Results for 'drama'

120 found
Order:
  1. The Writ against Religious Drama: Frater Taciturnus v. Søren Kierkegaard.Gene Fendt - 1997 - In Niels Jørgen Cappelørn & Jon Stewart (eds.), Kierkegaard revisited: proceedings from the Conference "Kierkegaard and the Meaning of Meaning It", Copenhagen, May 5-9, 1996. New York: Walter de Gruyter. pp. 48-74.
    In a very literarily complicated setting, Frater Taciturnus sets a remark about Hamlet not being a Christian tragedy. After unpeeling that literary setting and noting that Taciturnus' remark aims more at Jacob Börne than at Shakespeare, the paper shows how Frater Taciturnus' remark calls into question the religious project of a certain danish author. For, Taciturnus' primary concern is to show that religious drama is not possible, or at least "ought not be." This general law applies to Hamlet as (...)
    Download  
     
    Export citation  
     
    Bookmark  
  2. Trauma Drama: The Trouble with Competitive Victimhood.Robert S. Taylor - 2022 - Theory and Research in Education 20 (3):259-271.
    Writing a college-application essay has become a rite of passage for high-school seniors in the U.S., one whose importance has expanded over time due to an increasingly competitive admissions process. Various commentators have noted the disturbing evolution of these essays over the years, with an ever-greater emphasis placed on obstacles overcome and traumas survived. How have we gotten to the point where college-application essays are all too frequently competitive-victimhood displays? Colleges have an understandable interest in the disadvantages their applicants may (...)
    Download  
     
    Export citation  
     
    Bookmark  
  3. The Drama of Agonistic Embodiment.Lawrence J. Hatab - 1998 - International Studies in Philosophy 30 (3):97-107.
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  4. INDICES OF DRAMA AND MUSIC IN THE PARABLES OF THE GOOD SAMARITAN AND THE RICHMAN AND LAZARU.Edum Sunday - 2018 - International Journal of Integrative Humanism 2 (1).
    The domination of the Christian faith during the middle ages created a new vista for theatre, drama and music to flourish. The Bible which is a documented proves, ideals and authenticity of the Christian faith has not only served as a spiritual dictionary of the Christian faith, theologians and historians but a critical source for musicologists, playwrights and directors. This study is a critical analysis of dramatic and musical dimensions in the parables of the God Samaritan and the Richman (...)
    Download  
     
    Export citation  
     
    Bookmark  
  5. Creative Explorations for a Sustainable Future: Philosophy-Based Creative Drama Workshop Proposal for Children.Güliz Şahin - 2023 - Journal of Human and Social Sciences 6 (Special Issue):616-640.
    “The Sustainable Development Goals (SDGs)”, are a universal call for action, covering targets to be fulfilled by the end of 2030. Many global problems such as global climate change and drought, environmental pollution, depletion of natural resources and biodiversity, inclusive education have evolved into the greatest collective problem of all humanity. It is recognized that teachers, are also responsible for ensuring a sustainable life for future generations and contributing to its sustainability. At this point, there is a need for educational (...)
    Download  
     
    Export citation  
     
    Bookmark  
  6. The Drama of the Human Condition. Notes on the causes and origins of Evil in Plato’s Republic.Gianluigi Segalerba - 2019 - Revue Roumaine de Philosophie 63 (1):19-35.
    In my analysis I deal with some causes and origins of evil and of moral degeneration in the human dimension. My analysis focuses on Plato’s Republic. The origins and causes of the presence of injustice and of vice lie in the very structure of the human soul. The division of the soul into parts which are at least reciprocally independent of each other implies that there is the possibility that they are in conflict with each other. This is the origin (...)
    Download  
     
