Results for ' intertextuality'

35 found
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  1.  85
    INTERTEXTUAL IN FOLK TALES: THE INTERWEAVING OF THREE RELIGIOUS PRINCIPLES IN VIETNAMESE LEGEND OF DRAGONS AND KINGS.Huu Phuoc Hoang - 2023 - Hue University Journal of Science: Social Sciences and Humanities 132 (6B):149–167.
    This paper provides an overview of intertextuality in folk tales and applies it to study the influence of religious texts on Vietnamese legends. Specifically, relying on examining collections of folklore, medieval literature, religious myths, and official and unofficial history in Vietnam, and then collecting stories about dragons and kings, in this study, the researcher demonstrates manifestations of Three Religious principles (Confucianism, Buddhism, Taoism) and the way these principles are harmoniously woven into these stories. This research also reveals texts from (...)
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  2. Intertextuality and the Dao that Unifies Being and Nothing - Intertextual Rhetoric in Laozi’s Dao De Jing.Dawei Zhang - 2021 - Journal of Zhoukou Normal University 38 (6):60-66.
    Intertextuality (mutual illustration) is a common rhetorical device in ancient Chinese and has been used many times in Laozi (Dao Dejing). Intertextuality (mutual illustration) is of unique significance for understanding the linguistic structure and philosophical thoughts of Lao-zi. According to the current research on mutual illustration rhetoric on ancient Chinese, the forms of this rhetoric in Laozi can be divided into mutual illustration of single sentence, of multiple sentences and of ellipsis and antisense. There are only two references (...)
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  3. La identidad intertextual: La misteriosa llamada de la reina Loana (The Intertextual Self: The Mysterious Flame of Queen Loana).José Angel García Landa - manuscript
    This is a review of Umberto Eco's novel La misteriosa fiamma della regina Loana (2004) with a special focus on its portrayal of the self and memory, and reflections on the way the novel's treatment reveals the intertextual makeup of personal identity and of ideology, and their grounding in a specific cultural and discursive environment. -/- Note: Downloadable file is in Spanish: "La identidad intertextual: La misteriosa llamada de la reina Loana".
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  4. (2 other versions)Comentario 4° en el marco de la tesis “Un Estudio en Metodología Intertextual y Exegética en Salmo 91”.Anderson Rodrigues de Paula - manuscript
    COMENTARIO 4° EN EL MARCO DE LA TESIS "UN ESTUDIO EN METODOLOGÍA INTERTEXTUAL Y EXEGÉTICA EN SALMO 91". . . En el presente comentario yo retomo el enfoque transcultural, iniciado en uno de los comentarios anteriores míos, el cual apliqué en el trato de la temática "pie" (o, "pies"). La evidencia pareceria estar insistentemente hablando de la relevancia de un sector de la literatura hebrea para la interpretación de determinados elementos de la arqueologia egipcia así como en favor de la (...)
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  5. Reading the Menexenus Intertextually.Mark Zelcer - 2018 - In Harold Parker & Max Robitzsch (eds.), Speeches for the Dead: Essays on Plato's Menexenus. de Gruyter. pp. 29-49.
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  6. Comentario 1°, desde un enfoque transcultural, en el marco de la tesis “Un Estudio en Metodología Intertextual y Exegética en Salmo 91” cuanto al uso conjugado de la figura del רגל en posición de sujeto gramatical del verbo מוט, uso que la referida investigación percibe como una fraseología.Anderson Rodrigues de Paula - manuscript
    Comentario 1°, desde un enfoque transcultural, en el marco de la tesis “Un Estudio en Metodología Intertextual y Exegética en Salmo 91” cuanto al uso conjugado de la figura del רגל en posición de sujeto gramatical del verbo מוט, uso que la referida investigación percibe, debido a su frecuencia y estabilidad, como una fraseología. (fecha de publicación del comentario en Academiaedu: 2/6/2022) . . . . Nada de lo que voy a decir a continuación es conclusivo, yo solamente estoy argumentando, (...)
