Results for 'Mohan Vamsi Kasukurthi'

66 found
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  1. The Development of Non-Coding RNA Ontology.Jingshan Huang, Karen Eilbeck, Barry Smith, Judith Blake, Deijing Dou, Weili Huang, Darren Natale, Alan Ruttenberg, Jun Huan, Michael Zimmermann, Guoqian Jiang, Yu Lin, Bin Wu, Harrison Strachan, Nisansa de Silva & Mohan Vamsi Kasukurthi - 2016 - International Journal of Data Mining and Bioinformatics 15 (3):214--232.
    Identification of non-coding RNAs (ncRNAs) has been significantly improved over the past decade. On the other hand, semantic annotation of ncRNA data is facing critical challenges due to the lack of a comprehensive ontology to serve as common data elements and data exchange standards in the field. We developed the Non-Coding RNA Ontology (NCRO) to handle this situation. By providing a formally defined ncRNA controlled vocabulary, the NCRO aims to fill a specific and highly needed niche in semantic annotation of (...)
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  2. Tic-Tac-Toe Learning Using Artificial Neural Networks.Mohaned Abu Dalffa, Bassem S. Abu-Nasser & Samy S. Abu-Naser - 2019 - International Journal of Engineering and Information Systems (IJEAIS) 3 (2):9-19.
    Throughout this research, imposing the training of an Artificial Neural Network (ANN) to play tic-tac-toe bored game, by training the ANN to play the tic-tac-toe logic using the set of mathematical combination of the sequences that could be played by the system and using both the Gradient Descent Algorithm explicitly and the Elimination theory rules implicitly. And so on the system should be able to produce imunate amalgamations to solve every state within the game course to make better of results (...)
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  3. Value First: Comments on Mohan Matthen’s ‘The Pleasure of Art’.Keren Gorodeisky - 2017 - Australasian Philosophical Review 1 (1):79-84.
    While I welcome Mohan Matthen’s insistence that art is connected to aesthetic pleasure, I worry about his commitment to viewing pleasure as prior to, and constitutive of, the value of art. I raise my reservations by (i) dispelling his criticism of the reversed explanatory direction, and (ii) showing problems for his commitment. As an alternative, I offer an account of pleasure that explains it in terms of the independent value of art—an account that is free of the problems Matthen (...)
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  4. The Pleasure of Art.Mohan Matthen - 2017 - Australasian Philosophical Review 1 (1):6-28.
    This paper presents a new account of aesthetic pleasure, according to which it is a distinct psychological structure marked by a characteristic self-reinforcing motivation. Pleasure figures in the appreciation of an object in two ways: In the short run, when we are in contact with particular artefacts on particular occasions, aesthetic pleasure motivates engagement and keeps it running smoothly—it may do this despite the fact that the object we engagement is aversive in some ways. Over longer periods, it plays a (...)
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  5. Drift and “Statistically Abstractive Explanation”.Mohan Matthen - 2009 - Philosophy of Science 76 (4):464-487.
    A hitherto neglected form of explanation is explored, especially its role in population genetics. “Statistically abstractive explanation” (SA explanation) mandates the suppression of factors probabilistically relevant to an explanandum when these factors are extraneous to the theoretical project being pursued. When these factors are suppressed, the explanandum is rendered uncertain. But this uncertainty traces to the theoretically constrained character of SA explanation, not to any real indeterminacy. Random genetic drift is an artifact of such uncertainty, and it is therefore wrong (...)
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  6. Is Memory Preservation?Mohan Matthen - 2010 - Philosophical Studies 148 (1):3-14.
    Memory seems intuitively to consist in the preservation of some proposition (in the case of semantic memory) or sensory image (in the case of episodic memory). However, this intuition faces fatal difficulties. Semantic memory has to be updated to reflect the passage of time: it is not just preservation. And episodic memory can occur in a format (the observer perspective) in which the remembered image is different from the original sensory image. These difficulties indicate that memory cannot be preserved content. (...)