    Export citation  
     
    Bookmark  
  7.  43
    Epic Theatre as a Form of Platonic Drama.İhsan Gürsoy - forthcoming - British Journal of Aesthetics.
    Given Aristotle’s response to Plato’s views by positing a cathartic function for tragedy, it is understandable that an author opposing him through the development of a non-Aristotelian theatrical theory would spontaneously draw closer to Platonic thought. However, Brecht’s stance goes beyond this spontaneous proximity in this debate. This article challenges those critics who have overlooked the direct relationship between Plato and Brecht, and it offers a reasoned decision on Walter Benjamin’s verdict that epic theatre is a form of Platonic (...). Moreover, it argues that Brecht’s endeavour aimed to create a theatre that remained impervious to Plato’s critiques. The article analyzes Brecht’s achievements in epic theatre as an expression of disenchantment, demonstrating how, through the techniques he developed, he radically dismantled the magical effect that was essential to Aristotelian theatre. (shrink)
    Download  
     
    Export citation  
     
    Bookmark  
  8. An Interdisciplinary Drama: Conspiracist Philosophers versus Conspiring Social Scientists?Francesco Censon - 2024 - Social Epistemology Review and Reply Collective 13 (4):12-22.
    Download  
     
    Export citation  
     
    Bookmark  
  9. Evolution and Revolution: The Drama of Realtime Complementarity.Edmund Byrne - 1972 - World Futures: The Journal of New Paradigm Research 11 (1-2):167-206.
    This article is by design a response to Alastair M. Taylor's "For Philosophers and Scientists: A General Systems Paradigm." That work is an advance over stage theories. But its focus on modernization tacitly accepts marginalization. Its focus on an undifferentiated evolving human species disregards intra- and intersocietal conflicts. Its uncritical talk of societal energy shifts obscures the reality of conquest and exploitation. If general systems theory is to be truly objective, it should take into account world-around system imbalance and the (...)
    Download  
     
    Export citation  
     
    Bookmark  
  10. Utilitarian & Marxist Feminism through Drama and Cinema.Baiju Anthony - manuscript
    Feminist theorists try to approach their philosophical perspectives from various systems. They approach it from the perspectives of liberalism, Marxism, radicalism, existentialism, postmodernism, etc. Whatever may be the system they use, their aim seems to be to divulge the oppressions undergone by the women. They use a method or adopt philosophical thinking so that they can spell out their cries in a philosophical manner. Using the philosophical systems does not mean that the philosopher who forwarded the system was aiming at (...)
    Download  
     
    Export citation  
     
    Bookmark  
  11. Feyerabend, Ionesco, and the Philosophy of the Drama.S. G. Couvalis - 1988 - Critical Philosophy 4:51-66.
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  12. Corruption: The Unending Drama in the Human Society.Paul N. Rengma - manuscript
    This brief article is written in the Naga's context and as per to the writer's experiences.
    Download  
     
    Export citation  
     
    Bookmark  
  13. Quid aliud agat or How one should live. An analysis of the Jesuit drama of Georg Bernardt from the perspective of existential philosophy.Björn Freter - 2021 - In Jesuit Culture between Texts and Arts. Torun, Poland: pp. 63-72.
    In this article, an attempt will be made to analyse the Jesuit drama of Georg Bernardt, in terms of its existential philosophy content. It will become apparent that the Jesuits, in accordance here with reformatory theology, assume the existence of a normative facticity. In this normative facticity, the Jesuits then, in most profound conflict with reformatory thought, believe in the possibility to work towards one’s state of grace.
    Download  
     
    Export citation  
     
    Bookmark  
  14. Christian Rite and Christian Drama in the Middle Ages: Essays in the Origin and Early History of Modern Drama.O. B. Hardison - unknown
    Download  
     
