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Moving and Thinking Together in Dance

In Robin Grove, Kate Stevens & Shirley McKechnie (eds.), Thinking in Four Dimensions: creativity and cognition in contemporary dance. Melbourne UP. pp. 51-56 (2005)

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  1. On the fragility of skilled performance: What governs choking under pressure?Sian L. Beilock & Thomas H. Carr - 2001 - Journal of Experimental Psychology: General 130 (4):701.
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  • Choreographic cognition: the time-course and phenomenology of creating a dance.Stephen Malloch, Catherine Stevens, Shirley McKechnie & Nicole Steven - 2003 - Pragmatics and Cognition 11 (2):297-326.
    The process of inception, development and refinement during the creation of a new dance work is described and explored. The account is based on annotated video of the professional choreographer and dancers as they create and sequence new movement material, as well as weekly journal entries made by one of the dancers. A 24-week chronology is reported. We analyse the choreographic process using the Geneplore model of creative cognition as an organising framework and identify generative and exploratory processes including problem (...)
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