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  7. The Individuation of the Senses.Mohan Matthen - 2015 - In Oxford Handbook of the Philosophy of Perception. Oxford University Press. pp. 567-586.
    How many senses do humans possess? Five external senses, as most cultures have it—sight, hearing, touch, smell, and taste? Should proprioception, kinaesthesia, thirst, and pain be included, under the rubric bodily sense? What about the perception of time and the sense of number? Such questions reduce to two. 1. How do we distinguish a sense from other sorts of information-receiving faculties? 2. By what principle do we distinguish the senses? Aristotle discussed these questions in the De Anima. H. P. Grice (...)
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  8. New Prospects for Aesthetic Hedonism.Mohan Matthen - 2018 - In Jennifer A. McMahon (ed.), Social Aesthetics and Moral Judgment: Pleasure, Reflection and Accountability. London: Routledge. pp. 13-33.
    Because culture plays a role in determining the aesthetic merit of a work of art, intrinsically similar works can have different aesthetic merit when assessed in different cultures. This paper argues that a form of aesthetic hedonism is best placed to account for this relativity of aesthetic value. This form of hedonism is based on a functional account of aesthetic pleasure, according to which it motivates and enables mental engagement with artworks, and an account of pleasure-learning, in which it reinforces (...)
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  9. Many Molyneux Questions.Mohan Matthen & Jonathan Cohen - 2020 - Australasian Journal of Philosophy 98 (1):47-63.
    Molyneux's Question (MQ) concerns whether a newly sighted man would recognize/distinguish a sphere and a cube by vision, assuming he could previously do this by touch. We argue that (MQ) splits into questions about (a) shared representations of space in different perceptual systems, and about (b) shared ways of constructing higher dimensional spatiotemporal features from information about lower dimensional ones, most of the technical difficulty centring on (b). So understood, MQ resists any monolithic answer: everything depends on the constraints faced (...)
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  10. Automatic Face Mask Detection Using Python.M. Madan Mohan - 2021 - Journal of Science Technology and Research (JSTAR) 2 (1):91-100.
    The corona virus COVID-19 pandemic is causing a global health crisis so the effective protection methods is wearing a face mask in public areas according to the World Health Organization (WHO). The COVID-19 pandemic forced governments across the world to impose lockdowns to prevent virus transmissions. Reports indicate that wearing facemasks while at work clearly reduces the risk of transmission. An efficient and economic approach of using AI to create a safe environment in a manufacturing setup. A hybrid model using (...)
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  11. How Things Look (And What Things Look That Way).Mohan Matthen - 2010 - In Bence Nanay (ed.), Perceiving the World. Oxford University Press. pp. 226.
    What colour does a white wall look in the pinkish light of the late afternoon? Philosophers disagree: they hold variously that it looks pink, white, both, and no colour at all. A new approach is offered. After reviewing the dispute, a reinterpretation of perceptual constancy is offered. In accordance with this reinterpretation, it is argued that perceptual features such as color must always be predicated of perceptual objects. Thus, it might be that in pinkish light, the wall looks white and (...)
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  12. Objects, Seeing, and Object-Seeing.Mohan Matthen - 2019 - Synthese 198 (4).
    Two questions are addressed in this paper. First, what is it to see? I argue that it is veridical experience of things outside the perceiver brought about by looking. Second, what is it to see a material object? I argue that it is experience of an occupant of a spatial region that is a logical subject for other visual features, able to move to another spatial region, to change intrinsically, and to interact with other material objects. I show how this (...)
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  13. Can Food Be Art in Virtue of Its Savour Alone?Mohan Matthen - 2021 - Critica 53 (157).
