Results for 'Theoretical beauty'

972 found
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  1. Comprehensibility rather than beauty.Nicholas Maxwell - 2001 - Philsci Archive.
    Most scientists and philosophers of science recognize that, when it comes to accepting and rejecting theories in science, considerations that have to do with simplicity, unity, symmetry, elegance, beauty or explanatory power have an important role to play, in addition to empirical considerations. Until recently, however, no one has been able to give a satisfactory account of what simplicity (etc.) is, or how giving preference to simple theories is to be justified. But in the last few years, two different (...)
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  2. Dependent Beauty and Perfection in Kant's Aesthetics.Michael Fletcher - 2005 - Philosophical Writings (29).
    This paper attacks an account of Kant's controversial distinction between "free" and "dependent" beauty. I present three problems—The Lorland problem, The Crawford Problem, and the problem of intrinsic relation—that are shown to be a consequence of various interpretations of Kant's distinction. Next, I reconstruct Robert Wicks' well-known account of dependent beauty as "the appreciation of teleological style" and point out a key equivocation in the statement of Wicks' account: the judgment of dependent beauty can be thought to (...)
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  3. Beauty, odds, and credence.Masahiro Yamada - 2019 - Philosophical Studies 176 (5):1247-1261.
    This paper considers fair betting odds for certain bets that might be placed in the situation discussed in the so-called Sleeping Beauty Problem. This paper examines what Thirders, Halfers, and Double Halfers must say about the odds as determined by various decision theoretic approaches and argues that Thirders and Halfers have difficulties formulating plausible and coherent positions concerning the relevant betting odds. Double Halfers do not face this problem and that is an important consideration in favor of Double Halfers.
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  4. Systematizing the theoretical virtues.Michael N. Keas - 2017 - Synthese 1 (6):1-33.
    There are at least twelve major virtues of good theories: evidential accuracy, causal adequacy, explanatory depth, internal consistency, internal coherence, universal coherence, beauty, simplicity, unification, durability, fruitfulness, and applicability. These virtues are best classified into four classes: evidential, coherential, aesthetic, and diachronic. Each virtue class contains at least three virtues that sequentially follow a repeating pattern of progressive disclosure and expansion. Systematizing the theoretical virtues in this manner clarifies each virtue and suggests how they might have a coordinated (...)
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  5. (1 other version)Sleeping Beauty: Awakenings, Chance, Secrets, and Video.Nathan Salmón - 2024 - In Alessandro Capone, Roberto Graci & Pietro Perconti (eds.), New Frontiers in Pragmalinguistic Studies: Theoretical, Social, and Cognitive Approaches. Springer.
    A new philosophical analysis is provided of the notorious Sleeping Beauty Problem. It is argued that the correct solution is one-third, but not in the way previous philosophers have typically meant this. A modified version of the Problem demonstrates that neither self-locating information nor amnesia is relevant to the core Problem, which is simply to evaluate the conditional chance of heads given an undated Monday-or-Tuesday awakening. Previous commentators have failed to appreciate the significance of the information that Beauty (...)
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  6. "I like how it looks but it is not beautiful" -- Sensory appeal beyond beauty.Claudia Muth, Jochen Briesen & Claus-Christian Carbon - 2020 - Poetics 79.
    Statements such as “X is beautiful but I don’t like how it looks” or “I like how X looks but it is not beautiful” sound contradictory. How contradictory they sound might however depend on the object X and on the aesthetic adjective being used (“beautiful”, “elegant”, “dynamic”, etc.). In our study, the first sentence was estimated to be more contradictory than the latter: If we describe something as beautiful, we often intend to evaluate its appearance, whereas it is less counterintuitive (...)
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  7. Non-empirical requirements scientific theories must satisfy: Simplicity, unification, explanation, beauty.Nicholas Maxwell - 2004 - Philsci Archive.