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  7. Comentario 3° en el marco de la tesis “Un Estudio en Metodología Intertextual y Exegética en Salmo 91” cuanto a mi trato, en aquel entonces, de las fuentes primarias (del testimonio documental) utilizadas asociadas a la referencia salmo 91:12 em favor de la fraseología מוט + רגל. Presentación del fragmento 5 del plato 1032 (b-366315) como siendo la confirmación de la existencia de testimonio documental para la variante conjetural propuesta por mí en la tesis (en el capítulo 4) referente a la tradición observada en salmo 91:12.Anderson Rodrigues de Paula - manuscript
    Comentario 3° en el marco de la tesis “Un Estudio en Metodología Intertextual y Exegética en Salmo 91” cuanto a mi trato, en aquel entonces, de las fuentes primarias (del testimonio documental) utilizadas asociadas a la referencia salmo 91:12 en favor de la fraseología מוט + רגל. Presentación del fragmento 5 del plato 1032 (b-366315) como siendo la confirmación de la existencia de testimonio documental para la variante conjetural propuesta por mí en la tesis (en el capítulo 4) referente a (...)
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  8. Comentario 2° en el marco de la tesis “Un Estudio en Metodología Intertextual y Exegética en Salmo 91” cuanto al uso conjugado de la figura del רגל en posición de sujeto gramatical del verbo מוט, uso que la referida investigación percibe, debido a su frecuencia y estabilidad, como una fraseología.Anderson Rodrigues de Paula - manuscript
    Comentario 2° en el marco de la tesis “Un Estudio en Metodología Intertextual y Exegética en Salmo 91” cuanto al uso conjugado de la figura del רגל en posición de sujeto gramatical del verbo מוט, uso que la referida investigación percibe, debido a su frecuencia y estabilidad, como una fraseología. (fecha de publicación del comentario en Academiaedu: 7/6/2022) . . . . Yo sigo trabajando en el sentido de buscar más evidencia que me permita seguir reforzando lo que sostengo desde (...)
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  9. Un Estudio en Metodología Intertextual y Exegética en Salmo 91.Anderson Rodrigues de Paula - 2020 - Dissertation, Universidad Adventista Del Plata
    La presente investigación de corte filológico fue un intento de aproximación un tanto inédito a determinados datos de composición de una de las tradiciones literarias, también, hebrea de larga fecha (alrededor de 2000 años, periodo herodiano, considerando su testimonio documental semita más antiguo hasta el momento: 11Q11 y 4Q84) comúnmente denominada el salmo 91. Para ello, se hizo uso de la crítica textual, la intertextualidad y la exegesis con el fin de averiguar, en base rasgos sintácticos, gramaticales, uso de vocabulario (...)
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  10. Paul van Els, The Wenzi: Creativity and Intertextuality in Early Chinese Philosophy. [REVIEW]Mercedes Valmisa - 2019 - Monumenta Serica 67:556-560.
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  11.  37
    Listening to Different Texts: Between Reich and Eco with Nycz.Małgorzata A. Szyszkowska - 2019 - Eidos. A Journal for Philosophy of Culture 3 (3):5-13.
    In this essay, the author considers intertextuality in contemporary musical work, conceptualizing it not only as a critical category and as an artistic convention, but also as an aesthetic strategy. Listening for texts, as it were, opens the work for influences and gives it new purposes. The multiple texts, which are mutually interdependent, alter each other’s meaning and are “read” and “re-read” during aesthetic experience. Depending on the listener, these meanings are more or less pronounced; some are seen as (...)
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  12. Parody.Peg Zeglin Brand Weiser - 2014 - In Michael Kelly (ed.), Encyclopedia of Aesthetics. 2nd edition (Oxford University Press). Oxford University Press. pp. 69-72.
