Results for 'comic immoralism'

71 found
Order:
  1. In Defense of Comic Pluralism.Nathaniel Sharadin - 2017 - Ethical Theory and Moral Practice 20 (2):375-392.
    Jokes are sometimes morally objectionable, and sometimes they are not. What’s the relationship between a joke’s being morally objectionable and its being funny? Philosophers’ answers to this question run the gamut. In this paper I present a new argument for the view that the negative moral value of a joke can affect its comedic value both positively and negatively.
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  2. Immoralism and the Valence Constraint.James Harold - 2008 - British Journal of Aesthetics 48 (1):45-64.
    Immoralists hold that in at least some cases, moral fl aws in artworks can increase their aesthetic value. They deny what I call the valence constraint: the view that any effect that an artwork’s moral value has on its aesthetic merit must have the same valence. The immoralist offers three arguments against the valence constraint. In this paper I argue that these arguments fail, and that this failure reveals something deep and interesting about the relationship between cognitive and moral value. (...)
    Download  
     
    Export citation  
     
    Bookmark   15 citations  
  3. Defining Comics.Aaron Meskin - 2016 - In Aaron Meskin, Frank Bramlett & Roy Cook (eds.), Routledge Companion to Comics. Routledge. pp. 221-229.
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  4. Comics and Genre.Catharine Abell - 2012 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics: A Philosophical Approach. Blackwell. pp. 68--84.
    An adequate account of the nature of genre and of the criteria for genre membership is essential to understanding the nature of the various categories into which comics can be classified. Because they fail adequately to distinguish genre categories from other ways of categorizing works, including categorizations according to medium or according to style, previous accounts of genre fail to illuminate the nature of comics categories. I argue that genres are sets of conventions that have developed as means of addressing (...)
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark   4 citations  
  5. Comics & Collective Authorship.Christy Mag Uidhir - 2012 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics: A Philosophical Approach. Wiley-Blackwell. pp. 47-67.
    Most mass-art comics (e.g., “superhero” comics) are collectively produced, that is, different people are responsible for different production elements. As such, the more disparate comic production roles we begin to regard as significantly or uniquely contributory, the more difficult questions of comic authorship become, and the more we view various distinct production roles as potentially constitutive is the more we must view comic authorship as potentially collective authorship. Given the general unreliability of intuitions with respect to collective (...)
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  6. Comics, Prints, and Multiplicity.Roy T. Cook & Aaron Meskin - 2015 - Journal of Aesthetics and Art Criticism 73 (1):57-67.
    Comics comprise a hybrid art form descended from printmaking and mostly made using print technologies. But comics are an art form in their own right and do not belong to the art form of printmaking. We explore some features art comics and fine art prints do and do not have in common. Although most fine art prints and comics are multiple artworks, it is not obvious whether the multiple instances of comics and prints are artworks in their own right. The (...)
    Download  
     
    Export citation  
     
    Bookmark  
  7. The Pleasures of the Comic and of Socratic Inquiry.Mitchell Miller - 2008 - Arethusa 41 (2):263-289.
    At Apology 33c Socrates explains that "some people enjoy … my company" because "they … enjoy hearing those questioned who think they are wise but are not." At Philebus 48a-50b he makes central to his account of the pleasure of laughing at comedy the exposé of the self-ignorance of those who presume themselves wise. Does the latter passage explain the pleasure of watching Socrates at work? I explore this by tracing the admixture of pain, the causes, and the "natural harmony" (...)
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark   2 citations  
  8. Going to Bed White and Waking Up Arab: On Xenophobia, Affect Theories of Laughter, and the Social Contagion of the Comic Stage.Cynthia Willett - 2014 - Critical Philosophy of Race 2 (1):84-105.
    Like lynching and other mass hysterias, xenophobia exemplifies a contagious, collective wave of energy and hedonic quality that can point toward a troubling unpredictability at the core of political and social systems. While earlier studies of mass hysteria and popular discourse assume that cooler heads (aka rational individuals with their logic) could and should regain control over those emotions that are deemed irrational, and that boundaries are assumed healthy only when intact, affect studies pose individuals as nodes of biosocial networks (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  9. Comics and Ethics.Jon Robson - forthcoming - In F. Bramlett, R. Cook & A. Meskin (eds.), Routledge Companion to Comics and Graphic Novels. Routledge.
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  10. Comic Impossibilities.Jason Leddington - 2020 - Journal of Aesthetics and Art Criticism 78 (4):547-558.
    Argues for the controversial and initially counterintuitive thesis that theatrical magic (that is, the performance of conjuring tricks) is a form of standup comedy.
    Download  
     