    A scientific theory, in order to be accepted as a part of theoretical scientific knowledge, must satisfy both empirical and non-empirical requirements, the latter having to do with simplicity, unity, explanatory character, symmetry, beauty. No satisfactory, generally accepted account of such non-empirical requirements has so far been given. Here, a proposal is put forward which, it is claimed, makes a contribution towards solving the problem. This proposal concerns unity of physical theory. In order to satisfy the non-empirical requirement (...)
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  8. Contemporary Representations of the Female Body: Consumerism and the Normative Discourse of Beauty.Venera Dimulescu - 2015 - Symposion: Theoretical and Applied Inquiries in Philosophy and Social Sciences 2 (4): 505–514.
    In the context of the perpetual reproduction of consumerism in contemporary western societies, the varied and often contradictory principles of third wave feminism have been misunderstood or redefined by the dominant economic discourse of the markets. The lack of homogeneity in the theoretical debates of the third wave feminism seems to be a vulnerable point in the appropriation of its emancipatory ideals by the post-modern consumerist narratives. The beauty norm, particularly, brings the most problematic questions forth in the (...)
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  9. Can art become theoretical?Clinton Peter Verdonschot - 2021 - Internationales Jahrbuch für Philosophische Anthropologie 11 (1):109-126.
    Art-science, as its name suggests, combines art with science. The idea of combining art and science raises the question whether the outcome, art-scientific works, can succeed against a standard properly belonging to them. In other words: can there be such a thing as an art-scientific work, or do such works merely belong to either art or science while superficially seeming to belong to the other sphere as well? Surprisingly perhaps, these concerns overlap with a chief point of contention as regards (...)
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  10. Making Theory, Making Sense: Comments on Ronald Moore's Natural Beauty.Arnold Berleant - 2009 - Ethics, Place and Environment 12 (3):337-341.
    The broad scope and coherence of Natural Beauty are among its major strengths. Moore's syncretic theory tries to integrate diverse and sometimes conflicting theoretical strands. Of special importance is his recognition that the natural world is a social institution embodying perceptions that are conditioned, experiences communicated through language, and social beliefs and conventions. These lead him to consider the natural world as actually artifactual, and he terms it the 'natureworld'. Among the consequences of this is the reciprocity of (...)
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  11. Kuznetsov V. From studying theoretical physics to philosophical modeling scientific theories: Under influence of Pavel Kopnin and his school.Volodymyr Kuznetsov - 2017 - ФІЛОСОФСЬКІ ДІАЛОГИ’2016 ІСТОРІЯ ТА СУЧАСНІСТЬ У НАУКОВИХ РОЗМИСЛАХ ІНСТИТУТУ ФІЛОСОФІЇ 11:62-92.
    The paper explicates the stages of the author’s philosophical evolution in the light of Kopnin’s ideas and heritage. Starting from Kopnin’s understanding of dialectical materialism, the author has stated that category transformations of physics has opened from conceptualization of immutability to mutability and then to interaction, evolvement and emergence. He has connected the problem of physical cognition universals with an elaboration of the specific system of tools and methods of identifying, individuating and distinguishing objects from a scientific theory domain. The (...)
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  12. Review of The Significance of Beauty: Kant on Feeling and the System of the Mind. [REVIEW]Jennifer A. McMahon - 1999 - Philosophy in Review 19 (2):122-124.
    Matthews discusses the role of our ability to make a judgment of taste (judgment of beauty) within Kant's notion of the structure of the mind. In doing this she does not simply rely upon what we can learn from the first part of the third critique, the 'Critique of Aesthetic Judgment', but draws upon Kant's philosophy as a whole, including the first two critiques and the second part of The Critique of Judgment, the 'Critique of Teleological Judgment'. She looks (...)