    The term "parody" derives from the ancient Greek word parodia and has come to include a variety of meanings connected with correlative terms such as "pastiche," "quotation," "satire," and "allusion." At the present time, more than a few commentators are eager to discuss contemporary parody as an art form particularly relevant to our era. Most approaches share a basic foundation that treats parody as a complex multilayered type of imitation (sometimes referred to as intertextuality). Only some theorists, however, include (...)
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  13. Love and Friendship in the Lysis and the Symposium: Human and Divine.Jakub Jinek - 2008 - Rhizai. A Journal for Ancient Philosophy and Science 5 (2008):109-126.
    The paper claims that we cannot understand properly Platonic conception of love and friendship unless we read the Lysis in the light of the Symposium and vice verse. Dealing with the crucial question of what made Plato write two different dialogues on the same topic, it advocates an alternative intertextual reading that does not deny progress of Plato’s thinking. Though the Symposium offers, in comparison to the Lysis, a more developed philosophical theory of love, Plato still has good reasons to (...)
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  14. Technology and the Way: Buber, Heidegger, and Lao‐Zhuang “Daoism”.Eric S. Nelson - 2014 - Journal of Chinese Philosophy 41 (3-4):307-327.
    I consider the intertextuality between Chinese and Western thought by exploring how images, metaphors, and ideas from the texts associated with Zhuangzi and Laozi were appropriated in early twentieth-century German philosophy. This interest in “Lao-Zhuang Daoism” encompasses a diverse range of thinkers including Buber and Heidegger. I examine how the problematization of utility, usefulness, and “purposiveness” in Zhuangzi and Laozi becomes a key point for their German philosophical reception; how it is the poetic character of the Zhuangzi that hints (...)
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  15.  20
    The narrative of the rich man and the beggar: an investigation from the perspective of greimassian semiotics.Adriano Da Silva Carvalho - 2024 - Cuestiones Teológicas 51:1-18. Translated by Adriano Da Silva Carvalho.
    The biblical passage from Luke 16, 19-31 is one of the most cited and discussed in the New Testament. However, when analyzed based on the relationships engendered following the narrated facts, a series of presupposed narrative programs contributes to the elucidation of the meaning of this text. This research, therefore, will analyze the aforementioned passage from the perspective of Greimasian semiotics. The method aims to reveal the generative path of meaning and highlight the intratextual elements, which make up the path (...)
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  16. Interdiscursive Readings in Cultural Consumer Research.George Rossolatos - 2018 - Newcastle upon Tyne, UK: Cambridge Scholars Publishing.
    The cultural consumption research landscape of the 21st century is marked by an increasing cross-disciplinary fermentation. At the same time, cultural theory and analysis have been marked by successive ‘inter-’ turns, most notably with regard to the Big Four: multimodality (or intermodality), interdiscursivity, transmediality (or intermediality), and intertextuality. This book offers an outline of interdiscursivity as an integrative platform for accommodating these notions. To this end, a call for a return to Foucault is issued via a critical engagement with (...)
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  17. Signs of Morality in David Bowie's "Black Star" Video Clip.May Kokkidou & Elvina Paschali - 2017 - Philosophy Study 7 (12).
    “Black Star” music video was released two days before Bowie’s death. It bears various implications of dying and the notion of mortality is both literal and metaphorical. It is highly autobiographical and serves as a theatrical stage for Bowie to act both as a music performer and as a self-conscious human being. In this paper, we discuss the signs of mortality in Bowie’s “Black Star” music video-clip. We focus on video’s cinematic techniques and codes, on its motivic elements and on (...)
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  18. Problem historii filozofii starożytnej, czyli w poszukiwaniu zaginionej Atlantydy (The Problem of the History of Ancient Philosophy or the search for the lost Atlantis).Zbigniew Nerczuk - 2017 - Studia Antyczne I Mediewistyczne 15 (50):3-11.
