This paper examines narrativism’s claim that the historical past cannot be known once and for all because it must be continuously re-described from the standpoint of the present. We argue that this claim is based on a non sequitur. We take narrativism’s claim that the past must be re-described continuously from the perspective of the present to be the result of the following train of thought: 1) “all knowledge is conceptually mediated”; 2) “the conceptual framework through which knowledge (...) of reality is mediated changes with every new generation of historians”; therefore (narrativism’s claim) “the historical past changes with every new generation of historians”. The idea of an unchanging past, for the narrativist, requires denying premise 1 (all knowledge is conceptually mediated”) and therefore rests on a problematic commitment to the chimerical notion of the past as it is in-itself, wie es eigentlich gewesen. We argue that the narrativist’s conclusion does not follow unless one adds a further premise, namely 3) “it is not possible to view reality through the categorial framework of historical agents”. If one asserts the possibility of grasping reality through the categorial framework of others, be they contemporary or past agents (as much philosophy of history written in an idealist key does), then one no longer has to accept the narrativist’s inference that since the past cannot be known in-itself or independently of conceptual mediation, then it cannot be known as it always was for the historical agents. Narrativism’s inference that the past cannot be known as it always was does not follow from premises 1 and 2 unless one smuggles in another problematic premise, premise 3. In this paper we defend the claim that the past can be known as it always was (not as it is in-itself) by invoking a different conception of the role of conceptual mediation in historical knowledge, one which assumes the possibility of viewing reality through the categorial framework of others. This notion of the role of conceptual mediation in historical knowledge is prevalent in the idealist tradition but, in the interest of brevity, we will defend this notion of mediacy by specific reference to the idealist philosophy of R.G. Collingwood. (shrink)

Using the two cases of the Icelandic Health Sector Database and Russian initiatives in biobanking, the article criticizes the view of narratives and imaginaries as a sufficient and unproblematic means of shaping public understanding of genetics and justifying population-wide projects. Narrative representations of national biobanking engage particular imaginaries that are not bound by the universal normative framework of human rights, promote affective thinking, distract the public from recognizing and discussing tangible ethical and socioeconomic issues, and harm trust in science and (...) technology. In the Icelandic case, the presentation of the project in association with national imaginaries concealed its market identity and could lead to the commodification of biodata. In the Russian case, framing in terms of "genetic sovereignty" and "civilizational code" offers pretexts for state securitization. Adherence to normative framework of human rights and public discussion of genetics in an argumentative and factual mode can counter these trends. (shrink)

In this essay we consider the moral claims of one branch of non-realist theory known as linguistic narrativism theory. By highlighting the moral implications of linguistic narrativism theory, we argue that the “moral vision” expressed by this theory can entail, at worst, undesirable moral agnosticism if not related to a transcendental and supra-personal normativity in our moral life. With its appeal to volitionism and intuitionism, the ethical sensitivity of this theory enters into difficulties brought about by several internal (...) tensions as to what morality and moral judgements involve. We contend that the proponents of linguistic narrativism theory must strongly recognize and take responsibility for the “moral vison” their theory professes, in so far as they want to think of their theory as a morally responsible one. (shrink)

In this article, I question the unspoken assumption in historical theory that there is a trade-off between language or narrative, on the one hand, and experience or presence, on the other. Both critics and proponents of historical experience seem to presuppose that this is indeed the case. I argue that this is not necessarily true, and I analyze how the opposition between language and experience in historical theory can be overcome. More specifically, I identify the necessary conditions for a philosophy (...) of language that can be the basis for this. Second, I will also suggest and present one specific instance of such a solution. I argue that the existential philosophies of language of Martin Buber and Emmanuel Levinas can be exactly the kind of theory we need. For Buber and Levinas, language is not a means for accessing reality, but rather a medium of encounters between human beings. I present Levinas's and Buber's arguments, discuss how their views could be applied to the writing of history, and assess what the resulting picture of the writing of history could look like. (shrink)