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  13. Спасут ли мир дельфины? Русские беседы о сакрализации прекрасного = Will Dolphins Save the World? Russian Conversations about the Sacralization of the Beautiful.Gennady Bakumenko - manuscript
    В монографии посредством этического вопрошания раскрывается особое место открытого научного мышления в становлении отечественной культуры. С одной стороны, культура мыслится в качестве детерминанты личностного самоопределения, формирующей личность как элементарную единицу и мерило ценностной системы, с другой — является объектом теоретической рефлексии, сложным системным феноменом, обуславливающим социальные изменения и ход истории. Книга адресована студентам социальных и гуманитарных дисциплин, ученым, философам и педагогам. In the monograph, through the method of ethical questioning, a special place of open scientific thinking in the development of (...)
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  14. Directions For A New Aestheticism.Jeffrey Petts - 2005 - Postgraduate Journal of Aesthetics 2 (1):20-31.
    The idea of a new aestheticism is now explicit in both philosophical aesthetics and cultural theory with the publication of Gary Iseminger's The Aesthetic Function of Art and an anthology of essays edited by John Joughin and Simon Malpas critiquing the anti-aestheticism of literary theory. Both are significant in marking a wider trend reacting to, broadly speaking, intellectualised and historicised accounts of art, refocusing on the idea of appreciation itself, and working away from the emphasis on ideology and disregard for (...)
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  15. Evaluational adjectives.Alex Silk - 2021 - Philosophy and Phenomenological Research (1):1-35.
    This paper demarcates a theoretically interesting class of "evaluational adjectives." This class includes predicates expressing various kinds of normative and epistemic evaluation, such as predicates of personal taste, aesthetic adjectives, moral adjectives, and epistemic adjectives, among others. Evaluational adjectives are distinguished, empirically, in exhibiting phenomena such as discourse-oriented use, felicitous embedding under the attitude verb `find', and sorites-susceptibility in the comparative form. A unified degree-based semantics is developed: What distinguishes evaluational adjectives, semantically, is that they denote context-dependent measure functions ("evaluational (...)
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  16. (1 other version)Meinong on Aesthetic Objects and the Knowledge-Value of Emotions.Venanzio Raspa - 2013 - Humana.Mente. Journal of Philosophical Studies 25:211-234.
    In this paper I trace a theoretical path along Meinong’s works, by means of which the notion of aesthetic object as well as the changes this notion undergoes along Meinong’s output will be highlighted. Focusing especially on "Über emotionale Präsentation", I examine, on the one hand, the cognitive function of emotions, on the other hand, the objects apprehended by aesthetic emotions, i.e. aesthetic objects. These are ideal objects of higher order, which have, even though not primarily, the capacity to (...)
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  17. Behind Civilisation (second edition).Gavin Huang - 2015 - Sydney, Australia: Self-publishing.
    Darwin’s evolution theory revolutionises our understanding of the biological world. In parallel, this book is a critical breakthrough in scientific philosophy. It revolutionises our understanding of nature, particularly on civilisation, through discovering a fundamental mechanism which not only governs lifeless objects but intelligence-driven civilisation as well. This discovery provides an alternative to challenge the most fundamental issue – “the Theory of Everything”. As this mechanism is the most fundamental level, it is the foundation of similarity, including the amazing similarities between (...)
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  18. The Ofences of the Imagination: The Grotesque in Kant’s Aesthetics.Beatriz de Almeida Rodrigues - 2024 - British Journal of Aesthetics:1-17.
    In the Critique of the Power of Judgement, Kant claims that ‘the English taste in gardens or the baroque taste in furniture pushes the freedom of the imagination almost to the point of the grotesque’ (KU 5:242). This paper attempts to reconstruct Kant’s views on the grotesque as a theoretical foundation for the modern conception of the grotesque as a negative aesthetic category. The first section of the paper considers and ultimately rejects the interpretation of the grotesque as a (...)
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  19. The World, Life/Consciousness,and Value.Yong Zhu - manuscript
    This paper explores the essence of the World and the essence of Life/Consciousness. Then derives from they the highest principles of value judgment and a series of ethics, providing a theoretical basis for guiding our future actions. The essence of the World consists of three aspects: 1. Existence, 2. Not nothingness, 3.Difference/Change. The essence of Life/Consciousness includes four aspects: 1.Has the distinction of "self" and "non-self".2. Has the change of the "new self" and the "old self".3. Pursues to maintain (...)
