-180.
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  • Beauty and its opposites.Ruth Lorand - 1994 - Journal of Aesthetics and Art Criticism 52 (4):399-406.
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  • Phaedrus. Plato - 1956 - Philosophy and Rhetoric 1 (3):182-183.
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  • `Beauty': Some Stages in the History of an Idea.Jerome Stolnitz - 1961 - Journal of the History of Ideas 22 (2):185.
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  • (2 other versions)Phaedrus. Plato & Harvey Yunis (eds.) - 1952 - New York: Cambridge University Press.
    Ostensibly a discussion about love, the debate in the Phaedrus also encompasses the art of rhetoric and how it should be practised. This new edition contains an introductory essay outlining the argument of the dialogue as a whole and Plato's arguments about rhetoric and eros in particular. The Introduction also considers Plato's style and offers an account of the reception of the dialogue from its composition to the twentieth century. A new Greek text of the dialogue is accompanied by a (...)
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  • On the origins of "aesthetic disinterestedness".Jerome Stolnitz - 1961 - Journal of Aesthetics and Art Criticism 20 (2):131-143.
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  • The beautiful soul: aesthetic morality in the eighteenth century.Robert Edward Norton - 1995 - Ithaca: Cornell University Press.
    For many eighteenth-century European philosophers and writers, the "beautiful soul" was a symbol of enlightened humanity, carrying with it the possibility that aesthetic beauty and moral goodness would be fused in a new, indivisible unity. In the first book in English on the subject, Robert E. Norton follows the fortunes of this cultural icon, exploring the reasons for both its initial popularity and its subsequent decline as a cultural ideal during the Enlightenment.
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  • The beautiful, the ugly, and the Tao.Earle J. Coleman - 1991 - Journal of Chinese Philosophy 18 (2):213-226.
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