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Elliot Samuel Paul [3]Elliot Paul [1]
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Elliot Samuel Paul
Queen's University
  1.  61
    Descartes’s Anti-Transparency and the Need for Radical Doubt.Elliot Samuel Paul - 2018 - Ergo: An Open Access Journal of Philosophy 5 (41):1083-1129.
    Descartes is widely portrayed as the arch proponent of “the epistemological transparency of thought” (or simply, “Transparency”). The most promising version of this view—Transparency-through-Introspection—says that introspecting (i.e., inwardly attending to) a thought guarantees certain knowledge of that thought. But Descartes rejects this view and provides numerous counterexamples to it. I argue that, instead, Descartes’s theory of self-knowledge is just an application of his general theory of knowledge. According to his general theory, certain knowledge is acquired only through clear and distinct (...)
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  2. Naturalistic Approaches to Creativity.Dustin Stokes & Elliot Paul - 2016 - In J. Sytsma W. Buckwalter (ed.), The Blackwell Companion to Experimental Philosophy.
    We offer a brief characterization of creativity, followed by a review of some of the reasons people have been skeptical about the possibility of explaining creativity. We then survey some of the recent work on creativity that is naturalistic in the sense that it presumes creativity is natural (as opposed to magical, occult, or supernatural) and is therefore amenable to scientific inquiry. This work is divided into two categories. The broader category is empirical philosophy, which draws on empirical research while (...)
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  3. Attributing Creativity.Elliot Samuel Paul & Dustin Stokes - 2018 - In Berys Gaut & Matthew Kieran (eds.), Creativity and Philosophy. Routledge.
    Three kinds of things may be creative: persons, processes, and products. The standard definition of creativity, used nearly by consensus in psychological research, focuses specifically on products and says that a product is creative if and only if it is new and valuable. We argue that at least one further condition is necessary for a product to be creative: it must have been produced by the right kind of process. We argue furthermore that this point has an interesting epistemological implication: (...)
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  4.  54
    Descartes and the Puzzle of Sensory Representation, by Raffaella De Rosa. [REVIEW]Elliot Samuel Paul & John Morrison - 2014 - Mind 123 (492):1187-1191.
    A book review of Raffaella De Rosa's Descartes and the Puzzle of Sensory Representation".
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