Films frequently employ nicknames not only for villains but also for non-criminal characters. In this paper, I present a classification of nicknames used in films, along with various examples, mostly from crime-related films. I argue that the use of nicknames in films is important not for the sake of reference, but for the sake of an additional narrative told by the nickname as a shorthand description of a character's background (cf. Tony “Two-Toes”, “Dirty” Harry, “Doc” Erwin or “Hatchet” Harry Lonsdale). (...) The first role of nicknames is their use as a case of Russell's definite descriptions, which require context to be meaningful, in this case, the film story itself. Such descriptions do not need their object to necessarily exist, but they are still meaningful. This role will be tied to the pragmatic context employed. The second role of film nicknames is to concisely present the audience with a background story, by enriching the identity of a character with additional background information, without unnecessary storytelling. Such a device is connected to the philosophical theory of narrativism, providing an additional layer of the character’s identity. (shrink)

Saul Goodman, Slipping Jimmy, Charlie Hustle, Gene Takavic, Viktor Saint Claire, and many others — all seem to be aliases of one James McGill. The characterization question, from the point of view of the metaphysics of identity, is trying to answer what determines personal identity. The notion of persistence describes necessary and sufficient conditions for a person to continue or cease to exist as a person. The practical importance of persistence includes both responsibility for a person's actions and the fact (...) that identity matters practically because of a person's selfish care about his or her own future. From a Better Call Saul perspective, we are combining metaphysical issues of identity — that pinpoint what it takes for someone to remain the same person — with the pendulum of various James McGill personae. -/- James McGill does seem to have both biological and psychological continuity while shifting from one character to another, but we will argue that psychological continuity is only relevant at the lowest level and that the narrativist account seems to better explain different Jimmy personae. Narrativism answers the persistence question by stating that we are persisting as the same person because of the stories we tell about ourselves, which influence our lives and our decisions. Identity is being constituted at a narrative level, that is — Jimmy is his (current) story, determining when he begins and ends. In this paper, by analyzing character development throughout the series, we are trying to show that James McGill may not always be equated with his aliases because of different spatial and temporal narratives, which also could open various ethical implications of responsibility for past actions. (shrink)

A philosophy with children community of inquiry encourage children to develop a philosophical sensitivity that entails awareness of abstract questions related to human existence. When it operates, it can allow insight into significant philosophical aspects of various situations and their analysis. This article seeks to contribute to the discussion of philosophical sensitivity by adducing an additional dimension—namely, the development of a socio-philosophical sensitivity by means of a philosophical community of inquiry focused on texts linked to these themes and an analysis (...) of them with the help of narratival tools that explain the children’s philosophical moves. (shrink)

This article recapitulates and develops the attempts in the Nietzschean traditions to address and overcome the proliferation of nihilism that Nietzsche predicted to unfold in the next 200 years (WP 2). Nietzsche approached nihilism not merely as a psychology but as a labyrinthic and pervasive historical process whereby the highest values of culture and founding assumptions of philosophical thought prevented the further flourishing of life. Therefore, he thought nihilism had to be encountered and experienced on many, often opposing, fronts to (...) be fully consumed and left behind. Thus, just as Nietzsche captured the subtle reinventions of nihilism in new forms in his time, in the new doers assumed behind new deeds (WP 488), this article focuses on the contemporary tectonic shifts brought by digital technology and challenges subjectivation and narrativization of algorithmic will to power in human-like interfaces such as ChatGPT. Having identified philosophers and himself as the most advanced nihilists in their overvaluation of truth, in the 4th part of Thus Spoke Zarathustra, Nietzsche grappled with the difficult, perhaps impossible, temporality of post-nihilistic historicity that oscillates between highest creativity and highest truths, especially in the sections entitled The Shadow and At Noon whereby he explored new temporal techniques to evade the relapses into temporal nihilisms of the notions of linear progress or eternity (TSZ, 4). By drawing on this juncture, this article offers ways to address transfigurations of nihilism behind new technological performances of subjectivity. The article points toward creative temporalities beyond narrativity and subjectivity insofar as the statistical operations and probabilistic estimations of language-models exceed grammatical construction of meaning. This multifaceted application of his thought on the contemporary ontic reality is necessary to perceive our comet's incalculable movement as a veritable ray of sunshine. (shrink)

