The reality of spirits? A historiography of the Akan concept of 'mind' (La réalité des esprits: Vers une historiographie de la conception akan de l'esprit). In this article the following thesis is considered: the classifications used to define African Indigenous Religions are 'inventions' of Western scholars of religion who employ categories that are entirely "non-indigenous". The author investigates the presumptions of this statement and discusses the work of scholars of religion studying the Akan and in particular the Akan concept of (...) mind. In the analytic philosophical tradition the precise meaning of Akan concepts of mind such as okra and sunsum, described by various scholars of religion in different eras, are reviewed. The pre-colonial, colonial and the postcolonial era all have had specific influence on the conceptualisation of the mind. On the basis of an historiography of the Akan mind the author concludes that, contrary to the originally thesis under review, 'cultural background' and 'academic discipline' are relatively unimportant in the classification of 'indigenous religions'. The 'paradigm' prevailing within a discipline , 'personal belief' and the spatio-temporal context in which conceptualisations are created, turn out to be far more significant. (shrink)

Since the 1960s, the focus of African Philosophy has predominantly been Afrocentric, and with an emphasis on racial issues, as a reaction to Eurocentrism. To hold an open intercultural dialogue on African Philosophy with African and other philosophers is, therefore, not-self-evident. This article will argue that intercultural dialogues or (in case of more than two participants) ‘polylogues’ can and should become a more central point of focus in the academic study of African Philosophy. The author will center on how three (...) renowned African(a) philosophers with a focus on the Akan people of Ghana have initiated intercultural dialogues for the enhancement of human wellbeing. These are Kwasi Wiredu, Kwame Gyekye and Kwame Anthony Appiah. What these philosophers have in common is their belief that all human beings are interdependent and that an emphatic, ethic orientation to one another and mutual communication helps to live together in social harmony, which enhances the wellbeing of mankind. Discussing these African philosophers’ insights into depth will pave the way for other scholars to explore the intercultural dialogue as a weak or non-centric and non-racial focused philosophical method and to enhance understanding of its relation to African(a) Philosophy and a Global Ethics of care. Keywords: Global Ethics, African(a) Philosophy, Akan, intercultural philosophical dialogue, human wellbeing. (shrink)

Well-Being in African Philosophy: Insights for a Global Ethics of Development, edited by Bolaji Bateye, Mahmoud Masaeli, Louise Müller, and Angela Roothaan, explores the notion of well-being in African and intercultural philosophy and its insights into global ethics of development. Drawing from longstanding debates on communitarianism in the context of personhood in African philosophy, as well as those in intercultural philosophy, the diverse contributors present manifold ways to philosophize about well-being from African contexts. Hailing from sub-Saharan Africa, Europe, and the (...) Middle East, they address questions of human well-being related to the major global challenges of our time, such as climate change and socio-economic, gender, and racial inequality in society, education, and organization. This collection, building on the work of African independence philosophers as well as oral traditions from a critical development studies perspective, offers fresh views on well-being, development, and morality, thus contributing to global ethics from an African vantage point. (shrink)

Every person is equipped with both the Dionysian or life force soul (in Greek Eros), and the Apollonian or death force soul (in GreekThanatos). Dionysus was a Greek fertility god from c. 580 BCE associated with wine, music, and choral dance (Csapso 2016). In Attic art, Dionysus was often depicted as a slumping god on a ship, which had a vineover laden with grapes as a mast, surrounded by a sea with a pod of dolphins; the dolphins being the rescuers (...) of sailors (life force) (Carpenter 1990). Dionysus, who was resurrected from death, repre- sented hedonism, happiness, and the good life that he celebrated with a glass of wine. His half-brother Apollo was in many respects his polar opposite. Apollo was a cerebral god associated with the sun, light, and intellectual pursuit. Dio- nysus symbolized the ability of (wo) man to submerge him- or herself in a greater whole, the ecstatic, and the chaotic emotions. Apollo, on the contrary, symbolised his or her formally rational and reasoning mind. The Dionysian and Apollonian natural forces are complementary and one needs both to be a balanced person; one needed to be capable of creating form and struc- ture as well as being passionate and vital. Brown believed that a utopian society would primarily consist of such balanced persons who are at home in both the world of rationality and logic and of symbols and emotions. (shrink)

