Results for 'Brecht, Bertolt'

9 found
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  1. Feyerabend, Ionesco, and the Philosophy of the Drama.S. G. Couvalis - 1988 - Critical Philosophy 4:51-66.
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  2. The Complicated History of Einfühlung.Magdalena Nowak - 2011 - Argument: Biannual Philosophical Journal 1 (2):301-326.
    The article analyses the history of the Einfühlung concept. Theories of ‘feeling into’ Nature, works of art or feelings and behaviours of other persons by German philosophers of the second half of the nineteenth century Robert and Friedrich Vischer and Theodor Lipps are evoked, as well as similar theory of understanding (Verstehen) by Wilhelm Dilthey and Friedrich Schleiermacher, to which Dilthey refers. The meaning of the term Einfühlung within Edith Stein’s thought is also analysed. Both Einfühlung and Verstehen were criticized (...)
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  3.  47
    The Politics of ImagesGeorges Didi-Huberman:Quand les Images Prennent Position. L’Œil de l'Histoire, I, 271 Pp.Judith Butler:Frames of War. When Is Life Grievable?, 194 Pp. [REVIEW]Nikolaj Lübecker - 2013 - Paragraph 36 (3):392-407.
    The last ten to fifteen years have seen the publication of numerous books and articles considering the relation between images and politics. The reasons for this development are obvious: footage of the World Trade Center attacks and photos from Abu Ghraib and Guantanamo (to give just a few examples) have clearly demonstrated that images not only respond to political events, but also play an important part in shaping them. Images have therefore been blamed for their complicity in these events (in (...)
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  4. Bions as a Metaphysical Explanation of Why There is Something Rather Than Nothing.Brecht Debor - manuscript
    Why is there something rather than nothing? This paper explores one particular argument in favor of the answer that 'the existence of nothing' would amount to a logical contradiction. This argument consists of positing the existence of a novel entity, called a bion, of which all contingent things can be composed yet itself is non-contingent. First an overview of historical attempts to compile a systematic and exhaustive list of answers to the question is presented as context. Then follows an analysis (...)
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  5. Antonio Gramsci: Beyond Marxism and Postmodernism.Renate Holub - 1992 - Routledge.
    This book provides the first detailed account of Gramsci's work in the context of current critical and socio-cultural debates. Renate Holub argues that Gramsci was ahead of his time in offering a theory of art, politics and cultural production. Gramsci's achievement is discussed particularly in relation to the Frankfurt School (Adorno, Horkheimer, Benjamin, Bloch, Habermas), to Brecht's theoretical writings and to thinkers in the phenomenological tradition especially Merleau-Ponty. She argues for Gramsci's continuing relevance at a time of retreat from Marxist (...)
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  6. Adorno's Aesthetic Theory: The Redemption of Illusion.Lambert Zuidervaart - 1993 - MIT Press.
    Theodor Adorno's Aesthetic Theory is a vast labyrinth that anyone interested in modern aesthetic theory must at some time enter. Because of his immense difficulty of the same order as Derrida - Adorno's reception has been slowed by the lack of a comprehensive and comprehensible account of the intentions of his aesthetics. This is the first book to put Aesthetic Theory into context and outline the main ideas and relevant debates, offering readers a valuable guide through this huge, difficult, but (...)
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  7.  38
    The Art of Uncertainty: A Scrutiny in Theatre of Michael Frayn.Midia Mohammadi - 2021 - International Journal of English Literature and Social Sciences 6 (3):245-252.
    The central idea upon which plays of Micheal Frayn are established is that a text or event is reborn and reconstructed every time it is recited or recalled. He sublimated history, physics, and various dramatic techniques into splendid drama to reflect upon the dilemmas thrown to the human in today’s world of indeterminacy. It will be explored how Frayn has plied the ‘uncertainty principle’ to drama with a distance from Becket and Brecht by analyzing three plays. Furthermore, his expressed perspective (...)
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  8. The Generic Unmasked: Reproducibility and Profanation.Ekin Erkan - 2019 - Triple Ampersand 8:5.
    Walter Benjamin’s oft-quoted 1936 essay “The Work of Art in the Age of Its Technological Reproducibility” advances the claim that, for the first time in history, the “function” of the work of art is political, as evidenced by cinema. For Benjamin, film is the “first art form whose artistic character is entirely determined by its reproducibility” and Giorgio Agamben, a contemporary Benjaminian philosopher, further elucidates this “function,” positing that cinema essentially ranks with ethics and politics, not solely with aesthetics, and, (...)
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  9. El silencio de lo justo: una mirada crítica sobre justicia y democratización.Marina Gorali - 2016 - In Primer Congreso Iberoamericano XXVIII Jornadas Argentinas de Filosofía Jurídica y Social: La decisión judicial y el rol de los tribunales en el Estado democrático de derecho. Buenos Aires: INFoJUS - SAIJ. pp. 179-188.
    Nadie sabe lo que quiere la Justicia porque la justicia no se deja escribir. Cuando digo escribir, digo instituir. La Justicia no se deja instituir. Con ello debe lidiar la actividad judicial, con el límite mismo, con la propia imposibilidad. Límite que exhibe oculto que hay algo allí que no hace cuerpo. Que hay algo que el orden de lo simbólico no logra apresar. Legendre decía: en occidente, instituir es escribir. Instituir a los hombres es ante todo, escribirlos, inscribirlos, ¿marcar (...)
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