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  20. The Legitimate Route to the Scientific Truth - The Gondor Principle.Joseph Krecz - manuscript
    We leave in a beautiful and uniform world, a world where everything probable is possible. Since the epic theory of relativity many scientists have embarked in a pursuit of astonishing theoretical fantasies, abandoning the prudent and logical path to scientific inquiry. The theory is a complex theoretical framework that facilitates the understanding of the universal laws of physics. It is based on the space-time continuum fabric abstract concept, and it is well suited for interpreting cosmic events. However, it (...)
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  21. Mathematizing as a virtuous practice: different narratives and their consequences for mathematics education and society.Deborah Kant & Deniz Sarikaya - 2020 - Synthese 199 (1-2):3405-3429.
    There are different narratives on mathematics as part of our world, some of which are more appropriate than others. Such narratives might be of the form ‘Mathematics is useful’, ‘Mathematics is beautiful’, or ‘Mathematicians aim at theorem-credit’. These narratives play a crucial role in mathematics education and in society as they are influencing people’s willingness to engage with the subject or the way they interpret mathematical results in relation to real-world questions; the latter yielding important normative considerations. Our strategy is (...)
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  22. The Myths of Academia: Open Inquiry and Funded Research.Wade L. Robison & John T. Sanders - 1993 - Journal of College and University Law 19 (3):227-50.
    Both professors and institutions of higher education benefit from a vision of academic life that is grounded more firmly in myth than in history. According to the myth created by that traditional vision, scholars pursue research wherever their drive to knowledge takes them, and colleges and universities transmit the fruits of that research to contemporary and future generations as the accumulated wisdom of the ages. Yet the economic and social forces operating on colleges and universities as institutions, as well as (...)
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  23. The Acquaintance Inference and Hybrid Expressivism.Jochen Briesen - forthcoming - Australasian Journal of Philosophy.
    Sentences containing predicates of personal taste (for example, ‘tasty’, ‘funny’) and aesthetic predicates (for example, ‘beautiful’) give rise to an acquaintance inference: They convey the information that speakers have first-hand experience with the object of predication and they can only be uttered appropriately if that is the case. This is surprisingly hard to explain. I will concentrate on aesthetic predicates, and firstly criticize previous attempts to explain the acquaintance phenomena. Second, I will suggest an explanation that rests on a speech (...)
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  24. L'etica moderna. Dalla Riforma a Nietzsche.Sergio Cremaschi - 2007 - Roma RM, Italia: Carocci.
    This book tells the story of modern ethics, namely the story of a discourse that, after the Renaissance, went through a methodological revolution giving birth to Grotius’s and Pufendorf’s new science of natural law, leaving room for two centuries of explorations of the possible developments and implications of this new paradigm, up to the crisis of the Eighties of the eighteenth century, a crisis that carried a kind of mitosis, the act of birth of both basic paradigms of the two (...)
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  25. Aesthetic Judgments, Evaluative Content, and (Hybrid) Expressivism.Jochen Briesen - 2024 - Ergo: An Open Access Journal of Philosophy 11.
    Aesthetic statements of the form ‘X is beautiful’ are evaluative; they indicate the speaker’s positive affective attitude regarding X. Why is this so? Is the evaluative content part of the truth conditions, or is it a pragmatic phenomenon (i.e. presupposition, implicature)? First, I argue that semantic approaches as well as these pragmatic ones cannot satisfactorily explain the evaluativity of aesthetic statements. Second, I offer a positive proposal based on a speech-act theoretical version of hybrid expressivism, which states that, with (...)
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  26. Value Pluralism, Realism and Pessimism.Kei Hiruta - 2020 - Res Publica 26 (4):523-540.