The rapidly growing transdisciplinary enthusiasm about developing new kinds of Anthropocene stories is based on the shared assumption that the Anthropocene predicament is best made sense of by narrative means. Against this assumption, this article argues that the challenge we are facing today does not merely lie in telling either scientific, socio-political, or entangled Anthropocene narratives to come to terms with our current condition. Instead, the challenge lies in coming to grips with how the stories we can tell in the (...) Anthropocene relate to the radical novelty of the Anthropocene condition about which no stories can be told. What we need to find are meaningful ways to reconcile an inherited commitment to narrativization and the collapse of storytelling as a vehicle of understanding the Anthropocene as our current predicament. (shrink)

Narrativists about well-being claim that our lives go better for us if they make good stories—if they exhibit cohesion, thematic consistency, and narrative arc. Yet narrativism leads to mistaken assessments of well-being: prioritizing narrative makes it harder to balance and change pursuits, pushes us toward one-dimensionality, and can’t make sense of the diversity of good lives. Some ways of softening key narrativist claims mean that the view can’t tell us very much about how to live a good life that (...) we can’t find in other theories of well-being; while there are smaller-scale ways we can incorporate narrativist insights into our views of well-being, narrativism should not be a universal organizing principle for our lives. (shrink)

Of the theologians and philosophers now writing on biblical narrative, Hans Frei and Paul Ricoeur are probably the most prominent. It is significant that their views converge on important issues. Both are uncomfortable with hermeneutic theories that convert the text into an abstract philosophical system, an ideal typological structure, or a mere occasion for existential decision. Frei and Ricoeur seem knit together in a common enterprise; they appear to be building a single narrative theology. I argue that the appearance of (...) symmetry is an illusion. There is a fundamental conflict between the ‘pure narrativism’ of Frei and the ‘impure narrativism’ of Ricoeur. I give reasons for thinking that Ricoeur’s is the stronger position. (shrink)

Felix Maschewski und Anna-Verena Nosthoff untersuchen Facebook als Beispiel einer besonders eindringlichen Form „kybernetischer Gouvernementalität“ und nehmen das „soziale“ Netzwerk dazu als psychopolitisches System von Affekten und Aktivierungen in den Blick. Dabei analysieren sie v.a. die zugrundeliegende »Sozialphysik des Anstoßes« und ihre implizite kybernetische Logik, um den so forcierten (behavioristischen) Subjektbegriff zu beleuchten. In diesem Konnex wird nicht nur dargestellt, wie das gouvernementale Unternehmen qua feedbacklogischer Programmatik die Entscheidungen, das Verhalten oder gar die Wünsche seiner Nutzer_innen antizipiert und auf diese (...) Weise indirekt ‚regiert‘, sondern auch, welche Konsequenzen die konsumtive Plattformlogik für das Politische selbst zeitigt. Letztlich zeigt sich, dass digitale Apparaturen entgegen dem insb. im Silicon Valley populären Narrativ von einer technologischen Neutralität keineswegs bloße Mittel, sondern zuallererst Machtinstrumente sind. (shrink)

