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  1. What is shared, what is different? Core relational themes and expressive displays of eight positive emotions.Belinda Campos, Michelle N. Shiota, Dacher Keltner, Gian C. Gonzaga & Jennifer L. Goetz - 2013 - Cognition and Emotion 27 (1):37-52.
    Understanding positive emotions' shared and differentiating features can yield valuable insight into the structure of positive emotion space and identify emotion states, or aspects of emotion states, that are most relevant for particular psychological processes and outcomes. We report two studies that examined core relational themes (Study 1) and expressive displays (Study 2) for eight positive emotion constructs—amusement, awe, contentment, gratitude, interest, joy, love, and pride. Across studies, all eight emotions shared one quality: high positive valence. Distinctive core relational theme (...)
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  • An argument for basic emotions.Paul Ekman - 1992 - Cognition and Emotion 6 (3):169-200.
    Emotions are viewed as having evolved through their adaptive value in dealing with fundamental life-tasks. Each emotion has unique features: signal, physiology, and antecedent events. Each emotion also has characteristics in common with other emotions: rapid onset, short duration, unbidden occurrence, automatic appraisal, and coherence among responses. These shared and unique characteristics are the product of our evolution, and distinguish emotions from other affective phenomena.
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  • Effects of Dynamic Aspects of Facial Expressions: A Review.Eva G. Krumhuber, Arvid Kappas & Antony S. R. Manstead - 2013 - Emotion Review 5 (1):41-46.
    A key feature of facial behavior is its dynamic quality. However, most previous research has been limited to the use of static images of prototypical expressive patterns. This article explores the role of facial dynamics in the perception of emotions, reviewing relevant empirical evidence demonstrating that dynamic information improves coherence in the identification of affect (particularly for degraded and subtle stimuli), leads to higher emotion judgments (i.e., intensity and arousal), and helps to differentiate between genuine and fake expressions. The findings (...)
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  • Facial Expression and Emotion.Paul Ekman - 1993 - American Psychologist 48 (4):384-392.
    Cross-cultural research on facial expression and the developments of methods to measure facial expression are briefly summarized. What has been learned about emotion from this work on the face is then elucidated. Four questions about facial expression and emotion are discussed: What information does an expression typically convey? Can there be emotion without facial expression? Can there be a facial expression of emotion without emotion? How do individuals differ in their facial expressions of emotion?
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  • The Nonverbal Communication of Positive Emotions: An Emotion Family Approach.Disa A. Sauter - 2017 - Emotion Review 9 (3):222-234.
    This review provides an overview of the research on nonverbal expressions of positive emotions, organised into emotion families, that is, clusters sharing common characteristics. Epistemological positive emotions are found to have distinct, recognisable displays via vocal or facial cues, while the agency-approach positive emotions appear to be associated with recognisable visual, but not auditory, cues. Evidence is less strong for the prosocial emotions in any modality other than touch, and there is little support for distinct recognisable signals of the savouring (...)
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  • Towards a Cognitive Theory of Emotions.Keith Oatley & P. N. Johnson-Laird - 1987 - Cognition and Emotion 1 (1):29-50.
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  • (1 other version)Brief report the dynamic aspects of emotional facial expressions.Wataru Sato & Sakiko Yoshikawa - 2004 - Cognition and Emotion 18 (5):701-710.
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  • Inherently Ambiguous: Facial Expressions of Emotions, in Context.Ran R. Hassin, Hillel Aviezer & Shlomo Bentin - 2013 - Emotion Review 5 (1):60-65.
    With a few yet increasing number of exceptions, the cognitive sciences enthusiastically endorsed the idea that there are basic facial expressions of emotions that are created by specific configurations of facial muscles. We review evidence that suggests an inherent role for context in emotion perception. Context does not merely change emotion perception at the edges; it leads to radical categorical changes. The reviewed findings suggest that configurations of facial muscles are inherently ambiguous, and they call for a different approach towards (...)
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  • Human facial expressions as adaptations: Evolutionary questions in facial expression research.K. L. Schmidt & J. F. Cohn - 2001 - American Journal of Physical Anthropology:3-24.
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  • Emotional expressions beyond facial muscle actions. A call for studying autonomic signals and their impact on social perception.Mariska E. Kret - 2015 - Frontiers in Psychology 6.
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  • The Part-Whole Perception of Emotion.Trip Glazer - 2018 - Consciousness and Cognition 58:34-43.
    A clever argument purports to show that we can directly perceive the emotions of others: (1) some emotional expressions are parts of the emotions they express; (2) perceiving a part of something is sufficient for perceiving the whole; (3) therefore, perceiving some emotional expressions is sufficient for perceiving the emotions they express. My aim in this paper is to assess the extent to which contemporary psychological theories of emotion support the first premise of this argument.
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  • Understanding the Mechanisms Underlying the Production of Facial Expression of Emotion: A Componential Perspective.Klaus R. Scherer, Marcello Mortillaro & Marc Mehu - 2013 - Emotion Review 5 (1):47-53.
    We highlight the need to focus on the underlying determinants and production mechanisms to fully understand the nature of facial expression of emotion and to settle the theoretical debate about the meaning of motor expression. Although emotion theorists have generally remained rather vague about the details of the process, this has been a central concern of componential appraisal theories. We describe the fundamental assumptions and predictions of this approach regarding the patterning of facial expressions for different emotions. We also review (...)
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  • A Review of Dynamic Datasets for Facial Expression Research. [REVIEW]Eva G. Krumhuber, Lina Skora, Dennis Küster & Linyun Fou - 2017 - Emotion Review 9 (3):280-292.
    Temporal dynamics have been increasingly recognized as an important component of facial expressions. With the need for appropriate stimuli in research and application, a range of databases of dynamic facial stimuli has been developed. The present article reviews the existing corpora and describes the key dimensions and properties of the available sets. This includes a discussion of conceptual features in terms of thematic issues in dataset construction as well as practical features which are of applied interest to stimulus usage. To (...)
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  • Contributions of facial expressions and body language to the rapid perception of dynamic emotions.Laura Martinez, Virginia B. Falvello, Hillel Aviezer & Alexander Todorov - 2016 - Cognition and Emotion 30 (5).
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  • (1 other version)The dynamic aspects of emotional facial expressions.Wataru Sato & Sakiko Yoshikawa - 2004 - Cognition and Emotion 18 (5):701-710.
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