Amie L. Thomasson; The Ontology of Art and Knowledge in Aesthetics: Thomasson The Ontology of Art and Knowledge in Aesthetics, The Journal of Aesthetics and Art.

This chapter contains sections titled: A Range of Views Criteria of Assessment The Road to a Solution.

The discussions which follow rest on a distinction, first expounded by Husserl, between formal logic and formal ontology. The former concerns itself with (formal) meaning-structures; the latter with formal structures amongst objects and their parts. The paper attempts to show how, when formal ontological considerations are brought into play, contemporary extensionalist theories of part and whole, and above all the mereology of Leniewski, can be generalised to embrace not only relations between concrete objects and object-pieces, but also relations between what (...) we shall call dependent parts or moments. A two-dimensional formal language is canvassed for the resultant ontological theory, a language which owes more to the tradition of Euler, Boole and Venn than to the quantifier-centred languages which have predominated amongst analytic philosophers since the time of Frege and Russell. Analytic philosophical arguments against moments, and against the entire project of a formal ontology, are considered and rejected. The paper concludes with a brief account of some applications of the theory presented. (shrink)

The views of Quine and Strawson on the significance of 'mass terms' are rehearsed, and the metaphysical status of substances, in the chemist's sense, is considered. It is urged that the ontological dichotomy of particulars and universals is not adequate to accommodate such substances, which are in a sense to be explicated concrete but non-particular.

An introduction to analytic ontology. Part 1 deals with the question, What is ontology?, focusing on (i) the interplay between ontological and broadly metaphysical concerns, and (ii) the difference between material ontology and formal ontology. Part 2 deals with the question, How is ontology done?, focusing on (i) the delicate interplay between ontology and truth-making (or: between meaning and existence), and (ii) the differences between revolutionary vs. hermeneutic, prescriptive vs. descriptive, and absolute vs. relative approaches to ontology. Part 3 surveys (...) the state of the art in a number of areas, both in material ontology (e.g., the problem of universals, the status of objects and events, the ontology of mathematics, of the physical sciences, of the social sciences) and in formal ontology (identity, ontological dependence, part-whole relations). (shrink)

Ontology is a burgeoning field, involving researchers from the computer science, philosophy, data and software engineering, logic, linguistics, and terminology domains. Many ontology-related terms with precise meanings in one of these domains have different meanings in others. Our purpose here is to initiate a path towards disambiguation of such terms. We draw primarily on the literature of biomedical informatics, not least because the problems caused by unclear or ambiguous use of terms have been there most thoroughly addressed. We advance a (...) proposal resting on a distinction of three levels too often run together in biomedical ontology research: 1. the level of reality; 2. the level of cognitive representations of this reality; 3. the level of textual and graphical artifacts. We propose a reference terminology for ontology research and development that is designed to serve as common hub into which the several competing disciplinary terminologies can be mapped. We then justify our terminological choices through a critical treatment of the ‘concept orientation’ in biomedical terminology research. (shrink)

Stagirite's important disciples should also be mentioned. Other philosophers belonging to the Peripatetic school were: Aristoxenus, Dikaiarchos, Phanias, Straton, Duris, Chamaeleon, Lycon, Hieronymus, Ariston, Critolaus, Phormio, Sotion, Hermippus, Satyrus and others. Straton even succeeded Theophrastus as director of the Lyceum but his name and those of the other Peripatetics of Aristotle's old school should not be considered in a history of logic as they were mainly concerned with history and the natural sciences.

Les mots « métaphysique » et « ontologie » se disent de façons multiples à l’intérieur de la philosophie analytique et ailleurs dans la philosophie du vingtième siècle. Ils sont souvent employés pour parler de la théorie ou l’analyse de ce qu’il y a, des espèces principales de ce qu’il y a et de leurs rapports. Mais les positivistes viennois, par exemple, appelaient « métaphysiques » les philosophies qu’ils n’aimaient pas (Carnap 1985, Campbell 1976 ch. 2)1. Et si Quine parle (...) de l’engagement ontologique ou ontique d’une théorie, celui-ci ne se confond nullement avec un engagement métaphysique ou existentiel quelconque. (shrink)

Ontology today is in many ways in a state similar to that of analysis in the late 18th century prior to arithmetization: it lacks the sort rigorous theoretical foundations needed to elevate ontology to the level of a genuine scientific discipline. This paper attempts to make some first steps toward the development of such foundations. Specifically, starting with some basic intuitions about ontologies and their content, I develop an expressively rich framework capable of treating ontologies as theoretical objects whose properties (...) and logical inter- connections — notably, potential for integration — we can clearly define and study. (shrink)

The present essay is devoted to the application of ontology in support of research in the natural sciences. It defends the thesis that ontologies developed for such purposes should be understood as having as their subject matter, not concepts, but rather the universals and particulars which exist in reality and are captured in scientific laws. We outline the benefits of a view along these lines by showing how it yields rigorous formal definitions of the foundational relations used in many influential (...) ontologies, illustrating our results by reference to examples drawn from the domain of the life sciences. (shrink)

Ontology is the study of what exists and the nature of the most fundamental categories into which those existents fall. Ontologists offer a map of reality, one divided into such broad, overlapping territories as physical and mental, concrete and abstract, universal and particular. Such a map provides the setting for further philosophical investigation. Ontologists of art seek to locate works of art in this wider terrain, to say where in our universe they fit in. Their governing question is, thus, “What (...) kind of thing is a work of art?”. (shrink)