kant’s critique of pure reason undertakes a systematic investigation of the possibility of synthetic cognition a priori so as to determine whether this kind of cognition is possible in the case of traditional metaphysics.1 While much scholarly attention has been devoted to the distinction between analytic and synthetic judgments as well as to that between the a priori and the a posteriori, less attention has been devoted to understanding exactly what cognition is for Kant. In particular, it is often insufficiently (...) clear what kind of mental state cognition is, what the exact nature of the conditions on cognition is, and how they are satisfied in the case of human beings. To bring greater clarity to... (shrink)

In interpretations of the "Transcendental Aesthetic" section of the first Critique, there is a widespread tendency to present Kant as establishing that the representation of space is a condition for individuating or distinguishing objects, and to claim that it is on this basis that Kant establishes the apriority of this representation. The aim of this paper is to criticize this way of interpreting the "Aesthetic," and to defend an alternative interpretation. On this alternative, questions about the formation of the representation (...) of space figure more centrally, and the anti-Leibnizian character of Kant 's argument can be properly appreciated. (shrink)

Using a quantified propositional logic involving the operators it is known that and it is possible to know that, we formalize various interesting philosophical claims involved in the realism debate. We set out inferential rules for the epistemic modalities, ranging from ones that are obviously analytic, to ones that are epistemologically more substantive or even controversial. Then we investigate various aporias for the realism debate. These are constructively inconsistent triads of claims from our list: a claim expressing some sort of (...) common ground in the debate; a characteristically anti-realist thesis about truth and knowability; and a characteristically realist thesis about determinacy of truth value. Various patterns of reductio proof for these inconsistent triads are generated, so as to display their variety. The reductio proofs use only the inferential rules set out earlier. The philosophical utility of each aporia for the anti-realist is then assessed. This involves consideration of the acceptability of the premiss expressing common ground; the strength and plausibility of the anti-realist premiss; the strength of the realist premiss that is the ultimate target of the reductio; and the analytic status of the inferential rules applied within the proof. (shrink)

In the "Transcendental Aesthetic" of the Critique of Pure Reason, Kant offers an argument for transcendental idealism. This argument is one focus of the longstanding controversy between "one-world" and "two-world" interpretations of the distinction between things in themselves and things as they appear. I present an interpretation of the argument of the "Aesthetic" that supports a novel "one-world" interpretation. On this interpretation, Kant is concerned with the mind-dependence of spatial and temporal properties; and with the idea that space and time (...) can be identified with mental objects. I end by arguing that, for Kant, even on a "one-world" interpretation, we do not know the nature or even the existence of mind-independent things. (shrink)

Lucy Allais argues that we can better understand Kant's transcendental idealism by taking seriously the analogy of appearances to secondary qualities that Kant offers in theProlegomena. A proper appreciation of this analogy, Allais claims, yields a reading of transcendental idealism according to which all properties that can appear to us in experience are mind-dependent relational properties that inhere in mind-independent objects. In section 1 of my paper, I articulate Allais's position and its benefits, not least of which is its elegant (...) explanation of how the features of objects that appear to us are transcendentally ideal while still being ‘empirically’ real. In section 2, I contend that there are elements of Allais's account that are problematic, yet also inessential, to what I view to be the core contribution of her analysis. These elements are the views that the properties that appear to human beings are not really distinct from properties that things have ‘in themselves’ and that Kant embraced a relational account of perception. In section 3, I return to the core of Allais's reading and argue that, despite its multiple virtues, it cannot make sense of key features of Kant's idealism. (shrink)

The effort to fit simple logical truths–like `if it's either red or green and it's not red, then it must be green'–into Kant's account of knowledge turns up a position more subtle and intriguing than might be expected at first glance.