    Food has savour: a collection of properties (including appearance, aroma, mouth-feel) connected with the pleasure (or displeasure) of eating. After explaining this concept, and outlining a theory of aesthetic pleasure, I argue that, like paradigm examples of art, savour can be assessed relative to a culturally determined set of norms. Also like paradigm examples of art, the assessment of savour has no objective basis in the absence of such cultural norms. My argument in this paper is part of a larger (...)
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  14.  88
    Mohan Ganesalingam. The Language of Mathematics: A Linguistic and Philosophical Investigation. FoLLI Publications on Logic, Language and Information. [REVIEW]Andrew Aberdein - 2017 - Philosophia Mathematica 25 (1):143–147.
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  15. Introduction.Jonathan Cohen & Mohan Matthen - 2010 - In Jonathan D. Cohen & Mohan Matthen (eds.), Color Ontology and Color Science. MIT Press.
    The Introduction discusses determinables and similarity spaces and ties together the contributions to Color Ontology and Color Science.
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  16. Dual Structure of Touch: The Body Vs. Peripersonal Space.Mohan Matthen - forthcoming - In Frédérique de Vignemont (ed.), The World at Our Fingertips. Oxford: Oxford University Press.
    The sense of touch provides us knowledge of two kinds of events. Tactile sensation (T) makes us aware of events on or just below the skin; haptic perception (H) gives us knowledge of things outside the body with which we are in contact. This paper argues that T and H are distinct experiences, and not (as some have argued) different aspects of the same touch-experience. In other words, T ≠ H. Moreover, H does not supervene on T. Secondly: In T, (...)
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  17. Play, Skill, and the Origins of Perceptual Art.Mohan Matthen - 2015 - British Journal of Aesthetics 55 (2):173-197.
    Art is universal across cultures. Yet, it is biologically expensive because of the energy expended and reduced vigilance. Why do humans make and contemplate it? This paper advances a thesis about the psychological origins of perceptual art. First, it delineates the aspects of art that need explaining: not just why it is attractive, but why fine execution and form—which have to do with how the attraction is achieved—matter over and above attractiveness. Second, it states certain constraints: we need to explain (...)
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  18. Active Perception and the Representation of Space.Mohan Matthen - 2014 - In Dustin Stokes, Mohan Matthen & Stephen Biggs (eds.), Perception and Its Modalities. Oxford University Press. pp. 44-72.
    Kant argued that the perceptual representations of space and time were templates for the perceived spatiotemporal ordering of objects, and common to all modalities. His idea is that these perceptual representations were specific to no modality, but prior to all—they are pre-modal, so to speak. In this paper, it is argued that active perception—purposeful interactive exploration of the environment by the senses—demands premodal representations of time and space.
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  19. Introduction to Oxford Handbook of Philosophy of Perception.Mohan Matthen - 2015 - In Oxford Handbook of the Philosophy of Perception. Oxford University Press. pp. 1-25.
    Perception is the ultimate source of our knowledge about contingent facts. It is an extremely important philosophical development that starting in the last quarter of the twentieth century, philosophers have begun to change how they think of perception. The traditional view of perception focussed on sensory receptors; it has become clear, however, that perceptual systems radically transform the output of these receptors, yielding content concerning objects and events in the external world. Adequate understanding of this process requires that we think (...)
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  20. Image Content.Mohan Matthen - 2014 - In Berit Brogaard (ed.), Does Perception Have Content? Oxford University Press. pp. 265-290.
    The senses present their content in the form of images, three-dimensional arrays of located sense features. Peacocke’s “scenario content” is one attempt to capture image content; here, a richer notion is presented, sensory images include located objects and features predicated of them. It is argued that our grasp of the meaning of these images implies that they have propositional content. Two problems concerning image content are explored. The first is that even on an enriched conception, image content has certain expressive (...)
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  21. Four Pillars of Statisticalism.Denis M. Walsh, André Ariew & Mohan Matthen - 2017 - Philosophy, Theory, and Practice in Biology 9 (1):1-18.