    Export citation  
     
    Bookmark  
  11.  33
    Comic Cure for Delusional Democracy: Plato's Republic.Gene Fendt - 2014 - Lexington Books.
    In this book, author Gene Fendt shows how Plato's Republic provides a liturgical purification for the political and psychic delusions of democratic readers, even as Socrates provides the same for his interlocutors at the festival of Bendis. Each of the several characters is analyzed in accord with Book Eight's 6 geometrically possible kinds of character showing how their answers and failures in the dialogue exhibit the particular kind of movement and blindness predictable for the type.
    Download  
     
    Export citation  
     
    Bookmark  
  12. Friedrich Nietzsche: A Philosopher of Immoralism?Rafael Pangilinan - 2009 - Lumina: An Interdisciplinary Research and Scholarly Journal of Holy Name University 20 (2):1-28.
    This paper intends to show that Friedrich Nietzsche’s approach to morality or ‘immorality’ involves an attempt to see moral beliefs as a product of human psychology, rather than as a set of metaphysical ‘truths’ that are somehow given to, or discoverable by, us. Nietzsche wants to replace the metaphysical (or supernatural) account of morality with a natural one, and his treatment of moral belief-systems, from the perspective of this concern, can be divided into (a) a psychological analysis of the true (...)
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark   1 citation  
  13. Twice-Two: Hegel’s Comic Redoubling of Being and Nothing.Rachel Aumiller - 2018 - Problemi International 2:253-278.
    Following Freud’s analysis of the fragile line between the uncanny double and its comic redoubling, I identify the doubling of the double found in critical moments of Hegelian dialectic as producing a kind of comic effect. It almost goes without saying that two provides greater pleasure than one, the loneliest number. Many also find two to be preferable to three, the tired trope of dialectic as a teleological waltz. Two seems to offer lightness, relieving one from her loneliness (...)
    Download  
     
    Export citation  
     
    Bookmark  
  14.  58
    The Rise of the Comic Book Movie.Gary James Jason - 2008 - Liberty (October):46-47.
    In this essay, I take up the question of why so many of the movies made by Hollywood are endless sequels, “prequels,” and remakes of prior blockbuster hits and so many are based on comic books (X-men, Superman, Batman, and so on). I tie the explanation in part to the aforementioned 1950 Supreme Court ruling prohibiting production companies, and in part to broader cultural changes. In particular, I argue that precisely because film producers can no longer make money from (...)
    Download  
     
    Export citation  
     
    Bookmark  
  15.  54
    Superhero Thought Experiments: Comic Book Philosophy.Nathaniel Goldberg - 2019 - Iowa City, IA, USA: University of Iowa.
    What would happen if lightning struck a tree in a swamp and transformed it into The Swampman, or if saving billions of lives required sacrificing millions first? The first is a philosophical thought experiment devised by Donald Davidson, the second a theme from a comic written by Alan Moore. I argue that that comics can be read as containing thought experiments and that such philosophical devises should be shared with students of all ages.
    Download  
     
    Export citation  
     
    Bookmark  
  16.  13
    Slipping on Banana Skins and Falling Through Bars: ‘True’ Comedy and the Comic Character.Jack Black - 2021 - Galactica Media: Journal of Media Studies 3 (3):110-121.
    From Basil Fawlty, The Little Tramp and Frank Spencer; to Jim Carey, Andy Kaufman and Rowan Atkinson... comedy characters and comic actors have proved useful lenses for exploring—and exposing—humor’s cultural and political significance. Both performing as well as chastising cultural values, ideas and beliefs, the comic character gives a unique insight into latent forms of social exclusion that, in many instances, can only ever be approached through the comic form. It is in examining this comic form (...)
    Download  
     
