Results for 'Clown Trevino'

4 found
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  1. Lessons from Infinite Clowns.Daniel Nolan - forthcoming - In Karen Bennett & Dean Zimmerman (eds.), Oxford Studies in Metaphysics Vol. 14. Oxford: Oxford University Press.
    This paper responds to commentaries by Kaiserman and Magidor, and Hawthorne. The case of the infinite clowns can teach us several things.
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  2. Send in the Clowns.Daniel Nolan - 2008 - In Dean W. Zimmerman (ed.), Oxford Studies in Metaphysics. Oxford University Press.
    Thought experiments are common where infinitely many entities acting in concert give rise to strange results. Some of these cases, however, can be generalized to yield almost omnipotent systems from limited materials. This paper discusses one of these cases, bringing out one aspect of what seems so troubling about "New Zeno" cases. -/- This paper is in memory of Josh Parsons.
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  3. The Sign of the Joker: The Clown Prince of Crime as a Sign.Joel West - 2020 - Leiden, Netherlands: Brill.
    The Joker both fascinates and repels us. From his origin in Detective Comics in 1940, he has committed obscene crimes, some of the worst the Batman universe has ever known, and, conversely, fans have made him the topic of erotic and pornographic “fan fiction.” Speculation about the Joker abounds, where some fans have even claimed that the Joker is “queer coded.” This work explores various popular claims about the Joker, and delves into the history of comic books, and of other (...)
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  4. Seriousness, Irony, and Cultural Politics: A Defense of Jorge Portilla.Francisco Gallegos - 2013 - American Philosophical Association Newsletter on Hispanic/Latino Issues in Philosophy 13 (1):11-18.
    This essay discusses Jorge Portilla’s phenomenological analysis of values and freedom in his essay, “The Phenomenology of Relajo.” Portilla argues that genuine freedom requires seriousness and sincerity; it requires wholehearted participation in cultural practices that one finds truly valuable. To support his argument, Portilla examines the ways that values and freedom are undermined when cultural practices are disrupted and break down as a result of the antics of the so-called "relajiento," a kind of “class clown” figure in Mexican culture (...)
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