    Over the past fifteen years there has been a considerable amount of debate concerning what theoretical population dynamic models tell us about the nature of natural selection and drift. On the causal interpretation, these models describe the causes of population change. On the statistical interpretation, the models of population dynamics models specify statistical parameters that explain, predict, and quantify changes in population structure, without identifying the causes of those changes. Selection and drift are part of a statistical description of population (...)
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  22. How to Be Sure: Sensory Exploration and Empirical Certainty.Mohan Matthen - 2014 - Philosophy and Phenomenological Research 88 (1):38-69.
    I can be wrong about things I seem to perceive; the conditions might lead me to be mistaken about them. Since I can't rule out the possibility that the conditions are misleading, I can't be sure that I am perceiving this thing in my hand correctly. But suppose that I am able to examine it actively—handling it, looking closer, shining a light on it, and so on. Then, my level of uncertainty goes down; in the limit it is eliminated entirely. (...)
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  23. AR Watch Try – On Application for Android Devices.M. Madan Mohan - 2021 - Journal of Science Technology and Research (JSTAR) 2 (1):39-48.
    In recent days Augmented Reality is an emerging trend in marketing and sales strategies. Augmented reality ads are immersive, which means they help marketers create a certain emotional connection with customers. Unlike images or banners, for example, AR ads are interactive and lifelike consumers can see and even interact with them. Now-a-days people prefer online shopping rather than the traditional window shopping and Augmented Reality allows brands to give customers unique experiences with the convenience of tapping into their mobile devices. (...)
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  24. Ephemeral Vision.Mohan Matthen - 2018 - In Thomas Crowther & Clare Mac Cumhaill (eds.), Perceptual Ephemera. Oxford: Oxford University Press. pp. 312-339.
    Vision is organized around material objects; they are most of what we see. But we also see beams of light, depictions, shadows, reflections, etc. These things look like material objects in many ways, but it is still visually obvious that they are not material objects. This chapter articulates some principles that allow us to understand how we see these ‘ephemera’. H.P. Grice’s definition of seeing is standard in many discussions; here I clarify and augment it with a criterion drawn from (...)
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  25. Debunking Enactivism: A Critical Notice of Hutto and Myin’s Radicalizing Enactivism. [REVIEW]Mohan Matthen - 2014 - Canadian Journal of Philosophy 44 (1):118-128.
    In this review of Hutto and Myin's Radicalizing Enactivism, I question the adequacy of a non-representational theory of mind. I argue first that such a theory cannot differentiate cognition from other bodily engagements such as wrestling with an opponent. Second, I question whether the simple robots constructed by Rodney Brooks are adequate as models of multimodal organisms. Last, I argue that Hutto and Myin pay very little attention to how semantically interacting representations are needed to give an account of choice (...)
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  26. Visual Demonstratives.Mohan Matthen - 2012 - In Athanasios Raftopoulos & Peter Machamer (eds.), Perception, Realism and the Problem of Reference. Cambridge University Press.
    When I act on something, three kinds of idea (or representation) come into play. First, I have a non-visual representation of my goals. Second, I have a visual description of the kind of thing that I must act upon in order to satisfy my goals. Finally, I have an egocentric position locator that enables my body to interact with the object. It is argued here that these ideas are distinct. It is also argued that the egocentric position locator functions in (...)
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  27. Greek Ontology and the 'Is' of Truth.Mohan Matthen - 1983 - Phronesis 28 (2):113 - 135.
    The author investigates greek ontologies that apparently rely on a conflation of "binary" (x is f) and "monadic" (x is) uses of 'is'. He uses Aristotelian and other texts to support his proposal that these ontologies are explained by the Greeks using two alternative semantic analyses for 'x is F'. The first views it as asserting a relation between x and F, the second as asserting that a "predicative complex" exists, where a predicative complex is a complex consisting of x (...)