Lucy Allais seeks to provide a reading of the Transcendental Deduction of the Categories which is compatible with a nonconceptualist account of Kant’s theory of intuition. According to her interpretation, the aim of the Deduction is to show that a priori concept application is required for empirical concept application. I argue that once we distinguish the application of the categories from the instantiation of the categories, we see that Allais’s reconstruction of the Deduction cannot provide an answer to Hume’s problem (...) about our entitlement to use a priori concepts when thinking about the objects of empirical intuition. If the Deduction is to provide a response to Hume, Allais’s interpretation must be rejected. (shrink)

According to non-conceptualist interpretations, Kant held that the application of concepts is not necessary for perceptual experience. Some have motivated non-conceptualism by noting the affinities between Kant's account of perception and contemporary relational theories of perception. In this paper I argue (i) that non-conceptualism cannot provide an account of the Transcendental Deduction and thus ought to be rejected; and (ii) that this has no bearing on the issue of whether Kant endorsed a relational account of perceptual experience.

What is possible and why? What is the difference between the merely possible and the actual? In Kants Modal Metaphysics Nicholas Stang examines Kants lifelong engagement with these questions and their role in his philosophical development. This is the first book to trace Kants theory of possibility all theway from the so-called pre-Critical writings of the 1750s and 1760s to the Critical system of philosophy inaugurated by the Critique of Pure Reason in 1781. Stang argues that the key to understanding (...) both the change and the continuity between Kants pre-Critical and Critical theory of possibility is his transformation of the ontological question about possibility-what is it for a being to be possible?-into a question in transcendental philosophy-what is it to represent an object as possible? (shrink)

This volume provides English translations of texts that form the essential background to Kant's Critique of Pure Reason. Presenting the projects of Kant's predecessors and contemporaries in eighteenth-century Germany, it enables readers to understand the positions that Kant might have identified with 'pure reason', the criticisms of pure reason that had developed prior to Kant's, and alternative attempts at synthesizing empiricist elements within a rationalist framework. The volume contains chapters on Christian Wolff, Martin Knutzen, Alexander Baumgarten, Christian Crusius, Leonhard Euler, (...) Johann Lambert, Marcus Herz, Johann Eberhard, and Johann Tetens. Each chapter includes a brief introduction that provides succinct biographical and bibliographical information on these authors, a concise account of their projects, and information on the importance of these projects to Kant's First Critique. Extensive references to the First Critique, brought together in a concordance, highlight the potential relevance of each text. (shrink)

The first major section of the Critique of Pure Reason, the Transcendental Aesthetic, is concerned with the nature of space and time, and with the nature of our representation of them. In interpretations of this part of the Critique, there is a very widespread tendency to present Kant’s discussion of space as attempting to establish that the representation of space is a condition for individuating or distinguishing objects, and that it is on this basis that Kant establishes the apriority of (...) this representation. I believe that this way of interpreting the Aesthetic is wholly misguided. The interpretive tendency I have in mind takes a number of different forms. On one approach, the role of space is to allow us to distinguish objects even if they are qualitatively identical. This represents Kant as making a certain kind of anti-Leibnizian point, one that concerns Leibniz’s principle of the identity of indiscernibles. On another approach, space—or something closely analogous to space—is regarded as essential on account of its role in allowing us to re-identify objects over time. Interpretations of Kant that follow the second approach are largely inspired by Strawson’s discussions of these matters in chapter 2 of Individuals. (shrink)

Early in The Bounds of Sense, Strawson gives us the plot of the Critique in the form of six theses which Kant wishes to expound. I quote from this passage the two theses which are most clearly relevant to the Transcendental Deduction.

I discuss three elements of Dennis Schulting’s new book on the transcendental deduction of the pure concepts of the understanding, or categories. First, that Schulting gives a detailed account of the role of each individual category. Second, Schulting’s insistence that the categories nevertheless apply ‘en bloc’. Third, Schulting’s defence of Kant’s so-called reciprocity thesis that subjective unity of consciousness and objectivity in the sense of cognition’s objective purport are necessary conditions for the possibility of one another. I endorse these fascinating (...) but unfashionable claims and sketch my own version of what they amount to, which is quite different to Schulting’s own construal. I point to some fundamental limitations and problems for Schulting’s position and argue that his project needs to be reshaped or at least reconceived in the face of them. Even if Schulting’s argument is sound, it does not provide a deduction, properly speaking, of the categories. (shrink)