    Export citation  
     
    Bookmark  
  17. Captain Scipio: The Recollection of Phister’s Portrayal as the Comic Par Excellence.Timothy Stock - 2014 - In Jon Stewart (ed.), Kierkegaard Research: Sources, Reception and Resources. Ashgate. pp. 89-95.
    Download  
     
    Export citation  
     
    Bookmark  
  18. Morality and Aesthetics of Food.Shen-yi Liao & Aaron Meskin - 2018 - In Anne Barnhill, Mark Budolfson & Tyler Doggett (eds.), The Oxford Handbook on Food Ethics. Oxford University Press. pp. 658-679.
    This chapter explores the interaction between the moral value and aesthetic value of food, in part by connecting it to existing discussions of the interaction between moral and aesthetic values of art. Along the way, this chapter considers food as art, the aesthetic value of food, and the role of expertise in uncovering aesthetic value. Ultimately this chapter argues against both food autonomism (the view that food's moral value is unconnected to its aesthetic value) and Carolyn Korsmeyer's food moralism (the (...)
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  19.  64
    Legein to What End?Merrick Anderson - 2019 - Australasian Philosophical Review 3 (2):176-182.
    In the 5th century a number of sophists challenged the orthodox understanding of morality and claimed that practicing injustice was the best and most profitable way for an individual to live. Although a number of responses to sophistic immoralism were made, one argument, in fact coming from a pair of sophists, has not received the attention it deserves. According to the argument I call Immortal Repute, self-interested individuals should reject immorality and cultivate virtue instead, for only a virtuous agent (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  20. Why They Won't Save Us: Political Dispositions in the Conflicts of Superheroes.Woody Evans - 2014 - Transformative Works and Cultures 17.
    Comic book superheroes tend to be conservative and their opponents progressive. Here I explore the reasons for heroic conservatism, review recent disruptions to the trend, and consider what superhuman politics can tell us about our own transhuman and science fictional conditions.
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  21. Shifting Perspectives in Pictorial Narratives.Emar Maier & Sofia Bimpikou - 2019 - In Uli Sauerland & Stephanie Solt (eds.), Proceeding of Sinn und Bedeutung 23. Barcelona: Leibniz-Centre General Linguistics (ZAS).
    We propose an extension of Discourse Respresentation Theory (DRT) for analyzing pictorial narratives. We test drive our PicDRT framework by analyzing the way authors represent characters’ mental states and perception in comics. Our investigation goes beyond Abusch and Rooth (2017) in handling not just free perception sequences, but also a form of apparent perspective blending somewhat reminiscent of free indirect discourse.
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  22. Kierkegaard's Concepts: Incognito.Martijn Boven - 2014 - In Steven M. Emmanuel, Jon Stewart & William McDonald (eds.), Volume 15, Tome III: Kierkegaard's Concepts: Envy to Incognito. Ashgate. pp. 231-236.
    The Danish word 'incognito' means to appear in disguise, or to act under an unfamiliar, assumed name (or title) in order to avoid identification. As a concept, incognito occurs in several of Kierkegaard’s works, but only becomes a subject of reflection in two: the Concluding Unscientific Postscript to Philosophical Fragments by Johannes Climacus and Practice in Christianity by Anti-Climacus. Both pseudonyms develop the concept from their own perspective and must be understood on their own terms. Johannes Climacus treats incognito as (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  23.  47
    Gry Komputerowe I Branża Gier a Sztuka Komiksowa.Andrzej Klimczuk - 2011 - In Grażyna Gajewska & Rafał Wójcik (eds.), Contextual Mix. Through Graphic Stories to Analyses of Contemporary Culture. Poznańskie Towarzystwo Przyjaciół Nauk. pp. 385--396.
    Growth in popularity of computer games is a noticeable change in recent years. Electronic entertainment increasingly engages the wider society and reaches to new audiences by offering them satisfy of wide variety of needs and aspirations. As a mass media games not only provide entertainment, but they are also an important source of income, knowledge and social problems. Article aims to bring closer look on the common areas of games and comics. On the one hand designers and artists working on (...)
    Download  
     