    The text was originally a conference speech. In principle, it was prepared for teachers of philosophy and people interested in philosophy, therefore it has the character of an essay and only to a small extent refers to the literature of the subject. However, I am deeply convinced of the validity of the thesis that I propose in it, even if they may seem only to a small extent supported by references to the state of research. -/- Synthetical studies take a (...)
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  19. O specyfice pracy tłumacza antycznej literatury filozoficznej (Some remarks on the translation of the texts of ancient philosophy).Zbigniew Nerczuk - 2016 - Studia Antyczne I Mediewistyczne 14 (49):13-19.
    Studium poświęcone jest specyfice warsztatu tłumacza antycznych tekstów filozoficznych. Wszelką pracę translatorską, o ile ma ona na celu rekonstrukcję kontekstu językowego i historycznego, muszą poprzedzać zrozumienie i interpretacja tekstu. W celu rekonstrukcji kontekstu niezbędne jest odniesienie tekstu do prowadzonych ówcześnie dyskusji filozoficznych, odtworzenie siatki pojęciowej oraz wskazanie zapożyczeń oraz odesłań do innych tekstów. Realizacja tych zadań napotyka w przypadku prac z zakresu filozofii starożytnej na wiele przeszkód wynikających z wielowiekowej ewolucji języka greckiego, mglistości terminu ‘filozofia’, zaginięcia większości dzieł filozoficznych, zróżnicowania (...)
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  20. An Erotic Pattern of Thinking in Anselm’s Proslogion.D. Walz Matthew - 2011 - Quaestiones Disputatae 2 (1-2):126-145.
    Anselm’s 'Proslogion' is, as he says in its Preface, 'unum argumentum', a single line of reasoning, that builds toward the following: “that God is truly,” “that he is the highest good who needs no other,” and that he is the one “whom all things need so that they may be and may be well.” This paper attempts to shed light on how Anselm carries out the threefold task that he sets for himself and way in which his procedure brings unity (...)
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  21. (1 other version)Cryptophasia and the Question of Database.Ekin Erkan - 2019 - Triple Ampersand:1-29.
    Over the last thirty years, once staunchly historical cinema scholars such as Thomas Elsaesser, Jane Gaines, Siegfried Zielinski, and André Gaudreault have abandoned history for historiography and film studies for media archaeology. With increasing attention on the “database” as a symbolic metaphor for postmodernity and the decentered, networked tenants of the global present, cinema is taking on the characteristics of new media, existing in intertextual space. Thus, the term “post-cinema” has been co-opted as a viable intermediary that accounts for new (...)
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  22. Salvific Community. Part One: Ignatius of Loyola.Felix Körner - 2013 - Gregorianum 94 (3):593-609.
    What is salvific community for Ignatius of Loyola? It is communion with Christ, a dynamic for which Ignatius used the expression ‹societies Jesu›. This wording has a revealing intertextuality. ‹Societas› is the Vulgate’s rendering of Pauline and Johannine koinōnia: «sharing in (Christ)». The NT overtones of the Ignatian experience of communion can be explored regarding a theology of relationship (person), of action (history) and of the Church (representation). Being a person is understood as being friend and servant, history as (...)
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  23. The Post-Cinematic Gesture: Redhack.Ekin Erkan - 2020 - Zapruder World 6.
    Over the last thirty years, once staunchly film history scholars such as Thomas Elsaesser, Jane Gaines, Siegfried Zielinski, André Gaudreault and Benoît Turquety (to name just a few) have abandoned history for historiography and film studies for media archaeology. Considering the heightened attention given to kulturtechnik (Siegert), the database as a dominant symbolic metaphor,1 and the decentered networked tenants of the postmodern global present, cinema is taking on the characteristics of new media, existing in increasingly intertextual space. Thus, the term (...)
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  24. Consuming the scapegoat: Mass shootings as systemically necessary cultural trauma.George Rossolatos - 2020 - International Journal of Marketing Semiotics and Discourse Studies 8 (Special Issue on Trauma & Consum):1-16.
