El objetivo de este trabajo es examinar el diagnóstico crítico que Rahel Jaeggi realiza de la sociedad. El trabajo comienza desarrollando el análisis que lleva a cabo de la crítica de la ideología. Luego mostraremos los elementos centrales de su teoría crítica desplegados en Alienación y Crítica de las formas de vida. La conclusión es que la teoría crítica de Jaeggi es una crítica inmanente y una crítica de la ideología de la sociedad contemporánea.

In the first part of the work we propose to explore the arguments that Hartmut Rosa offers in his classic work Alienation and Acceleration in order to demonstrate the author's diagnosis of the epoch. Then, we will analyze the proposal he makes in Indisposability to counteract the forms of life of a new type of totalitarianism that is typical of capitalist acceleration and that he considers as negative with respect to the relationship to which individuals are forced to live in (...) the world. Finally, we will arrive at our own hypothesis about the diagnosis presented by Rosa and to his theoretical proposal of individual-world resonance to affirm that it is novel within the Critical Theory as a tradition. (shrink)

In this paper we propose to demonstrate that Jorge Alemán's thought must be understood as a critical theory. We will carry out this task in three movements. In a first moment (I), we will make a tour of the theoretical characteristics that we consider central to his thought and that, in the set that we will propose, make Alemán a critical theorist. We will dwell mainly on works such as Capitalismo (2019) and Ideología (2021). In a second moment (II), we (...) will focus on the diagnosis he makes of neoliberalism taking into consideration the analysis deployed in Pandemónium (2020). Finally (III), we will focus on developing Alemán's theoretical-political proposal in the light of (I) and (II), paying special attention to his classic work Soledad: Común. Políticas en Lacan (2012). (shrink)

We propose to develop the first stage of Max Horkheimer's thought to value the production that him has given to the Marxist thought. The publication of Traditional Theory and critical theory on the part of Max Horkheimer, in 1937, redresses a fundamental importance for Frankfurt's School, provided that in the above mentioned work the elementary points distinguish themselves for the program of the same one. In the following pages we show elements that turn on the false representation that the company (...) has about the scientists who work under the called "traditional theory", as well as the uses that they make regarding the use of the logic or the programs of scientific discovery. The pages of the present article also are accompanied of a methodological offer developed by Horkheimer, to approach the social problematics in a suitable way. We will limit ourselves to cross the text underlining the fundamental differences between a traditional theory, which is necessary to step aside and a new theory, the offer for Horkheimer, which will use him as methodological program to Frankfurt's School, and, that in addition, it is an invitation to approach royal problematics in society. In addition we will develop the economic Marxist elements that Horkheimer thinks fundamental to criticize the supposed neutrality of the science and of the scientific work. to acomplish this we will search on other works from the author. (shrink)

In Kritik der Macht, Axel Honneth analyzes the basic postulates of Max Horkheimer’s Critical Theory. This an-alysis is part of a broader examination of what he considers to be the main critical theories of the twentieth cen-tury. This work focuses on the analysis that Honneth carries out, and on the evaluation of the judgments that he makes of Horkheimer’s political-critic-al program. We propose to review the aporias that Honneth points out as deficiencies in Horkheimer’s theory, and then to evaluate them (...) in the light of the Critical Theory of the Frankfurt School founder. From the critical pos-itions that were developed, we will try to show that both projects conglomer-ate diverse disciplines such as Marx-ist theory, Freudian psychology and sociology. These theoretical incorpor-ations make important readjustments to the classical Marxist model and reconfigure the horizon of political action during the 20th century, offer-ing theoretical analyses that continue to be valuable in the spectrum of the political theory in the 21st century. (shrink)