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  28. Art Forms Emerging: An Approach to Evaluative Diversity in Art.Mohan Matthen - 2020 - Journal of Aesthetics and Art Criticism 78 (3):303-318.
    An artwork in one culture and form, say European classical music, cannot be evaluated in the context of another, say Hindustani music. While a person educated in the traditions of European music can rationally evaluate and discuss her response to a string quartet by Beethoven, her response to music in a foreign culture is merely subjective. She might "like" the latter, but her response is merely subjective. In this paper, I discuss the role of artforms: why response can be "objectively" (...)
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  29. What is a Hand? What is a Mind?Mohan Matthen - 2000 - Revue Internationale de Philosophie (214):653-672.
    Argues that biological organs, including mental capacities, should be identified by homology (not function).
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  30. Color Experience: A Semantic Theory.Mohan Matthen - 2010 - In Jonathan Cohen & Mohan Matthen (eds.), Color Ontology and Color Science. MIT Press. pp. 67--90.
    What is the relationship between color experience and color? Here, I defend the view that it is semantic: color experience denotes color in a code innately known by the perceiver. This semantic theory contrasts with a variety of theories according to which color is defined as the cause of color experience (in a special set of circumstances). It also contrasts with primary quality theories of color, which treat color as a physical quantity. I argue that the semantic theory better accounts (...)
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  31. The Holistic Presuppositions of Aristotle's Cosmology.Mohan Matthen - 2001 - Oxford Studies in Ancient Philosophy 20:171-199.
    Argues that Aristotle regarded the universe, or Totality, as a single substance with form and matter, and that he regarded this substance together with the Prime Mover as a self-mover.
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  32. Constructing Aesthetic Value: Responses to My Commentators.Mohan Matthen - 2017 - Australasian Philosophical Review 1 (1):100-111.
    This is a response to invited and submitted commentary on "The Pleasure of Art," published in Australasian Philosophical Reviews 1, 1 (2017). In it, I expand on my view of aesthetic pleasure, particularly how the distinction between facilitating pleasure and relief pleasure works. In response to critics who discerned and were uncomfortable with the aesthetic hedonism that they found in the work, I develop that aspect of my view. My position is that the aesthetic value of a work of art (...)
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  33. ANN for Tic-Tac-Toe Learning.Dalffa Abu-Mohaned - 2020 - International Journal of Engineering and Information Systems (IJEAIS) 3 (2):9-17.
    Throughout this research, imposing the training of an Artificial Neural Network (ANN) to play tic-tac-toe bored game, by training the ANN to play the tic-tac-toe logic using the set of mathematical combination of the sequences that could be played by the system and using both the Gradient Descent Algorithm explicitly and the Elimination theory rules implicitly. And so on the system should be able to produce imunate amalgamations to solve every state within the game course to make better of results (...)
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  34. Is the Eye Like What It Sees? A Critique of Aristotle on Sensing by Assimilation.Mohan Matthen - 2019 - Vivarium 57 (3-4):268-292.
    Aristotle held that perception consists in the reception of external sensory qualities (or sensible forms) in the sensorium. This idea is repeated in many forms in contemporary philosophy, including, with regard to vision, in the idea (still not firmly rejected) that the retinal image consists of points of colour. In fact, this is false. Colour is a quality that is constructed by the visual system, and though it is possible to be a realist about colour, it is completely misleading to (...)
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  35. Sorting the Senses.Stephen Biggs, Mohan Matthen & Dustin Stokes - 2014 - In Dustin Stokes, Mohan Matthen & Stephen Biggs (eds.), Perception and its Modalities. Oxford University Press. pp. 1-19.
    We perceive in many ways. But several dubious presuppositions about the senses mask this diversity of perception. Philosophers, scientists, and engineers alike too often presuppose that the senses (vision, audition, etc.) are independent sources of information, perception being a sum of these independent contributions. We too often presuppose that we can generalize from vision to other senses. We too often presuppose that vision itself is best understood as a passive receptacle for an image thrown by a lens. In this essay (...)
