Drawing on remarks scattered through his writings, I argue that Leibniz has a highly distinctive and interesting theory of color. The central feature of the theory is the way in which it combines a nuanced subjectivism about color with a reductive approach of a sort usually associated with objectivist theories of color. After reconstructing Leibniz's theory and calling attention to some of its most notable attractions, I turn to the apparent incompatibility of its subjective and reductive components. I argue that (...) this apparent tension vanishes in light of his rejection of a widely accepted doctrine concerning the nature of bodies and their geometrical qualities. (shrink)

Leibniz's mill argument in 'Monadology' 17 is a well-known but puzzling argument against materialism about the mind. I approach the mill argument by considering other places where Leibniz gave similar arguments, using the same example of the machinery of a mill and reaching the same anti-materialist conclusion. In a 1702 letter to Bayle, Leibniz gave a mill argument that moves from his definition of perception (as the expression of a multitude by a simple) to the anti-materialist conclusion. Soon afterwards, in (...) the Preface to the New Essays, Leibniz gave a different mill argument. That argument depends upon there being no arbitrary and inexplicable connections in nature, because God would not create such things. Later, in the 'Monadology', Leibniz again used the mill example in arguing against materialism. That passage too, I argue, uses an argument from inexplicability rather than from Leibniz's definition of perception. (shrink)

Section 17 of Leibniz’s Monadology contains a famous argument in which considerations of what it would be like to enter a machine that was as large as a mill are offered as reasons to reject materialism about the mental. In this paper, I provide a critical discussion of Leibniz’s mill argument, but, unlike most treatments, my discussion will focus on texts other than the Monadology in which considerations of the mill also appear. I provide a survey of three previous interpretations (...) of the argument and a partial defence of one of them, namely the one that Marc Bobro and I offered in Stepping Back Insider Leibniz's Mill (The Monist, 1998). However, I also argue that a fourth interpretation is necessary to account for the appearances of Leibniz’s mill in at least some of his writings. (shrink)