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Peg Brand Weiser
Indiana University Purdue University, Indianapolis
  1.  40
    Disinterestedness and Political Art.Peg Brand Weiser - 1998 - In Carolyn Korsmeyer (ed.), Aesthetics: The Big Questions. Blackwell.
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  2.  44
    Review of Feminism and Contemporary Art: The Revolutionary Power of Women's Laughter and The Emptiness of the Image: Psychoanalysis and Sexual Differences. [REVIEW]Peg Brand Weiser, Jo Anna Isaak & Parveen Adams - 1998 - Journal of Aesthetics and Art Criticism 56 (3):299.
    Both books published in 1996 explore the role that gender plays in the psychology of art (dealing with both making and viewing), complicating current philosophical distinctions between the aesthetic and the cognitive, and providing new insights into basic topics in the history and psychology of perception, representation, and disinterestedness.
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  3.  90
    The Sense of Art. [REVIEW]Peg Brand Weiser - 1990 - The Personalist Forum 6 (1):89-91.
    Review of 1989 text by Ralph A. Smith, noted art education scholar during the era of DBAE (Discipline Based Art Education), that criticizes the author's agenda to remedy the ills of the state of arts education, arts' secondary status to the sciences, pluralism, and popular ideologies of of contemporary culture as an agenda that is (below the surface) clearly conservative, male-centered, Eurocentric and elitist. My conclusion: "Educators, beware.".
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  4.  31
    Beauty as Pride: A Function of Agency.Peg Brand Weiser - 2011 - APA Newsletter on Philosophy and Medicine 2 (10):5-9.
    This paper (presented along with others at an APA session with the late Dr. Anita Silvers commenting) explores and engages a mode of defiant challenges to the traditional, able-bodied standard of female beauty evidenced throughout the history of art as portrayed by the controversial photographer, Joel-Peter Witkin. Witkin's images of Ann Millett-Gallant, author of the book, The Disabled Body in Contemporary Art, "visualize disability" as they explore issues in agency, otherness, and the medical body.
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  5.  28
    Bound to Beauty: An Interview with Orlan.Peg Brand Weiser - 2000 - In Peg Zeglin Brand (ed.), Beauty Matters. Bloomington, IN, USA: pp. 289-313.
    The feminist performance art of the controversial French artist named Orlan is discussed in this interview with the artist.
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  6.  18
    Feminism and Aesthetics in Contemporary American Art.Peg Brand Weiser - 1997 - American Studies 15:133-146.
    What is feminist art? Can an ordinary viewer experience it in a neutral, detached, and objective way? These two questions are the focus of this essay which attempts to bridge a gap between philosophical aesthetics and feminist theorizing about women's art. The first question is purely historical, easily answered by means of a brief overview of the past twenty-five years of feminist art in America. The second question raises philosophical issues squarely within the realm of aesthetics, contingent upon who counts (...)
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  7.  14
    Feminism in Context: A Role for Feminist Theory in Aesthetic Evaluation.Peg Brand Weiser - 1993 - In John W. Bender & Gene Blocker (eds.), Contemporary Philosophy of Art: Readings in Analytic Aesthetics. Englewood Cliffs, NJ 07632, USA: pp. 106-112.
    This paper explores the role of 1980s to early 1990s feminist theory of art within the analytic philosophical tradition of aesthetics starting with a critique of the noncontextual criticism of aesthetics of Jerome Stolnitz and Monroe Beardsley contrasted with contextual feminist theory, informed by contextual theories of Arthur Danto, George Dickie and Marcia Eaton, and concluding that knowledge of external, contextual data is necessarily required to assess a work of art that has been deemed a work of art by means (...)
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  8.  68
    Misleading Aesthetic Norms of Beauty: Perceptual Sexism in Elite Women's Sports.Peg Brand Weiser - 2016 - In Sherri Irvin (ed.), Body Aesthetics. New York, NY, USA: pp. 192-221.
    This essay is about the history of challenges that women in elite sports have faced with respect to their gender identity within a society that perpetuates misleading aesthetic norms of beauty; it is a history fraught with controversy and injustice. . . . We recommend both the acknowledgment within the realm of elite sport of perceptual sexism based on misleading aesthetic norms of beauty, and a way of correcting such erroneous categorization that allows athletes the autonomy and agency to choose (...)
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  9.  50
    ORLAN Revisited: DIsembodied Virtual Hybrid Beauty.Peg Brand Weiser - 2012 - In Peg Zeglin Brand (ed.), Beauty Unlimited. Bloomington, IN, USA: pp. 306-340.
    This essay offers an update on the author's thoughts on the French feminist performance artist ORLAN, analyzing her visual representations as a new category of feminist visual art, namely, virtual hybrid beauty.
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