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  36.  78
    Design to Implementation of A Line Follower Robot Using 5 Sensors.Anupoju Sai Vamsi, Badana Manasa, Kocherla Rama Krishna, Tarigoppula Venu & A. N. V. N. Shashank - 2019 - International Journal of Engineering and Information Systems (IJEAIS) 3 (1):42-47.
    Abstract: The main objective is to design a line follower robot is to carry products in the manufacturing process in industries. In this paper, we mainly focused on the design to work the line follower efficiently with lighter weight. The line follower robot designed with 5 sensors to make the robot move in even complex paths. This paper discussed the mechanical and technical issues with the line follower robot and applications in various fields. In the working model, we used black (...)
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  37. Multisensory Perception in Philosophy.Amber Ross & Mohan Matthen - 2021 - Multisensory Research 34 (3):219-231.
    This is the editors' Introduction to a special issue of the journal, Multisensory Research. European philosophers of the modern period found multisensory perception to be impossible because they thought that perceptual ideas are defined by how they are experienced. Under this conception, the individual modalities are determinables of ideas—just as colour is a determinable that embraces red and blue, so also the visual is a determinable that embraces colour and (visually experienced) shape. Since no idea is experienced as, for example, (...)
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  38.  63
    A Multiple Sensor Data-Fusion for EFD Using IoT.M. Madan Mohan - 2021 - Journal of Science Technology and Research (JSTAR) 2 (1):70-80.
    Multi sensor data fusion allows large scale deployments for environmental monitoring applications especially in the areas like homes, other buildings and infrastructures and industries. In such areas early fire detection is of great importance as the consequences of a fire are catastrophic. This project predicts the possibility of catching fire using a multi-sensor scheme of data fusion to enhance the performance of the early fire detection process by detecting the concentration of inflammable gases in the atmosphere and by measuring the (...)
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  39.  45
    Identification of Plant Syndrome Using IPT.M. Madan Mohan - 2021 - Journal of Science Technology and Research (JSTAR) 2 (1):60-69.
    Agricultural productivity is something on which Indian economy highly depends. This is the one of the reasons that disease detection in plants plays a vital role in agriculture field, as having disease in plants are unavoidable. If proper care is not taken in this area, then it causes serious effects on plants and due to which the overall agriculture yield will be affected. For instance, a disease named little leaf disease is a hazardous disease found in pine trees in United (...)
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  40. Art, Pleasure, Value: Reframing the Questions.Mohan Matthen - 2018 - Philosophic Exchange 47 (1).
    In this essay, I’ll argue, first, that an art object's aesthetic value (or merit) depends not just on its intrinsic properties, but on the response it evokes from a consumer who shares the producer's cultural background. My question is: what is the role of culture in relation to this response? I offer a new account of aesthetic pleasure that answers this question. On this account, aesthetic pleasure is not just a “feeling” or “sensation” that results from engaging with a work (...)
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  41. Why Does Earth Move to the Center? An Examination of Some Explanatory Strategies in Aristotle's Cosmology.Mohan Matthen - 2009 - In Alan C. Bowen & Christian Wildberg (eds.), New Perspectives on Aristotle's De Caelo. Brill. pp. 1--119.
    How, and why, does Earth (the element) move to the centre of Aristotle's Universe? In this paper, I argue that we cannot understand why it does so by reference merely to the nature of Earth, or the attractive force of the Centre. Rather, we have to understand the role that Earth plays in the cosmic order. Thus, in Aristotle, the behaviour of the elements is explained as one explains the function of organisms in a living organism.
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  42. What Was Molyneux's Question A Question About?Jonathan Cohen & Mohan Matthen - forthcoming - In Routledge Handbook on Molyneux's Question. London: Routledge.