This article affords particular attention to the relationship between memory, the narrativization of news and its linear construction, conceived as journalism’s ‘memory- work’. In elaborating upon this ‘work’, it is proposed that the Hegelian notion of retroactive causation (as used by Slavoj Žižek) can examine how analyses of news journalists ‘retroactively’ employ the past in the temporal construction of news. In fact, such retroactive (re)ordering directs attention to the ways in which journalists contingently select ‘a past’ to confer meaning on (...) the present. With regard to current literature, it is noted that a retroactive analysis can highlight two important dialectics within the practice of news journalism: 1) the relation between contingency and necessity; and, 2) the relation between content and form. Indeed, it is argued that this theoretical account offers a novel approach to examining the significance of memory in news journalism as well as the inconsistencies which underscore journalism’s memory-work. It is in accordance with such inconsistency that broader reflections on time, temporality and our relations to the past can be made. (shrink)

In der Schlickvorlesung ("Warte, bis Du stirbst") habe ich im Detail Geschichten erzählt, die jemand erleben müsste, um sein Weiterleben nach dem Tod zu verifizieren. Diese Geschichten hatten eine dualistische Stoßrichtung, lieferten aber kein Argument zugunsten des Dualismus, kein Argument zugunsten der Möglichkeit, dass unsere Seele auch ohne Körper weiterlebt. Niko Strobach hat implizite Argumente aus der Schlickvorlesung herausgelesen und kritisiert. In meiner Reaktion auf diese Kritik spreche ich mich für eine epistemische Lesart der dualistischen Möglichkeit aus; ob der Dualismus (...) metaphysisch möglich ist, finde ich irrelevant. Zudem verteidige ich das von mir benutzte – im weitesten Sinne empiristische – Sinnkriterium; ich biete eine narrative und eine cineastische Version des Kriteriums an: Ein Satz hat guten Sinn, wenn sich eine konkrete Geschichte denkbarer Wahrnehmungserlebnisse erzählen bzw. verfilmen lässt, denen der Erlebende Evidenzen für oder gegen den Satz entnehmen kann. Da die Geschichten von der Auferstehung des Fleisches, die Niko Strobach der christlichen Tradition entnimmt, heutzutage narrativ suboptimal sind, bleibe ich bei der These aus der Schlickvorlesung: Die Frage des Weiterlebens nach dem Tod hat guten Sinn, und um das nachzuweisen, eignen sich am besten dualistische Geschichten. (shrink)

Visual literacy has long been important as a way of reading images beyond mimetic illustration. It also allows the reader to tap into a logic of representation in order to create different representations and narratives. In this essay I argue that images provide crucial temporal complexity to the study of narrative, with particular resonances for narrative historiography. The complex temporality of the image, especially the graphic narrative or comic, points toward a historical time which may be neither linear nor causal. (...) Moreover, images demand interaction from the reader, but offer many avenues of interpretation, suggesting that the reader pay attention to their own constructions of meaning and practices of narrativizing. -/- La litéracie visuelle a longtemps été importante comme façon de lire les images hors de simple illustration mimétique. Elle permet aussi le lecteur d’entrer dans une logique de représentation pour créer des différentes représentations et des différentes narrations. Dans cet essai, je soutiens que les images fournissent une cruciale complexité temporale pour l’étude des narrations, avec valence particuliaire pour l’historiographie narrative. La temporalité complexe de l’image, surtout la narration graphique ou bande dessinée, indique une temporalité historique qui sera peut-être ni linéaire, ni causative. Par ailleurs, les images exigent l’intéraction du lecteur, et au même temps ils offrent plusieurs avenues d’interprétation, ce qui attire l’attention du lecteur à ses propres habitudes de lecture et à ses propres narrations construits. (shrink)

In this paper I will discuss the problem of justification in moral particularism. The first part is concerned with Jonathan Dancy’s account of justification, which is a narrative one. To justify one’s choice is to present a persuasive description of the context in a narrative fashion, not to subordinate singular cases to universal rules. Since it dismisses arguments and employs persuasiveness, this view seems irrational, so the second part of my paper will consist of a personal reconstruction and reformulation of (...) Dancy’s account that will aim at defending particularist justification from being labeled as “irrational”. (shrink)