9 found
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Jonathan Cohen [8]Jonathan R. Cohen [1]
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Jonathan Cohen
University of California, San Diego
Jonathan Cohen
University of South Carolina
Jonathan A. Cohen
Hebrew University of Jerusalem
  1. What Was Molyneux's Question A Question About?Jonathan Cohen & Mohan Matthen - forthcoming - In Routledge Handbook on Molyneux's Question. London: Routledge.
    Molyneux asked whether a newly sighted person could distinguish a sphere from a cube by sight alone, given that she was antecedently able to do so by touch. This, we contend, is a question about general ideas. To answer it, we must ask (a) whether spatial locations identified by touch can be identified also by sight, and (b) whether the integration of spatial locations into an idea of shape persists through changes of modality. Posed this way, Molyneux’s Question goes substantially (...)
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  2.  80
    Daylight Savings: What an Answer to the Perceptual Variation Problem Cannot Be.Eliot Michaelson & Jonathan Cohen - forthcoming - Philosophical Studies.
    Significant variations in the way objects appear across different viewing conditions poses a challenge to our ability to communicate univocally about their colors. Doing so would seem to require that we break the symmetry between multiple appearances in favor of a single variant for reporting purposes. A wide range of philosophical and non-philosophical writers have held that the symmetry can be broken by appealing to daylight viewing conditions — that the appearances of objects in daylight have a stronger, and perhaps (...)
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  3. Many Molyneux Questions.Mohan Matthen & Jonathan Cohen - 2020 - Australasian Journal of Philosophy 98 (1):47-63.
    Molyneux's Question (MQ) concerns whether a newly sighted man would recognize/distinguish a sphere and a cube by vision, assuming he could previously do this by touch. We argue that (MQ) splits into questions about (a) shared representations of space in different perceptual systems, and about (b) shared ways of constructing higher dimensional spatiotemporal features from information about lower dimensional ones, most of the technical difficulty centring on (b). So understood, MQ resists any monolithic answer: everything depends on the constraints faced (...)
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  4. Perceptual Integration, Modularity, and Cognitive Penetration.Daniel C. Burnston & Jonathan Cohen - 2015 - In A. Raftopoulos & J. Zeimbekis (eds.), Cognitive Influences on Perception: Implications for Philosophy of Mind, Epistemology, and Philosophy of Action. Oxford University Press.
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  5. Introduction.Jonathan Cohen & Mohan Matthen - 2010 - In Jonathan D. Cohen & Mohan Matthen (eds.), Color Ontology and Color Science. MIT Press.
    The Introduction discusses determinables and similarity spaces and ties together the contributions to Color Ontology and Color Science.
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  6. Redness, Reality, and Relationalism: Reply to Gert and Allen.Jonathan Cohen - 2012 - Croatian Journal of Philosophy 12 (3):351-378.
    In this paper I reply to two sets of criticisms—a first from Joshua Gert, and a second from Keith Allen—of the relationalist view of color developed and defended in my book, The Red and the Real: An Essay on Color Ontology.
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  7. Williamson on Knowledge and Psychological Explanation.P. D. Magnus & Jonathan Cohen - 2003 - Philosophical Studies 116 (1):37-52.
    According to many philosophers, psychological explanation canlegitimately be given in terms of belief and desire, but not in termsof knowledge. To explain why someone does what they do (so the common wisdom holds) you can appeal to what they think or what they want, but not what they know. Timothy Williamson has recently argued against this view. Knowledge, Williamson insists, plays an essential role in ordinary psychological explanation.Williamson's argument works on two fronts.First, he argues against the claim that, unlike knowledge, (...)
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  8.  71
    Nietzsche’s Musical Conception of Time.Jonathan R. Cohen - 2008 - In Manuel Dries (ed.), Nietzsche on Time and History. Walter de Gruyter. pp. 291.
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  9. Photography and Its Epistemic Values: Reply to Cavedon-Taylor.Jonathan Cohen & Aaron Meskin - 2009 - Journal of Aesthetics and Art Criticism 67 (2):235-237.
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