    Molyneux asked whether a newly sighted person could distinguish a sphere from a cube by sight alone, given that she was antecedently able to do so by touch. This, we contend, is a question about general ideas. To answer it, we must ask (a) whether spatial locations identified by touch can be identified also by sight, and (b) whether the integration of spatial locations into an idea of shape persists through changes of modality. Posed this way, Molyneux’s Question goes substantially (...)
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  43. Assembling the Emotions.Vincent Bergeron & Mohan Matthen - 2008 - In Luc Faucher & Christine Tappolet (eds.), The Modularity of Emotions. University of Calgary Press. pp. 185-212.
    In this article, we discuss the modularity of the emotions. In a general methodological section, we discuss the empirical basis for the postulation of modularity. Then we discuss how certain modules -- the emotions in particular -- decompose into distinct anatomical and functional parts.
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  44. Material Objects as the Singular Subjects of External Perception.Mohan Matthen - forthcoming - In Aleksandra Mroczko-Wąsowicz & Rick Grush (eds.), Sensory individuals, properties, and perceptual objects: unimodal and multimodal perspectives. Oxford: Oxford University Press.
    Higher animals need to identify and track material objects because they depend on interactions with them for nutrition, reproduction, and social interaction. This paper investigates the perception of material objects. It argues, first, that material objects are tagged, in all five external senses, as bearers of the features detected by them. This happens through a perceptual process, here entitled Generalized Completion, which creates the appearance of objects that have properties that transcend the activation of sensory receptors. The paper shows, secondly, (...)
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  45. Effort and Displeasure in People Who Are Hard of Hearing.Mohan Matthen - 2016 - Ear and Hearing 37:28S-34S.
    Listening effort helps explain why people who are hard of hearing are prone to fatigue and social withdrawal. However, a one-factor model that cites only effort due to hardness of hearing is insufficient as there are many who lead happy lives despite their disability. This paper explores other contributory factors, in particular motivational arousal and pleasure. The theory of rational motivational arousal predicts that some people forego listening comprehension because they believe it to be impossible and hence worth no effort (...)
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  46. Critical Nation.Shaj Mohan & Divya Dwivedi - 2007 - Economic and Political Weekly 42 (48):96-103.
    Gandhi’s notion of passive-resistance is critical in two ways and defines swaraj and swadeshi, leading to his assertion that India alone is the land of redemption for the world afflicted with modern civilization, “the sheet-anchor of our hope”. “Sound at the foundation”, “India remains as it was before”, while the world speeds on, “usurp[ing] the function of Godhead” and indulg[ing] in novel experiments”. This paper aims at elaborating Gandhi’s definition of nature in terms of the scalar, speed, as found in (...)
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  47. Review of Mohan Matthen-Seeing, Doing, and Knowing: A Philosophical Theory of Sense Perception. [REVIEW]Dustin Stokes - 2006 - British Journal of Aesthetics 46 (3):323-325.
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  48. Millikan's Historical Kinds.Mohan Matthen - 2013 - In Dan Ryder, Justine Kingsbury & Kenneth Williford (eds.), Millikan and Her Critics. Wiley. pp. 135-154.
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  49. An Untutored Reaction of Incredulity: A Review of Thomas Nagel's Mind and Cosmos.Mohan Matthen - 2013 - Philosophers' Magazine 60 (-1):114 - 117.
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  50. Aristotle's Theory of Potentiality.Mohan Matthen - 2014 - In John P. Lizza (ed.), Potentiality: Metaphysical and Bioethical Dimensions. Johns Hopkins University Press. pp. 29-48.
    In this paper, I examine Aristotle's notion of potentiality as it applies to the beginning of life. Aristotle’s notion of natural kinēsis implies that we should not treat the entity at the beginning of embryonic development as human, or indeed as the same as the one that is born. This leads us to ask: When does the embryo turn into a human? Aristotle’s own answer to this question is very harsh. Bracketing the views that lead to this harsh answer, his (...)
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