    Value pluralists see themselves as philosophical grown-ups. They profess to face reality as it is and accept resultant pessimism, while criticising their monist rivals for holding on to the naïve idea that the right, the good and the beautiful are ultimately harmonisable with each other. The aim of this essay is to challenge this self-image of value pluralists. Notwithstanding its usefulness as a means of subverting monist dominance, I argue that the self-image has the downside of obscuring various theoretical (...)
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  27. The Monogram of the "Sweet Songstress of the Night": The Hovering of the Imagination as the First Principle of Fichte’s Aesthetics.Laure Cahen-Maurel - 2021 - Fichte-Studien 49:219-247.
    This article presents a new reading of Fichte’s aesthetics that differs from a primarily functionalist interpretation of the imagination and art. It demonstrates that the “hovering” (Schweben) of the creative imagination should be viewed as the first principle of Fichte’s aesthetics, in which the latter consists of a triad of the pleasant, the beautiful and the sublime. Moreover, it argues that in the text Ueber Geist und Buchstab in der Philosophie (1795/1800) Fichte created a real and original monogram of the (...)
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  28. Schematizing without a Concept? Imagine that!Keren Gorodeisky - 2013 - In Stefano Bacin, Alfredo Ferrarin, Claudio La Rocca & Margit Ruffing (eds.), Kant und die Philosophie in weltbürgerlicher Absicht. Akten des XI. Internationalen Kant-Kongresses. Boston: de Gruyter. pp. 59-70.
    The aim of this paper is to elucidate what Kant describes as the "free lawfulness of the imagination" in judgments of beauty in aesthetic terms, as called for by the distinctive nature of beauty. I argue that the aesthetic activity of the imagination differs from the theoretical activity of the imagination, and that the difference between the two has an aesthetic ground in terms of the special form of beautiful objects and the special value of beauty. (...)
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  29. Kant's Feeling: Why a Judgment of Taste is De Dicto Necessary.José Luis Fernández - 2020 - Journal of Comparative Literature and Aesthetics 43 (3):141-48.
    Necessity can be ascribed not only to propositions, but also to feelings. In the Critique of Judgment (KdU), Immanuel Kant argues that a feeling of beauty is the necessary satisfaction instantiated by the ‘free play’ of the cognitive faculties, which provides the grounds for a judgment of taste (KdU 5:196, 217-19). In contradistinction to the theoretical necessity of the Critique of Pure Reason and the moral necessity of the Critique of Practical Reason, the necessity assigned to a judgment (...)
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  30. "Was ist der Mensch?" / "What is man?" (1944). Edited and translated by Facundo Bey.Hans-Georg Gadamer - 2021 - Phainomena 116 (30):255-280. Translated by Facundo Bey.
    The essay “Was ist der Mensch?” appeared for the first time in December 1944 in the German magazine with a hundred years of tradition edited by the publisher J. J. Weber Illustrierte Zeitung Leipzig [Illustrated Magazine Leipzig]. This special cultural edition, entitled Der europäische Mensch [The European Man], which was distributed exclusively abroad, was to be the last volume of the magazine after its final regular issue in September 1994 (No. 5041). Only in 1947, the text was republished, with the (...)
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  31. The Sense and Reference of Evaluative Terms.Christine Tappolet - 1995 - In Petr Kotatko & John Biro (eds.), Frege: Sense and Reference one Hundred Years later. Dordrecht, Netherland: Kluwer Academic Publishers. pp. 113--127.
    What account of evaluative expressions, such as ‘is beautiful’, ‘is generous’ or ‘is good’, should a Fregean adopt? Given Frege’s claim that predicates can have both a sense and a reference in addition to their extension, an interesting range of only partially explored theoretical possibilities opens to Frege and his followers. My intention here is to briefly present these putative possibilities and explore one of them, namely David Wiggins’ claim that evaluative predicates refer to non-natural concepts and have a (...)