    Mass shootings constitute a recurrent and most violent phenomenon in the U.S. and elsewhere. This paper challenges the ready-made, solipsistically contained metanarratives on offer by mainstream media and formal institutions with regard to the psychological antecedents of the perpetrating social actors, while theorizing mass shootings as acts of violence that are systemically inscribed in the foundations of communities. These foundations abide by the logic of sacrifice which is propagated in instances of collective traumatism. It is argued that the cultural trauma (...)
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  25. Estudios críticos sobre la violencia social, el compromiso político-ciudadano y la veracidad histórica en Noticia de un secuestro (1996).Jesús Miguel Delgado Del Aguila - 2018 - Tesis 11 (13):143-159.
    Noticia de un secuestro (1996), novela periodística del Premio Nobel de Literatura Gabriel García Márquez, ha permitido que se realicen trabajos hermenéuticos en función de los Estudios Culturales, ya que su contenido abarca períodos históricos de Colombia, la Sociología, la Criminología y la política: todo ello vinculado con la prosa literaria del escritor. En esta oportunidad, lo que represento son tres vertientes de investigación que se han desarrollado sobre la base del estudio de esta obra, las cuales son la manifestación (...)
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  26. Estudios críticos de Noticia de un secuestro (1996): fundamentos sobre la novela como alegoría, género e interpretación literaria.Jesús Miguel Delgado Del Aguila - 2019 - (Pensamiento), (Palabra) y Obra 21 (21):26-41.
    Noticia de un secuestro (1996) desarrolla una temática diferente a la obra literaria general de Gabriel García Marquez (quien de hecho la publicó en vida) debido a que representa un contexto propio de los Estudios Culturales. Para esta propuesta utilizaremos el método hermenéutico propuesto por Gadamer, el cual está basado en la mención de las investigaciones hechas hasta el momento por la crítica literaria junto con la sistematización que se hace de las mismas. Presentaremos en este artículo tres focalizaciones que (...)
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  27. Sistematización hermenéutica en torno a las representaciones literarias de La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2022 - A Entheoria: Cadernos de Letras E Humanas 9 (1):44-63.
    La ciudad y los perros ha sido expuesta para el análisis de la comunidad hermenéutica durante más de cincuenta años. En ese sentido, es insoslayable recurrir al criterio sistematizador que fundamenta Hans-Georg Gadamer en su texto Verdad y método, que es de utilidad para catalogar y criticar condicionalmente las propuestas que se han desarrollado en torno a la diversidad de representaciones literarias que han sido manifestadas en este libro. Para la efectividad de este trabajo, se asume que este objeto de (...)
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  28. Ясон в трагедии сенеки медея: Плохой или хороший муж, отец и наставник?Victoria Pichugina - 2018 - Schole 12 (1):220-242.
    Seneca’s tragedy is considered from the point of view of the intertextual relations with other Greek and Roman literary works, connected with the Corinthian history about Jason and Medea. Seneca represents a special view of the hierarchy of male virtues: Jason is a husband, a father and a mentor. The rage of Medea is ‘legalized,’ the reaction of Jason is depicted in the Stoic terms. The main characters of the tragedy are represented by the Roman writer in a pedagogical rather (...)
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  29. Performance Art Nach 1945 Aktionstheater und Intermedia.Thomas Dreher - 2001 - Munich, Germany: Wilhelm Fink.
    The outline of the development of Performance Art features happenings in New York and Vienna in the sixties as well as body art and performances with closed circuits in the seventies (among others). Action Art, Environmental Theater and Intermedia are the terms defining the main characteristics of the works discussed. The research method is mainly based on Intertextuality (Mikhail Mikhailovich Bakhtin) and Systems Theory (Niklas Luhmann).
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  30. Was in Ost und West anders übersetzt wurde: Zur politisch-kulturellen Ideologisierung polnischer Literatur in Deutschland.Ilona Kubejko - 2012 - Acta Universitatis Lodziensis. Folia Germanica 8:69-88.
