This paper examines the role existence plays in measurement validity. I argue that existing popular theories of measurement and of validity follow a correspondence framework, which starts by assuming that an entity exists in the real world with certain properties that allow it to be measurable. Drawing on literature from the sociology of measurement, I show that the correspondence framework faces several theoretical and practical challenges. I suggested the validity-first framework of measurement, which starts with a practice-based validation process as (...) the basis for a measurement theory, and only posits objective existence when it is scientifically useful to do so. (shrink)

Abstract- Presentism And Temporal Experience Intuitively, we all believe that we experience change and the passage of time. Presentism prides itself as the most intuitive theory of time. However, a closer look at how we would experience temporality if presentism was true reveals that this is far from obvious. For if presentism was really so intuitive, then it would do justice to these intuitions. In the course of this article I examine how presentism fares when combined with various leading theories (...) of perception and temporal perception. I focused on two Central Questions. Can presentism, given theory X, account for experiences of change and duration? And can presentism, given theory X, account for experiences of time as passing? I argue that there is no possible combination which allows for an experience of time as passing. This result alone undermines the alleged intuitive advantage of presentism and with it the motivation for the view. Presentism, it remains safe to say, is not as intuitive a theory as its adherents like to portray it. (shrink)

Recently, philosophers with an interest in consciousness have turned their attention towards “fringe states of consciousness”. Examples include dreams, trances, and meditative states. Teetering between wakefulness and non-consciousness, fringe states illuminate the limits and boundaries of consciousness. This paper aims to give a coherent conceptualisation of deep meditative states, focussing in particular on phenomenal temporality during meditation. Advanced meditators overwhelmingly describe deep states of meditation as atemporal and timeless; however, they also report being continuously alert while meditating. I intend to (...) give a coherent interpretation of this apparent contradiction. After introducing some candidate interpretations, I shall argue that during (deepest) meditation, the subject experiences ‘pure duration’ without temporal structure. This, I argue, explains best why meditators describe deep meditation as ongoing but timeless awareness. A central part of the paper will expand on an account of phenomenal duration without phenomenal succession. The conclusion points towards some further avenues of research. (shrink)

The social sciences face a problem of sample non-representation, where the majority of samples consist of undergraduate students from Euro-American institutions. The problem has been identified for decades with little trend of improvement. In this paper, I trace the history of sampling theory. The dominant framework, called the design-based approach, takes random sampling as the gold standard. The idea is that a sampling procedure that is maximally uninformative prevents samplers from introducing arbitrary bias, thus preserving sample representation. I show how (...) this framework, while good in theory, faces many challenges in application. Instead, I advocate for an alternative framework, called the model-based approach to sampling, where representative samples are those balanced in composition, however they were drawn. I argue that the model-based framework is more appropriate in the social sciences because it allows for systematic assessment of imperfect samples and methodical improvement in resource-limited scientific contexts. I end with practical proposals of improving sample quality in the social sciences. (shrink)

When we cook, by meticulously following a recipe, or adding a personal twist to it, we sometimes care not only to (re-)produce a taste that we can enjoy, but also to give our food a certain aftertaste. This is not surprising, given that we ordinarily take aftertaste to be an important part of the gustatory experience as a whole, one which we seek out, and through which we evaluate what we eat and drink—at least in many cases. What is surprising (...) is that aftertastes, from a psychological point of view, seem to be analogous to afterimages, and thus have little or no epistemic import. In this paper we tackle this puzzle, and argue that we are right in treating aftertastes seriously. The moral is that both from a metaphysical and an epistemic point of view aftertastes should be categorized differently from afterimages. (shrink)

The project of my dissertation was to advance the metaphysical debate about temporal passage, by relating it to debates about the perceptual experience of time and change. It seems true that we experience temporal passage, even if there is disagreement whether time actually passes, or what temporal passage consists in. This appears to give the defender of dynamic time an advantage in accounting for our experience. I challenge this by arguing that no major account of temporal perception can accommodate experiences (...) of temporal passage such that we could infer passage from them. This shows that static theories of time are at no disadvantage in accounting for the phenomenology of temporality. The conclusion has far reaching consequences: for instance, an important motivation for holding an A-theory of time is precisely the psychological intuition that we experience temporal passage. By undermining that intuition, I undermine the motivation for holding an A-theory. (shrink)

We develop a theory about the metaphysics of time and modality that combines the conceptual resources devised in recent sympathetic work on ontological pluralism (the thesis that there are fundamentally distinct kinds of being) with the thought that what is past, future, and merely possible is less real than what is present and actual (albeit real enough to serve as truthmakers for statements about the past, future, and merely possible). However, we also show that despite being a coherent, distinctive, and (...) prima facie appealing position, the theory succumbs to what we call the “problem of mixed ontological status”. We conclude that the proponents of the theory can only evade these problems by developing ontological pluralism in a radically different way than it has been by its recent sympathizers. (shrink)