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  32.  49
    Implications of the "Critique of Judgment" for a Kantian Philosophy of Action.Jeffrey Lawrence Wilson - 1995 - Dissertation, Emory University
    Kant's Critique of Judgment has often been explained as relating aesthetics and morality by presupposing his ethics. This dissertation reverses this direction of inquiry by interpreting the third Critique in terms of the contributions it makes to Kant's philosophy of action. Central here is an exposition of presentation as it functions in Kant's theoretical and practical philosophy and takes on a special role in his aesthetics and natural teleology. ;The term action in Kant's thought indicates a much larger field (...)
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  33. The Art of Willing: The Impact of Kant’s Aesthetics on Schopenhauer’s Conception of the Will.Alistair Welchman - 2013 - In Stefano Bacin, Alfredo Ferrarin, Claudio La Rocca & Margit Ruffing (eds.), Kant und die Philosophie in weltbürgerlicher Absicht. Akten des XI. Internationalen Kant-Kongresses. Boston: de Gruyter. pp. 627-638.
    Much has been written about Schopenhauer’s use of Kant’s aesthetics as well as Schopenhauer’s adherence to and departures from Kant’s theoretical philosophy, not least by Schopenhauer himself. The hypothesis I propose in this paper combines these two research trajectories in a novel way: I wish to argue that Schopenhauer’s main theoretical innovation, the doctrine of the will, can be regarded as the development of an aspect of Kant’s aesthetic theory, specifically that the intransitive, goalless striving of the will (...)
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  34. Il sublime romantico: storia di un concetto sommerso.Giovanna Pinna - 2007 - Palermo: Centro Internazionale Studi di Estetica.
    That there is a connection between Romanticism and the sublime seems obvious, and it is indeed evident in the poetic, artistic, and musical production of European Romanticism as a whole. The sublime, as tension toward infinity, as elevation of the soul, and as experience of the absolute in nature, constitutes undoubtedly one of the characterizing features of the poetics of Romanticism. Much less known, however, is the theoretical reflection on the concept of the sublime, and in fact scholarship on (...)
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  35.  41
    Symbolism and Cognition in General in Kant’s Critique of Judgment.Ted Kinnaman - 2000 - Archiv für Geschichte der Philosophie 82 (3):266-296.
    The precise nature of the relation between cognition and aesthetic judgment is clearly central to an understanding of Kant’s theory of taste in the “Critique of Aesthetic Judgment.” The Critique of Judgment itself is necessary, Kant says, because judgment constitutes a cognitive power in its own right, and its critique is therefore necessarily a part of the overall critique of pure reason. More particularly, however, the connection between cognition and aesthetic judgment plays a crucial role in Kant’s deduction of judgments (...)
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  36.  67
    What is an Indeterminate Concept?Ted Kinnaman - 2001 - In Volker Gerhardt, Rolf-Peter Horstmann & Ralph Schumacher (eds.), Kant Und Die Berliner Aufklärung: Akten des IX Internationalen Kant-Kongresses. New York: Walter de Gruyter. pp. 409-416.
    The central dilemma motivating the Antinomy of Taste in the “Critique of Aesthetic Judgment” centers on two seemingly incompatible but generally accepted propositions: On the one hand, we demand (Kant thinks) that others agree with our judgments of taste, which would be nonsensical if we did not suppose that beauty were in some sense a property of objects; on the other hand, disputes about taste cannot be settled through argument or proof in the manner of theoretical or moral (...)
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  37. Examining the Role of Aesthetic Experiences in Self-Realization and Self-Transcendence: A Thematic Analysis.Rayan Magon & Gerald Cupchik - 2023 - Creativity. Theories – Research - Applications 10 (1-2):68-94.
    Numerous scholars, philosophers, and experts in aesthetics have underscored the profound significance of a life enriched by the presence of beauty. Consequently, the appreciation of aesthetic experiences is considered pivotal for achieving self-discovery and self-transcendence (Howell et al. 2017). Despite theoretical prominence, limited qualitative research has been conducted on this topic. To address this gap in research, this study’s objective emphasized two questions guiding the inquiry; What is the role of aesthetic encounters in aiding self-realization or individuation? and, (...)