    The present paper deals with the phenomenon of politically and culturally motivated ideologization that occurred in east and west German translations of Polish literature during the post-war period until 1990. It could be proven on various examples the enormous influence exerted by the political and ideological environment on both translators and the process of translation. Taking into account external intertextual relationships the author shows the way politically and ideologically marked German translations differing from Polish originals are reflected in the internal (...)
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  31. Rationalizing Racism: Arizona Representatives Employment of Euphemisms for an Assault on Mexican American Studies.Maryam Miller - 2013 - Dissertation, The University of Arizona
    This study details the political climate and logic priming the termination of Mexican American Studies in elementary and high school programs within the state of Arizona. The author applies conceptual content analysis and intertextuality to decode euphemisms incorporated by opponents of the program. Primary sources by the state’s Attorney General Tom Horne and school board Superintendent of Public Instruction John Huppenthal are examined for rationales used in the elimination of a pedagogically empowering program for Latina/o students within Tucson Unified (...)
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  32. Formulating a ‘cinematic listener’ for John Zorn’s file card compositions.Maurice Windleburn - 2019 - SoundEffects 1 (8):141-156.
    In a 1995 interview, contemporary American composer John Zorn stated: ‘I got involved in music because of fi lm […] There’s a lot of fi lm elements in my music’ (Duckworth, 1995, p. 451). Scholars and critics have since widely noted these cinematic elements, with emphasis being placed on Zorn’s genre of so-called ‘fi le card compositions’. Whilst these studies have primarily concentrated on how the arrangement of sound blocks – the disjointed segments of Zorn’s compositions – can be compared (...)
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  33. An Internal Feud Novel That Lebanon Cıvıl War Determıned Its Narratıve Technıque: Kevâbısu Beyrût (Beyrut’s Nıghtmaırs).Adnan Arslan - 2018 - Tasavvur - Tekirdag Theology Journal 4 (1):283 - 303.
    One of the main features that distinguish modern novel from traditional one is the use of new narrative techniques such as monologue, flow of consciousness, leitmotiv and intertextuality. These techniques relate to new approaches that take shape in formal elements such as time, characters and event patterns that make up the modern novel. Which expression technique is used in the work is often related to the form and content of the novel. This research examines the Kevâbîsu Beyrût, which uses (...)
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  34. Translation and Adaptation Studies: More Interdisciplinary Reflections on Theories of Definition and Categorization.Patrick Cattrysse - 2020 - Traduction Et Adaptation : Un Mariage de Raison 33 (1):21–53.
    This paper discusses how theories of definition and probabilistic theories of categorization could help distinguish between translation and adaptation, and eventually between translation and adaptation studies. Part I suggests readopting the common parlance definition of “translation” as the accurate rendition of the meaning of a verbal expression in another natural language, and “adaptation” as change that leads to better fit. Readopting these common parlance definitions entails categorical implications. The author discusses three parameters: whereas “translation” represents an invariance-oriented, semiotically invested, cross-lingual (...)
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  35. Leitura das influências de Antonin Artaud (especialmente exercidas por Edvard Munch) e o impacto dessas na constituição de seu estilo. Correspondência biográfica e processo de intertextualidade: Artaud Munch.Caroline Pires Ting - 2016 - Maracanan 12 (14):322-337.
    Edvard Munch (Løten, 1863 — Ekely, 1944), Antonin Artaud (Marseille 1896–Paris 1948): deux artistes bouleversés par des conditions de santé fragile et par des crises nerveuses. Une relation s’instaure entre eux. Chacun, de manière particulière, invite le spectateur à réviser son rapport avec la mort, la mélancolie et les forces de la nature. Tantôt cette relation s’exprime dans les écrits personnels d’Artaud ; tantôt elle apparaît dans le rapprochement que nous pouvons faire entre les oeuvres graphiques d’Artaud, qui mettent en (...)
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