Hannah Arendt’s classical republicanism is different from most, since it emphasizes a politics of heroism over civicism and of creativity over adversity. However, in identifying creative heroes with those who engage in Aristotelian action (praxis) rather than making (poiesis), Arendt assumes that these actions are performed strictly for their own sake. As a result, she aestheticizes politics. The claim is then made that there is something childish about this, since children are the quintessential aesthetes. But while children may be seen (...) as motivated by no more than enjoyment, Arendt’s turn to “the aesthetic” has an additional, deeper purpose: it is her way of reconciling herself to a world that contains evil. (shrink)

Just war theory − as advanced by Michael Walzer, among others − fails to take war seriously enough. This is because it proposes that we regulate war with systematic rules that are comparable to those of a game. Three types of claims are advanced. The first is phenomenological: that the theory's abstract nature interferes with our judgment of what is, and should be, going on. The second is meta-ethical: that the theory's rules are not, in fact, systematic after all, there (...) being inherent contradictions between them. And the third is practical: that by getting people to view war as like a game, the theory promotes its ‘aestheticization’ (play being a central mode of the aesthetic) such that those who fight are encouraged to act in dangerous ways. And war, it goes without saying, is already dangerous enough. (shrink)

The problem of “dirty hands” concerns the possibility that there are situations in which, no matter what one does, there is no way to avoid committing a moral wrong. By presenting a taxonomy, this paper contends that the different ways of responding to the problem correspond to different positions as regards the classic metaphysical theme of “the One and the Many.” It is then suggested that the best, because most realistic, response aligns with an approach that would have us move (...) “towards One, as Many.”. (shrink)

With the 1948 UN Universal Declaration of Human Rights, the idea of human rights came into its own on the world stage. More than anything, the Declaration was a response to the Holocaust, to both its perpetrators and the failure of the rest of the world adequately to come to the aid of its victims. Since that year, however, we have seen many more cases of mass murder. Think of China, Bali, Cambodia, Ethiopia, Guatemala, the former Yugoslavia, Rwanda, and now (...) Darfur. Of course one could always claim that such horrors would have been even more frequent if not for the Declaration. But I want to argue otherwise. For I believe that human rights have contributed to making mass murder more, rather than less, likely. To be clear, my concern is specifically with the language of human rights, not the values it expresses, values which I certainly endorse. The problem with this language is that it is abstract. And the problem with abstraction is that it demotivates, it 'unplugs' us from the 'moral sources,' as Charles Taylor would call them, which empower us to act ethically. After showing why, I then go on to describe how the rise of human rights has constituted an ironic tragedy of sorts for those philosophers who have attempted to lend it intellectual support. On the whole, they may be divided into two groups. One, led by cosmopolitans such as Martha Nussbaum and Thomas Pogge, tries to interlock rights within systematic theories of justice, thus fixing the priorities between them. The other, led by value pluralists such as Isaiah Berlin, Stuart Hampshire, and Bernard Williams, rejects such theories as infeasible and asserts that the best we can do when rights conflict is to negotiate. Yet both approaches, I argue, are counter-productive. (shrink)