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  38. Fichte avec Schiller. La querelle des Heures à la lumière de Grâce et Dignité.Laure Cahen-Maurel - 2022 - Les Cahiers Philosophiques de Strasbourg 52:117-146.
    This article presents a new interpretation of the notorious "Horen" dispute between Schiller and Fichte by examining the text that was the catalyst for it, Fichte’s "On Spirit and Letter in Philosophy" (1795-1800), from the overlooked perspective of Schiller’s 1793 essay "On Grace and Dignity". It demonstrates that the Horen dispute is based on a theoretical misunderstanding rather than an irreconcilable opposition, arguing that Schiller’s notion of grace as beauty in movement provides the idealism and aesthetics of Fichte’s (...)
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  39. The Integral Construct of Science.Joseph Krecz - manuscript
    A number of general theories of physics provide a model for the fundamental rules that govern our universe, becoming a structural framework to which the new discoveries must conform. The theory of relativity is such a general theory. The theory of relativity is a complex theoretical framework that facilitates the understanding of the universal laws of physics. It is based on the curved space-time continuum fabric abstract concept, and it is well suited for interpreting cosmic events. More so, a (...)
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  40. Halfway Up To the Mathematical Infinity I: On the Ontological & Epistemic Sustainability of Georg Cantor’s Transfinite Design.Edward G. Belaga - manuscript
    Georg Cantor was the genuine discoverer of the Mathematical Infinity, and whatever he claimed, suggested, or even surmised should be taken seriously -- albeit not necessary at its face value. Because alongside his exquisite in beauty ordinal construction and his fundamental powerset description of the continuum, Cantor has also left to us his obsessive presumption that the universe of sets should be subjected to laws similar to those governing the set of natural numbers, including the universal principles of cardinal (...)
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  41. Quality of Parenting and Its Role In Reducing Violence Against Women in Arab Societies.Atef Hosni Elasouly - 2018 - International Journal of Academic Multidisciplinary Research (IJAMR) 2 (5):1-6.
    Abstract: In the wide range of issues of violence against women in Arab and Western societies, Professor Brian Sykes wrote about how the future can be without men by looking at the male dominance of Y chromosome on female X chromosome and trying to trace the first forms of male dominance The World To the extent that some geneticists think theoretically that a female ovum is fertilized by an ovum from another female to produce a new human being is of (...)
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  42. No Form Action Theory.Hongbo Sun - manuscript
    1. The no form action theory is a novel philosophical theory that transcends traditional dualisms such as matter and spirit, form and substance. It establishes a two-dimensional theoretical framework composed of form and no form, and uses this two-dimensional theory to understand various aspects of the world. 2. The three key actions of no form are: isolation action (e.g., distinguishing between different things), motive force action (e.g., driving changes in things), and manifestation action (e.g., allowing us to perceive things). (...)
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  43. Hanslick's Formalism as the Beginning of Contemporary Aesthetics of Music.Sanja Sreckovic - 2021 - Kritika 2 (2):299-314.
    The article presents Hanslick’s aesthetic formalism as the starting point of the contemporary aesthetics of music. His book, written in the 19th century, is considered contemporary because it still proves to be influential and fruitful in the contemporary theoretical circles, especially in the modern analytic aesthetics of music, where it is widely cited and discussed. The article positions Hanslick’s book in relation to his nearest predecessors Kant and Herbart, and to the neighbouring area where the formalistic view appeared, namely (...)
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  44. Toward an Epistemology of Art.Arnold Cusmariu - 2016 - Symposion: Theoretical and Applied Inquiries in Philosophy and Social Sciences 3 (1):37-64.