This article focuses on the religious information inside Ghanaian and Nigerian video movies regarding Akan and Yoruba women. More specifically, it focuses on the indigenous religious, Christian, and Islamic messages inside these movies in relation to women. The article demonstrates that Akan and Yoruba filmmakers, who dominate the Ghanaian and Nigerian video movie industries, are part of networks of religious institutions, predominantly Pentecostal-Charismatic Christian and modest Islamic ones. These organizations sponsor filmmakers to spread religious messages that promote hierarchical gender relations (...) and the suppression of equal rights for women, e.g., economic independence. By providing an overview of Akan and Yoruba belief systems, in respect of indigenous, Christian, and Islamic gender-related positional concepts and ideological communication on what is appropriate behavior for women, the author will show and support the hypothesis that these movies contribute to women’s demonization and (economic) discrimination. (shrink)

In this article the author concentrates on the use of Indigenous Religion among the Akuapem in Ghana for the construction of their group identity. She discusses the way in which the Akuapem make use of the celebration of an annual indigenous religious festival (Odwira) to strengthen their group identity by self-identification, differentiation and the perception of other cultural groups. Her specific focus is on the common Asante-Akuapem history, the foundation of the Akan Golden Stools, akom dancing and the Odwira festival (...) procession and Durbars. She concludes that Indigenous Religion should not be left out in the study of the construction of group identities in the social sciences. (shrink)

At the beginning of the twentieth century, Christianity was predominantly a white Euro- American religion with 83 per cent of all Christians living in the Global North. Today, it is a global religion where over two-thirds of Christians are non-Westerners residing in the Global South. Christianity is on the rise in Latin America, Asia and especially Africa: a trend that is predicted to continue in the second half of the twenty-first century. I will explore explanations for the appeal of Christianity, (...) and Pentecostalism in particular, for contemporary Africans. (shrink)

This article aims to enhance understanding of the changing nature of the pre-colonial, (neo)colonial and postcolonial imagination of space and time in Africa and of its organising principle in African cinema. It will focus on the cartographic and time reckoning techniques and traditions of Africans in precolonial times in contrast to the space-time imagination expressed in colonial film in Africa, such as in the instruction documentary Daybreak in Udi (1949). This documentary, which promotes British colonial self-help development projects in Africa, (...) tells the story of the building of a maternity home in an Igbo village in Nigeria. Furthermore, the article will enhance understanding of the cinematic turn to a counterhegemonic film tradition as a stepping stone to the newly emerging field of African intercultural philosophical cinema. The time-space imagination in Common Threads (2018), shortlisted by the Zanzibar International Film Festival (ZIFF) for the best documentary will be analysed as a case in point. This documentary concentrates on the nineteenth-century and current Afro-Indian textile trade, the associated oral narratives and their visual impact on the so-called Kanga and Vitenge textiles. (shrink)

The aim of this research was to find out what the most popular films among the Akan in southeast Amsterdam (The Netherlands) are and how these films are used by this West African diaspora in the formation of a new religious identity after their migration to Europe. The outcome of this research is that the most popular films among the Akan are those with Pentecostal-Charismatic proselytizing messages. The Akan use these films to create an ‘imagined diasporic community’ to remain culturally (...) connected to West Africa. The second most popular films are those of an Akan indigenous religious nature. However, because the name of these films does not fit with the newly acquired European Christian identity of the Akan people in the diaspora, they have slightly changed the name of these movies to ‘cultural films’ in order to overcome the contradiction between over three centuries of ‘Akan spirits of migration’ to Europe with the recent ‘migration of spirits’ via Ghanaian films. (shrink)