    Export citation  
     
    Bookmark  
  24.  85
    Aesthetics And Popular Art: An Interview With Aaron Meskin.Aaron Meskin - 2010 - Postgraduate Journal of Aesthetics 7 (2):1-9.
    As is usually the case with what I work on, I read some stuff I liked. I 1 read an article on comics by Greg Hayman and Henry Pratt and some work on 2 videogames,GrantTavinor’sreallyexcellentworkonthattopic. Ifoundthematerial interesting and I thought I had something to say about it. That’s what usually motivates me and that’s what did in these cases. With comics, my interest in the medium played a big role. I was a child collector of Marvel. I got turned on (...)
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  25. Mill and Pettit on Freedom, Domination, and Freedom-as-Domination.Tim Beaumont - 2019 - Prolegomena: Journal of Philosophy 18 (1):27-50.
    Pettit endorses a ‘republican’ conception of social freedom of the person as consisting of a state of non-domination, and takes this to refute Mill’s ‘liberal’ claim that non-domineering but coercive interference can compromise social freedom of choice. This paper argues that Pettit’s interpretation is true to the extent that Mill believes that the legitimate, non-arbitrary and just coercion of would-be dominators, for the sake of preventing them from dominating others, can render them unfree to choose to do so without rendering (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  26. What's so Funny? Modelling Incongruity in Humour Production.Rachel Hull, Sümeyra Tosun & Jyotsna Vaid - 2017 - Cognition and Emotion 31 (3).
    Finding something humorous is intrinsically rewarding and may facilitate emotion regulation, but what creates humour has been underexplored. The present experimental study examined humour generated under controlled conditions with varying social, affective, and cognitive factors. Participants listed five ways in which a set of concept pairs (e.g. MONEY and CHOCOLATE) were similar or different in either a funny way (intentional humour elicitation) or a “catchy” way (incidental humour elicitation). Results showed that more funny responses were produced under the incidental condition, (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  27. Heidegger, Art, and Postmodernity.Iain D. Thomson - 2011 - Cambridge University Press.
    Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. Providing pathbreaking readings of Heidegger's 'The Origin of the Work of Art' and his notoriously difficult Contributions to Philosophy, this book explains precisely what postmodernity meant for Heidegger, the greatest philosophical critic of modernity, and what it could still mean for us today. Exploring these issues, Iain D. Thomson examines several (...)
    Download  
     