The critical theory of society as a political program takes an important turn in the socalled second stage of Max Horkheimer’s thought. This stage was marked by exile to North America, between 1933 and 1950, where important changes were generated in the critical theory of the Frankfurt author mainly embodied in his works Dialectic of Enlightenment, written together with Theodor Adorno, and Eclipse of reason. In this passage, or evolution of the horkheimerian thought, a theoretical reformulation can be seen in (...) which the utopia of the first stage of his thought is questioned by the lines of history described in the pages of the philosopher. This has not been problematic: the dialectical character of the theory is a central feature of it, and its reformulation, crossed by the phenomenon of the Second World War, focuses mainly on criticism of Western logos. The appreciations of the works have a certain normative character, and although they describe a certain eclipse of the Western reason denied by the same mythified Enlightenment, they imply a final call to human emancipation. -/- The essay intends to cover the main criticisms of the works and show that they do not state the death of critical theory, but rather reinforce its dialectical character as a critical description of the history of society. (shrink)

The contributions that the Frankfurt School offers to Psychology are varied. Specifically, its most eloquent problem was that of being able to discern the characteristics that make indivi-duals authoritarian and violent people. The concern of the Frankfurt writers centers on their own historical situations: the advent of totalitarian governments in Europe causes members to migrate to various countries. Max Horkheimer migrates to the United States where he begins to work on a second stage of his thinking, substantially aimed at reviewing (...) categories used during the 1930s as well as investigating the problem of social violence. His essay writing often hinders theoretical apprehension as a unit, but a search for his transversal concepts allows us to unders-tand his critical conception of society.I propose to outline the fundamental categories of analysis on what I call his Political Social Psychology in order to arrive at a general vision of what Psychology should be for him and what its role should be within Critical Theory. (shrink)

Is it all politics? That literature that reigns supreme bestsellers deepen the processes of social reproduction. They are also political, but a special prototype of political writing that often goes innocently unnoticed. It is not neutral, nor is it pure, but it is presented that way in the sales houses and in the mass media. It is a writing of concealment. Let's make a brief analysis of the novel "Confesión" (2020) by Martín Kohan from the point of view of contemporary (...) Critical Theory. (shrink)

The book "Against the truth" contains the compilation of three essays of the so -called Nietzschean thought. It is composed of writings that show the critical radicality of Friedrich Nietzsche: it is the concept of truth that must resist the blows of the philosophical hammer. And if you don't resist them, what is left of the world? Because the relationship of truth with science, politics, ethics is total (and apparently necessary). What happens in human consciences if the truth is killed (...) by the demolition of a philosophy that advances against absolutely everything? (shrink)

Presupposing that our consideration of ethical issues can be enriched by examining literary works, this paper focuses on Marsha Norman's play ‘night, Mother. The play describes the last hour and a half in the life of Jessie, a young woman who decides to die by suicide. Before ending her life, Jessie explains to her mother her reasons for her suicide. In the context of the play, these are presented as quite weighty and as, perhaps, justifying her decision. Scholarly (...) research on the play has also treated Jessie's suicide favorably. In this paper I argue that Jessie, and people in similar conditions, are wrong to die by suicide. Among other points, I criticize Jessie's arguments from the impossibility to improve life; the assured termination of suffering; the badness of the world; and the right for suicide. I also criticize arguments in the scholarly literature that view Jessie's suicide favorably, such as the arguments from independence, heroism, authenticity, and emotional closeness. (shrink)

A review of Francoise Laruelle's General Theory of Victims, which places Laruelle's theory in the context of post-colonial theories of the subaltern subject after Gayatri Spivak and Edward Said. The review questions whether Laruelle's General Theory of Victims really allows the so-called victims to speak for themselves, or simply represents another attempt by Western (French?) intellectuals to speak to/through the victims, for their own political and theoretical purposes.

Perceptual Confidence is the view that our conscious perceptual experiences assign confidence. In previous papers, I motivated it using first-personal evidence (Morrison, 2016), and Jessie Munton motivated it using normative evidence (Munton, 2016). In this paper, I will consider the extent to which it is motivated by third-personal evidence. I will argue that the current evidence is supportive but not decisive. I will then describe experiments that might provide stronger evidence. I hope to thereby provide a roadmap for future (...) research. (shrink)