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Adrian Mróz
Jagiellonian University (PhD)
  1.  48
    The Emotivism of Law. Systematic Irrationality, Imagined Orders, and the Spirit of Decision Making.Adrian Mróz - 2018 - Studia Humana 7 (4):16-29.
    The process of decision making is predictable and irrational according to Daniel Ariely and other economic behaviorists, historians, and philosophers such as Daniel Kahneman or Yuval Noah Harari. Decisions made anteriorly can be, but don’t have to be, present in the actions of a person. Stories and shared belief in myths, especially those that arise from a system of human norms and values and are based on a belief in a “supernatural” order (religion) are important. Because of this, mass cooperation (...)
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  2. Hermeneutyka artystyczna.Adrian Mróz - 2015 - Sztuka, Polityka, Pieniądze. Sytuacja Artysty W Świecie Współczesnym.
    Artykuł poruszać będzie zagadnienia dotyczące sposobu definiowania artysty oraz istnienie artystów w kontekście historycznym, ontologicznym i filozoficznym. Autor rozważy także dylematy moralne i etyczne, dotyczące statusu dzieła, jak i problemy estetyczne odniesione do „standaryzacji” dzieł według wzorca produktów i języka biznesowego. Udowodni, że żaden współczesny człowiek w istocie nie potrafi zrobić „kanapki” jako jednostka. Wytwory artystyczne są w podobnej sytuacji. Status quo jest w procesie przewartościowania. W artykule postawiona będzie teza, że współczesny artysta jest nauczycielem, który stymuluje bądź angażuje działalność (...)
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  3.  27
    Towards Behavioral Aesthetics.Adrian Mróz - 2019 - Polish Journal of Aesthetics 52 (1):95-111.
    This article presents a new approach to studying aesthetics by weaving together a thread of ideas based on investigating the problematics of the philosophy of art from a behavioral paradigm in order to exceed the margins of aesthetics. I claim that it makes no sense to ask if something is art, but rather we should be looking out into the manners in which art subsists, consists, and insists itself. Several notions of what I call behavioral aesthetics are proposed such as (...)
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  4.  79
    Filtration Failure: On Selection for Societal Sanity.Adrian Mróz - 2018 - Kultura I Historia 34 (2):72-89.
    This paper focuses on the question of filtration through the perspective of “too much information”. It concerns Western society within the context of new media and digital culture. The main aim of this paper is to apply a philosophical reading on the video game concept of Selection for Societal Sanity within the problematics of cultural filtration, control of behaviors and desire, and a problematization of trans-individuation that the selected narrative conveys. The idea of Selection for Societal Sanity, which derives from (...)
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  5.  92
    Problem złożoności relacji człowiek-maszyna w kontekście technologii cyfrowych.Adrian Mróz, Karolina Pełka, Mikołaj Obuszewski & Przemysław Warzocha - 2017 - Preteksty 1:22-33.
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  6.  62
    The Post of Post-Truth in Post-Media. About Socio-Situational Dynamic Information.Adrian Mróz - 2017 - Kultura I Historia 32 (2):23-37.
    Regarding the place of humans in a time of post-media I take into consideration the function of new technology and fictional information on human, embodied, and consequentially emotive forms of evaluating truth and messages conveyed, especially ones sent via the Internet. The main aim of this essay is to argue for the critical role played by post-media understood as digital technology in disseminating and co-creating post-truth conditions mediating human relationships horizontally (peer-to-peer, rather than vertically or from older generations to younger (...)
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  7.  79
    Widzimy uszami i słyszymy oczami. Jak technika wykształca w nas synestezję.Adrian Mróz - 2014 - In Łukasz Rogowski (ed.), Techno-widzenie. Media i technologie wizualne w społeczeństwie ponowoczesnym. Poznań: Wydawnictwo Naukowe Wydziału Nauk Społecznych UAM. pp. 89-98.
    Seeing with Ears, Hearing with Eyes. How Technology Molds Synesthesia Within Us -/- The subject of consideration within this lecture is the contribution of existing scientific discoveries on the visual and musical connection within the perceptual plane. Points of reference are the studies of Amir Amedi, Jacob Jolij and Maaieke Meurs, Harry McGurk, as well as, the works of Iwona Sowińska, Roger Scruton, Oliver Sacks, and a cultural analysis of Joshua Bell’s performance. I will also consider how the senses effect (...)
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  8.  67
    Imagined Hierarchies as Conditionals of Gender in Aesthetics.Adrian Mróz - 2016 - Estetyka I Krytyka 41 (2):135-154.
    The attributes of gender in the media are disputable. This can be explained by a conflict generated by culturally acquired alternative imagined hierarchies which are not compatible or may be even contradictory. This article is a philosophical enquiry that examines the representation of gender and the environment in which it is conditioned.
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