    Export citation  
     
    Bookmark   20 citations  
  28.  99
    The Compassion of Zarathustra: Nietzsche on Sympathy and Strength.Michael L. Frazer - 2006 - The Review of Politics 68 (1):49-78.
    Contemporary theorists critical of the current vogue for compassion might like to turn to Friedrich Nietzsche as an obvious ally in their opposition to the sentiment. Yet this essay argues that Nietzsche’s critique of compassion is not entirely critical, and that the endorsement of one’s sympathetic feelings is actually a natural outgrowth of Nietzsche’s immoralist ethics. Nietzsche understands the tendency to share in the suffering of their inferiors as a distinctive vulnerability of the spiritually strong and healthy. Their compassion, however, (...)
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  29. Dehumanization in Literature and the Figure of the Perpetrator.Andrea Timar - forthcoming - In Maria Kronfeldner (ed.), The Routledge Handbook of Dehumanization. New York, Egyesült Államok:
    Chapter 14. Andrea Timár engages with literary representations of the experience of perpetrators of dehumanization. Her chapter focuses on perpetrators of dehumanization who do not violate laws of their society (i.e., they are not criminals) but exemplify what Simona Forti, inspired by Hannah Arendt, calls “the normality of evil.” Through the parallel examples of Dezső Kosztolányi’s Anna Édes (1926) and Doris Lessing’s The Grass is Singing (1950), Timár first explores a possible clash between criminals and perpetrators of dehumanization, showing literature’s (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  30. Il relativismo etico fra antropologia culturale e filosofia analitica.Sergio Volodia Marcello Cremaschi - 2007 - In I. Tolomio (ed.), Rileggere l'etica tra contingenza e principi. Padova, Italy: CLUEP. pp. 15-46.
    I intend to: a) clarify the origins and de facto meanings of the term relativism; b) reconstruct the reasons for the birth of the thesis named “cultural relativism”; d) reconstruct ethical implications of the above thesis; c) revisit the recent discussion between universalists and particularists in the light of the idea of cultural relativism.. -/- 1.Prescriptive Moral Relativism: “everybody is justified in acting in the way imposed by criteria accepted by the group he belongs to”. Universalism: there are at least (...)
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark   1 citation  
  31. L'etica del Novecento. Dopo Nietzsche.Sergio Cremaschi - 2005 - Roma RM, Italia: Carocci.
    TWENTIETH-CENTURY ETHICS. AFTER NIETZSCHE -/- Preface This book tells the story of twentieth-century ethics or, in more detail, it reconstructs the history of a discussion on the foundations of ethics which had a start with Nietzsche and Sidgwick, the leading proponents of late-nineteenth-century moral scepticism. During the first half of the century, the prevailing trends tended to exclude the possibility of normative ethics. On the Continent, the trend was to transform ethics into a philosophy of existence whose self-appointed task was (...)
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark   2 citations  
  32. Picturing Words: The Semantics of Speech Balloons.Emar Maier - 2019 - In Proceedings of the 22nd Amsterdam Colloquium. Amsterdam: pp. 584-592.
    Semantics traditionally focuses on linguistic meaning. In recent years, the Super Linguistics movement has tried to broaden the scope of inquiry in various directions, including an extension of semantics to talk about the meaning of pictures. There are close similarities between the interpretation of language and of pictures. Most fundamentally, pictures, like utterances, can be either true or false of a given state of affairs, and hence both express propositions (Zimmermann, 2016; Greenberg, 2013; Abusch, 2015). Moreover, sequences of pictures, like (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  33. Aristophanic Tragedy.Suzanne Obdrzalek - 2017 - In Z. Giannopoulou & P. Destrée (eds.), The Cambridge Critical Guide to Plato’s Symposium. Cambridge, UK: Cambridge University Press. pp. 70-87.
    In this paper, I offer a new interpretation of Aristophanes’ speech in Plato’s Symposium. Though Plato deliberately draws attention to the significance of Aristophanes’ speech in relation to Diotima’s (205d-206a, 211d), it has received relatively little philosophical attention. Critics who discuss it typically treat it as a comic fable, of little philosophical merit (e.g. Guthrie 1975, Rowe 1998), or uncover in it an appealing and even romantic treatment of love that emphasizes the significance of human individuals as love-objects to (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  34. No Hugging, No Learning: The Limitations of Humour.Cochrane Tom - 2017 - British Journal of Aesthetics 57 (1):51-66.
    I claim that the significance of comic works to influence our attitudes is limited by the conditions under which we find things funny. I argue that we can only find something funny if we regard it as norm-violating in a way that doesn’t make certain cognitive or pragmatic demands upon us. It is compatible with these conditions that humour reinforces our attitude that something is norm-violating. However, it is not compatible with these conditions that, on the basis of finding (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  35. Poetry and Hedonic Error in Plato’s Republic.J. Clerk Shaw - 2016 - Phronesis 61 (4):373-396.
    This paper reads Republic 583b-608b as a single, continuous line of argument. First, Socrates distinguishes real from apparent pleasure and argues that justice is more pleasant than injustice. Next, he describes how pleasures nourish the soul. This line of argument continues into the second discussion of poetry: tragic pleasures are mixed pleasures in the soul that seem greater than they are; indulging them nourishes appetite and corrupts the soul. The paper argues that Plato has a novel account of the ‘paradox (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  36. Adicto a los tebeos.Enrique Morata - 2012 - Bubok.
    Páginas de tebeos escogidas por su interés filosófico.
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  37. Devices of Shock: Adorno's Aesthetics of Film and Fritz Lang's Fury.Ryan Drake - 2009 - Télos 2009 (149):151-168.
    Two critical yet comic elements, beyond the more obvious narrative of persecution, reveal themselves in Adorno's recorded nightmare. The first is comic because it so aptly displays his relentless critical impulse despite himself, the way in which theory invades the private sphere of his dreams: even in sleep, Adorno finds himself at once reading phenomena and on guard against a false transcendence from which they could, in the last instance, be deciphered.1 The second is more patently absurd, yet (...)
    Download  
     