    An epistemology of art has seemed problematic mainly because of arguments claiming that an essential element of a theory of knowledge, truth, has no place in aesthetic contexts. For, if it is objectively true that something is beautiful, it seems to follow that the predicate “is beautiful” expresses a property – a view asserted by Plato but denied by Hume and Kant. But then, if the belief that something is beautiful is not objectively true, we cannot be said to know (...)
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  45. Banbury Bound, or Can a machine be conscious?Eric Dietrich - 2001 - J. Of Experimental and Theoretical AI 13 (2):177-180.
    In mid-May of 2001, I attended a fascinating workshop at Cold Spring Harbor Labs. The conference was held at the lab's Banbury Center, an elegant mansion and its beautiful surrounding estate, located on Banbury Lane, in the outskirts of Lloyd Harbor, overlooking the north shore of Long Island in New York. The estate was formerly owned by Charles Sammis Robertson. In 1976, Robertson donated his estate, and an endowment for its upkeep, to the Lab. The donation included the Robertson's mansion, (...)
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  46. Beauty as a Symbol of Morality.Zhengmi Zhouhuang - 2019 - In Das Selbst und die Welt - Denken, Handeln und Hoffen in der Klassischen Deutschen Philosophie. pp. 113-134.
    Kant uses the concept of the symbol to show the complicated relationship between the autonomy of beauty and its systematic function as a transition from nature to freedom, which are the two most important topics in the third Critique. Beauty’s symbolism of morality lies in the analog between aesthetic reflection and moral disposition; concretely, it lies in the purity or disinterestedness and self-legislation as negative and positive freedom in both subjective states of mind. In this scenario, beauty’s (...)
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  47. Beauty Filters in Self-Perception: The Distorted Mirror Gazing Hypothesis.Gloria Andrada - 2025 - Topoi:1-12.
    Beauty filters are automated photo editing tools that use artificial intelligence and computer vision to detect facial features and modify them, allegedly improving a face’s physical appearance and attractiveness. Widespread use of these filters has raised concern due to their potentially damaging psychological effects. In this paper, I offer an account that examines the effect that interacting with such filters has on self-perception. I argue that when looking at digitally-beautified versions of themselves, individuals are looking at AI-curated distorted mirrors. (...)
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  48. The beauty industry and biodiversity: “The Story of Kindness”.Minh-Hoang Nguyen, Thi Quynh-Yen Nguyen & Quan-Hoang Vuong - manuscript
    Today, many people have realized that the climate change and biodiversity loss issues lie in how and to what extent humans consume products for their lives in the Anthropocene era. Consumerism has pushed natural resource exploitation to its peak, and the depletion of resources is becoming increasingly prevalent. The beauty and personal care industry has a large market and high profits, especially in the high-income segment. However, this advantage also carries the risk of facing scrutiny, investigations, and criticism from (...)
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  49. The beauty industry, climate change, and biodiversity loss.Minh-Hoang Nguyen, Quynh-Yen Thi Nguyen & Quan-Hoang Vuong - 2024 - Visions for Sustainability 22:1-17.
    Many people now recognize that the challenges of climate change and biodiversity loss are rooted in how and to what extent humans consume goods in the Anthropocene era. Consumerism has driven natural resource exploitation to its peak, and resource depletion is becoming more common. The beauty and personal care industry has an enormous market and substantial profitability, particularly in the high-income category. However, this benefit comes with the risk of being scrutinized, investigated, and criticized by civil society groups, environmental (...)
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  50. True Beauty.Ryan P. Doran - forthcoming - British Journal of Aesthetics.
    What is the nature of the concept BEAUTY? Does it differ fundamentally from nearby concepts such as PRETTINESS? It is argued that BEAUTY, but not PRETTINESS, is a dual-character concept. Across a number of contexts, it is proposed that BEAUTY has a descriptive sense that is characterised by, inter alia, having intrinsically pleasing appearances; and a normative sense associated with deeply-held values. This account is supported across two, pre-registered, studies (N=500), and by drawing on analysis of corpus (...)
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