At its strongest, Hume's problem of induction denies the existence of any well justified assumptionless inductive inference rule. At the weakest, it challenges our ability to articulate and apply good inductive inference rules. This paper examines an analysis that is closer to the latter camp. It reviews one answer to this problem drawn from the VC theorem in statistical learning theory and argues for its inadequacy. In particular, I show that it cannot be computed, in general, whether we are in (...) a situation where the VC theorem can be applied for the purpose we want it to. (shrink)

The author discusses the relationship between art and the body, as exemplified by the similarities and differences in the works of: two Japanese artists, Matsui Chie (b. 1960) and Higashikage Tomohiro (b. 1978); and the Polish artist, Mirosław Bałka (b. 1958). These examples are referred to in the context of a unique project recently conducted in Japan — the Tatsuno Art Project 2013. Held with the support of the Agency for Cultural Affairs of Japan, the project aims to present contemporary (...) art to people from across Japan and around the globe, and to capitalize on the region’s unique cultural heritage, creating opportunities for people to communicate with local residents and making Tatsuno a more dynamic and popular place to visit. This paper considers various connections between art and the body by focusing on a selection of works included in the Tatsuno Art Project 2013: Arts and Memories. Known in past centuries as the ‘little Kyoto’ of Harima Province, Tatsuno is an atmospheric old castle town. It is mild and relatively warm all year round, with the climate of the nearby Seto Inland Sea region, said to be similar to that of the Mediterranean. Thanks to the support of numerous people, the organizers were able to hold the 2013 event which represented the culmination of their efforts over the past few years, being the largest ever in terms of scale with nine invited artists, eleven other participating artists, and one contemporary musician, for a total of 21 creators contributing works. With new spaces added to create a total of 16 venues, the community‑wide project truly achieved its goal of presenting the ‘historic castle town as a museum’. The project curators were also able to strengthen Tatsuno’s international ties by inviting artists from France and Poland to take part, as well as Japanese artists residing in the UK and Spain. (shrink)

This report highlights and explores four questions that arose from the workshop on temporal experience at the University of Toronto, May 20th and 21st, 2013.

This is an excerpt from a report on the Temporal Experience Workshop at the University of Toronto in May of 2013. This portion of the report explores the question: What can we learn about the nature of time from the nature of ordinary experience?

Telewizja określana jest jako najważniejszy środek masowego przekazu a zarazem najważniejszy wynalazek XX w., który - według socjologów - zrewolucjonizował m.in. nasz styl życia oraz sposób percepcji informacji a jednocześnie ma ogromne możliwości kształtowania naszych poglądów i opinii. Powstanie telewizji nie jest związane - jak mogłoby się to wydawać - z okresem powojennym, lecz jest wynalazkiem, dla którego przesłanki technologiczne zostały stworzone już w połowie XIX w. Szersze znaczenie zdobyła ona jednak dopiero w latach trzydziestych w Niemczech jako potencjalny instrument (...) propagandy faszystów. W roku 1935 rozpoczęto po raz pierwszy nadawanie regularnego programu telewizyjnego, a w następnym przeprowadzono pierwszą relację telewizyjną z Olimpiady Sportowej w Berlinie. W okresie powojennym początki telewizji w Niemczech datują się na rok 1954, kiedy otwarto pierwszą publiczną stację telewizyjną pod nazwą ARD. W roku 1963 utworzono drugą publiczną stację telewizyjną ZDF. Powołaniu tej stacji towarzyszyły burzliwe dyskusje społeczne i polityczne. Po pierwszym okresie ostrej konkurencji obie stacje telewizyjne rozpoczęły współpracę między sobą i to zarówno na płaszczyźnie programowej, jak i produkcyjnej. Kolejnym wielkim krokiem w rozwoju telewizji było utworzenie sieci prywatnych stacji radiowych i telewizyjnych. Ich powstanie było możliwe dzięki nowej technologii przekaźnikowej, tzn. techniki satelitarnej oraz odpowiednim regulacjom prawnym. Pierwszym takim programem była - istniejąca zresztą do dzisiaj - stacja SAT 1, która rozpoczęła nadawanie swojego programu w styczniu 1995 r. Po niej powstały lawinowo następne, takie jak: RTL plus, PRO 7, Tele 5, VOX, VIVA i wiele innych. Socjologowie kultury i kulturoznawcy podkreślają, że telewizja ma ogromne możliwości przekazywania widzom informacji przede wszystkim z zakresu szeroko rozumianej kultury. Zastępuje kino, koncert i teatr. Jest oczywiście rzeczą dyskusyjną i otwartą rozpatrywanie jakości artystycznej poszczególnych programów, jednak niezmienny jest fakt, że głównym źródłem naszych informacji przede wszystkim politycznych, społecznych, ale także i kulturalnych jest telewizja. Specjaliści przewidują dalszy jej intensywny rozwój w XXI w. i to zarówno na płaszczyźnie technologicznej, jak i też programowej. (shrink)