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Fashion and Sexual Identity, or Why Recognition Matters"

In Fritz Allhoff, Jessica Wolfendale & Jeanette Kennett (eds.), Fashion - Philosophy for Everyone: Thinking with Style. Wiley. pp. 120--134 (2011)

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  1. Erasure and assertion in body aesthetics: Respectability politics to anti-assimilationist aesthetics.Madeline Martin-Seaver - forthcoming - British Journal of Aesthetics.
    Marginalized people have used body aesthetic practices, such as clothing and hairstyles, to communicate their worth to the mainstream. One such example is respectability politics, a set of practices developed in post-Reconstruction black communities to prevent sexual assault and convey moral standing to the white mainstream. Respectability politics is an ambivalent strategy. It requires assimilation to white bourgeois aesthetic and ethical standards, and so guides practitioners toward blandness and bodily erasure. Yet, it is an aesthetic practice that cultivates moral agency (...)
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  • Rhinestone Cowboys: The Problem of Country Music Costuming.Evan Malone - forthcoming - Journal of Aesthetics and Art Criticism.
    Country music critics and scholars have noticed an apparent contradiction between the practical identity of country music with the image of the male country singer as the 'rhinestone cowboy'. In this case, the problem is one of how we can make sense of the rural, working-class, ruggedly masculinity persona common to the genre with its elaborately embroidered, brightly colored, and highly embellished male fashion. The intractability of this problem has led some to argue that the simplest solution is to just (...)
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  • Looking Philosophical: Stuff, Stereotypes, and Self‐Presentation.Amy Olberding - 2015 - Hypatia 30 (4):692-707.
    Self-presentation is a complex phenomenon through which individuals present themselves in performance of social roles. The success of such performances rests not just on how well a performer fulfills expectations regarding the role she would play, but on whether observers find her convincing. I focus on how self-presentation entails making use of material environment and objects: One may “dress for the part” and employ props that suit a desired role. However, regardless of dress or props, one can nonetheless fail to (...)
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  • Beyond the visible: Rethinking femininity through the femme assemblage.Hannah McCann - 2018 - European Journal of Women's Studies 25 (3):278-292.
    While there has been much focus on the disempowering and incapacitating effects of ‘normative’ femininity, less attention has been paid to the queer possibilities of femininity. Queer femme has been proposed by some as a key site for rethinking femininity. Extending upon these discussions, and drawing on interviews conducted with queer femmes in Australia in 2013, this article proposes focusing on affective dimensions to deepen our understanding of queer femme as more than an identity, but rather, as assemblage Working from (...)
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