    Export citation  
     
    Bookmark  
  38. Evolution, Schmevolution: Jon Stewart and the Culture Wars.Massimo Pigliucci - 2007 - In J. Holt (ed.), The Daily Show and Philosophy. Wiley.
    Jon Stewart, the famous comic of the Daily Show, takes on creationism, intelligent design and evolution.
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  39. Immorality or Immortality? An Argument for Virtue.Merrick Anderson - 2019 - Rhetorica 2 (37):97-119.
    In the 5th century a number of sophists challenged the orthodox understanding of morality and claimed that practicing injustice was the best and most profitable way for an individual to live. Although a number of responses to sophistic immoralism were made, one argument, in fact coming from a pair of sophists, has not received the attention it deserves. According to the argument I call Immortal Repute, self-interested individuals should reject immorality and cultivate virtue instead, for only a virtuous agent (...)
    Download  
     
    Export citation  
     
    Bookmark  
  40. Paul Bloomfield, The Virtues of Happiness: A Theory of the Good Life. Reviewed by Matt Stichter. [REVIEW]Matt Stichter - 2015 - Social Theory and Practice 41 (3):567-574.
    Paul Bloomfield’s latest book, The Virtues of Happiness, is an excellent discussion of what constitutes living the Good Life. It is a self-admittedly ambitious book, as he seeks to show that people who act immorally necessarily fall short of living well. Instead of arguing that immorality is inherently irrational, he puts it in terms of it being inherently harmful in regards to one’s ability to achieve the Good Life. It’s ambitious because he tries to argue this starting from grounds which (...)
    Download  
     
    Export citation  
     
    Bookmark  
  41.  46
    Nietzsche’nin Zerdüşt’ünün Çınlayamadığı Kulaklar: Nietzsche 21. Yüzyıl İnsanına Ahlak Üzerine Ne Söyleyebilir?Engin Yurt & Nurten Kiriş Yılmaz - 2018 - Beytulhikme An International Journal of Philosophy 8 (1):170-190.
    In this article, it has been aimed to examine Nietzsche’s main critique towards different understandings of morals in his era. With this criticism, it is aimed to integrally understand the opinions -which are articulated directly or metaphorically- towards morals which have been encountered. In here, while keeping in mind the difference between the concepts of immoralism and amoralism, Nietzsche’s views are interpreted. Being parallel to that aim mentioned above, it has been investigated if there is a thinking in Nietzsche (...)
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  42.  85
    Theories of Humour and the Place of Humour in Education.Michèle Turner - 1986 - Dissertation, McGill University
    This thesis contends that the possession of a sense of humour would contribute considerably to the quality of human life. It is an exploration and discussion of some of the difficulties involved in justifying the development of humour in terms of a philosophy of education. In light of developments in the digital age with consequent changes in science, technology and society, the educated person of the future will have to be less concerned with the accumulated knowledge of the past than (...)
    Download  
     
    Export citation  
     
    Bookmark  
  43.  36
    Political Public Space in the Satire Theatre Case Study on the Performance Eyayu Fenges” Ethiopian Satire Theater.Girmaw Ashebir Sinshaw - 2019 - International Journal of Scientific Research and Management 7 (3):428-430.
    This article aims to describe about the techniques of make understanding for the space of audience or target group in the satire drama in the stage. The researcher would watch the theater in YouTube and in the stage and also read the script which written by Bereket Belayneh in the type of satire drama, its function in terms of political and social issues. In the addition to the above mentioned these script and play must show the use of satire for (...)
    Download  
     
    Export citation  
     
    Bookmark  
  44. Genre Moderates Morality’s Influence on Aesthetics.Shen-yi Liao - manuscript
    The present studies investigate morality’s influence on aesthetics and one potential moderator of that influence: genre. Study 1 finds that people’s moral evaluation positively influence their aesthetic evaluation of an artwork. Study 2 and 3 finds that this influence can be moderated by the contextual factor of genre. These results broaden our understanding of the relationship between morality and aesthetics, and suggest that models of art appreciation should take into account morality and its interaction with context. [Unpublishable 2010-2017.].
    Download  
     