Politiek filosofe en kritisch traditionaliste, onderzocht Afrikaanse orale literaire tradities op hun filosofische betekenis. Maakt zich sterk voor een authentieke Afrikaanse filosofie. Sophie Oluwoles ouders waren beiden afkomstig uit de staat Edo in het zuidwesten van Nigeria. Oluwole zelf werd geboren in het dorp Igbara Oke in de naburige staat Ondo, waar zij ook haar lagere en middelbare school doorliep. In 1964 trouwde zij met een eveneens Nigeriaanse wetenschapper. Ze vertrok nog in hetzelfde jaar naar Moskou, waar haar man een (...) baan kreeg aangeboden bij de Verenigde Naties. Vanwege taalproblemen vertrokken beiden na een jaar naar Duitsland, waar zij Duits studeerden aan de Universiteit in Keulen. Kort nadat zij in 1966 verhuisde naar de Verenigde Staten, scheidde Oluwole van haar man omdat deze haar verdere studies dwarsboomde. Oluwole keerde terug naar Nigeria waar zij aan de Universiteit van Lagos een studie filosofie begon. In de periode 1968-1970 doceerde Oluwole op een middelbare school in haar thuisstaat Ondo. Daarna keerde zij terug naar de universiteit van Lagos, waar zij werkzaam was als studentassistente en ondertussen afstudeerde. Oluwole werd als promovenda toegelaten op de universiteit van Ibadan. In 1984 behaalde zij als eerste student in sub-Sahara Afrika een doctorstitel in de filosofie. Hoewel Oluwoles filosofische carrière een aanvang nam met de studie van westerse meta-ethiek, besloot zij zich na het behalen van haar doctorstitel verder te ontwikkelen in de richting van de Afrikaanse filosofie. Zij doceerde filosofie aan de universiteit van Lagos, was decaan van deze universiteit en was voorzitter van de Nigeriaanse Vereniging voor Filosofie. Tegenwoordig is Oluwole actief als directeur van het Centrum voor Afrikaanse Cultuur en Ontwikkeling in Lagos, dat zich onder andere richt op de ontwikkeling van vrouwen in Afrika. (shrink)

"Based on extensive research in primary and secondary sources and on field research in Ghana, including more than 40 interviews, and applying her formidable expertise in African history, philosophy, historical anthropology and religious studies, Dr Louise Müller has produced a superb analysis of the history and transformation of the roles of chieftaincy in the religious institutions, rituals and ideas among the Asante." David E. Skinner, Professor of History - African and Islamic Studies. (Santa Clara University, USA .

Door de eeuwen heen hebben talloze vrouwen zich verdiept in een veel-heid aan filosofische thema’s, maar vaak zijn deze denkers onzichtbaar gebleven. Van de 17e-eeuwse filosofe Anna Maria van Schurman zullen sommigen wel hebben gehoord, maar wie kent haar tijdgenote Anne Conway? Uit de 20e eeuw is Hannah Arendt inmiddels wereldberoemd, maar de namen Susanne Langer, Gloria Anzaldúa en Werewere Liking zullen misschien alleen de specialisten bekend in de oren klinken. Vele vrouwelijke denkers waren uitgesloten van officiële onderwijsin-stellingen en namen (...) hun toevlucht tot andere vormen van filo so fie -beoefening, zoals briefwisselingen en essays. En dat levert een onschat-bare rijkdom aan filosofische bronnen op. In dit nieuwe standaardwerk worden 67 vrouwelijke denkers bij elkaar gebracht; van de Oudheid tot onze eeuw; van islamitische en katholieke mystica’s, een 18e-eeuwse Nederlandse logica tot een Nigeriaanse politiek filosofe. (shrink)

What is the nature of reality? The truth is that no academic anywhere in the world really knows the answer to this question. As long as this remains the case, one can exclude neither the possibility that parallel universes, spirit ontologies, or telepathy exist nor the possibility that reality could be a time-space transcending non-local awareness. Neither scientists nor scholars can, therefore, ever reject epistemologies based on any of these presumptions. Enlightenment-based rationalists and empiricists, however, did just that. The point (...) of departure of Roothaan’s deconstructionist environmental philosophy is, on the contrary, that since reality itself is unknown, the question of what nature remains undefined at best. Human relationships towards nature in various cultures and eras can then be perceived as the outcome of an ongoing negotiation. In this way, Roothaan aims to open up a space for intercultural philosophical and dialogical thinking about the contributions and limitations of various epistemologies that philosophers and others have used to discuss the relations to their environment. (shrink)