    Export citation  
     
    Bookmark  
  45.  34
    «VI Congreso Internacional de Narrativa Fantástica 2019 (Lima, Perú)» (resumen).Jesús Miguel Delgado Del Aguila - 2021 - Revista Ciencia Multidisciplinaria CUNORI 5 (1):153-162.
    El VI Congreso Internacional de Narrativa Fantástica 2019 se realizó en la capital del Perú del 23 al 25 de octubre de 2019. Fue organizado por el Centro de Estudios Literarios Antonio Cornejo Polar y auspiciado por el Instituto Raúl Porras Barrenechea. Elton Honores asumió la función principal para la administración del evento. La convocatoria consideró las propuestas del subgénero fantástico, desde las creaciones artísticas de Borges, Poe y Oesterheld. También, se interrelacionó lo fantástico con conceptos conexos como los de (...)
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  46. American Pie’ and the Self-Critique of Rock ‘N’ Roll.Michael Baur - 2006 - In William Irwin & Jorge J. E. Gracia (eds.), Philosophy and the Interpretation of Popular Culture. Lanham, MD: pp. 255-273.
    More than thirty-five years after its first release in 1971, Don McLean’s “American Pie” still resonates deeply with music listeners and consumers of popular culture. In a 2001 public poll sponsored by the National Endowment for the Arts and the Recording Industry Association of America, McLean’s eight-and-a-half-minute masterpiece was ranked number 5 among the 365 “most memorable” songs of the twentieth century. In 2002, the song was voted into the Grammy Hall of Fame. In 1997, Garth brooks performed “American Pie” (...)
    Download  
     
    Export citation  
     
    Bookmark  
  47. “A Form of Socially Acceptable Insanity”: Love, Comedy and the Digital in Her.Jack Black - 2021 - Psychoanalysis, Culture and Society 26 (1):25-45.
    In Spike Jonze’s Her (2013), we watch the film’s protagonist, Theodore, as he struggles with the end of his marriage and a growing attachment to his artificially intelligent operating system, Samantha. While the film remains unique in its ability to cinematically portray the Lacanian contention that “there is no sexual relationship,” this article explores how our digital non-relationships can be re-approached through the medium of comedy. Specifically, when looked at through a comic lens, notable scenes from Her are examined (...)
    Download  
     
    Export citation  
     
    Bookmark  
  48. Political Implications of Humor.Dan Panaet - 2014 - Romanian Journal of Analytic Philosophy 8 (1):21-31.
    This paper discusses some political implications of humor, using as a point of departure the mechanisms that explain the sources of the comical. First, I briefly present the main explanations offered for why we laugh. I then focus on the cognitive view proposed Hurley, Dennett and Adams, according to which humor carries out the epistemic function of eliminating the errors that covertly entered a mental space. In the second section of the paper, I present two accounts of how liberalism continues (...)
    Download  
     
    Export citation  
     
    Bookmark  
  49. Freedom From the Free Will: On Kafka’s Laughter.Dimitris Vardoulakis - 2016 - Albany, NY, USA: SUNY.
    Vardoulakis examines the history of the free will, arguing that there is no necessary connection with the concept of freedom. To illustrate this point, Vardoulakis turns to the stories of Franz Kafka, an author obsessed with narratives that show characters in confinement. However, these situations of confinement are only produced by the comical attempts of the characters to assert their free will.
    Download  
     
    Export citation  
     
    Bookmark  
  50. Malice and the Ridiculous as Self-Ignorance: A Dialectical Argument in Philebus 47d-50e.Rebecca Bensen Cain - 2017 - Southwest Philosophy Review 33 (1):83-94.
    Abstract: In the Philebus, Socrates constructs a dialectical argument in which he purports to explain to Protarchus why the pleasure that spectators feel when watching comedy is a mixture of pleasure and pain. To do this he brings in phthonos (malice or envy) as his prime example (47d-50e). I examine the argument and claim that Socrates implicitly challenges Protarchus’ beliefs about himself as moderate and self-knowing. I discuss two reasons to think that more is at stake in the argument than (...)
    Download  
     
    Export citation  
     
    Bookmark  
1 — 50 / 71