    Export citation  
     
    Bookmark  
  15. Training Children Environmentalists in Africa: The Learning by Drama Method.Edward Ugbada Adie - 2019 - International Journal of Environmental Pollution and Environmental Modelling 2 (3):122-128.
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  16. Martens, J., Rietveld, R., & Rietveld, E. (2022). A conversation on collaborative embodied engagement in making art and architecture: Going beyond the divide between ‘lower’ and ‘higher’ cognition. In K. Bicknell & J. Sutton (Eds.) Collaborative Embodied Performance: Ecologies of Skill (pp. 53–68). London,: Methuen Drama.Janno Martens, Ronald Rietveld & Erik Rietveld - 2022 - Londen, Verenigd Koninkrijk: Methuen Drama.
    RAAAF [Rietveld Architecture-Art-Affordances] is an interdisciplinary studio that operates at the crossroads of visual art, experimental architecture and philosophy. RAAAF makes location- and context-specific artworks, an approach that derives from the respective backgrounds of the founding partners: Prix de Rome laureate Ronald Rietveld and Socrates Professor in Philosophy Erik Rietveld.
    Download  
     
    Export citation  
     
    Bookmark  
  17. The functioning of words. Procedural knowledge of drama.Mihai Nadin - unknown
    Download  
     
    Export citation  
     
    Bookmark  
  18. Elements of Literature: Essay, Fiction, Poetry, Drama, Film.Robert Scholes, Carl H. Klaus, Nancy R. Comley & Michael Silverman (eds.) - 1991 - Oxford University Press USA.
    Providing the most thorough coverage available in one volume, this comprehensive, broadly based collection offers a wide variety of selections in four major genres, and also includes a section on film. Each of the five sections contains a detailed critical introduction to each form, brief biographies of the authors, and a clear, concise editorial apparatus. Updated and revised throughout, the new Fourth Edition adds essays by Margaret Mead, Russell Baker, Joan Didion, Annie Dillard, and Alice Walker; fiction by Nathaniel Hawthorne, (...)
    Download  
     
    Export citation  
     
    Bookmark  
  19.  44
    Pathological Existence and Freedom of Technology. The Drama of Freedom in Günther Anders’ Writings.Federico Monaro - 2023 - Orbis Idearum European Journal of the History of Ideas 11 (1):115-130.
    In this paper I try to show the relationship between the concept of freedom and the concept of technique as developed by Günther Anders. I will argue that in Anders’ writings there is a specific conception of freedom. The underlying idea is that freedom represents a sort of pathology. Humans live as strangers in the world, lacking in an a priori endowment that, for this very reason, they have to realize. Man acts as a producer of useful objects for his (...)
    Download  
     
    Export citation  
     
    Bookmark  
  20. The Social Network of Early English Drama: A Digital Humanities Lesson Plan.Pierce Williams - 2017 - Emerging Learning Design 5:29-31.
    Download  
     
    Export citation  
     
    Bookmark  
  21. Heróis Caídos: Terceiridade Humana e Drama Social nos Documentários sobre Fórmula 1.Rafael Duarte Oliveira Venancio - 2010 - In Anais do XXXIII Congresso Brasileiro de Ciências da Comunicação. Intercom.
    O presente artigo busca analisar, no aspecto da imagem fílmica, os documentários de arquivo sobre a Fórmula 1 em seus primórdios garagistas (pré-1950 ao fim da década de 1970). Para isso, serão analisados três documentários recentes sobre grandes pilotos da categoria, a saber: Jack Brabham, Graham Hill e Juan Manuel Fangio. Utilizando a teorização de Gilles Deleuze acerca da imagem-movimento e seus aspectos semióticos, o objetivo aqui é ver que a cadeia de significação provocada pela reedição de imagens de arquivo (...)
    Download  
     
    Export citation  
     
    Bookmark  
  22. Review of Helfer, Socrates and Alcibiades: Plato’s Drama of Political Ambition and Philosophy. [REVIEW]Thornton C. Lockwood - 2018 - International Philosophical Quarterly 58 (1):109-110.
    Although determination, perseverance, and high expectations appear to be laudable characteristics within our society, ambition seems to carry a hint of selfishness or self-promotion (perhaps especially at the cost of others). One can speak of the goals or aims of a team or group, but it seems more characteristic to ascribe ambition to a single individual. Etymologi-cally, ambition derives from the Latin word ambire, which can mean to strive or go around (ambo + ire), but the term also characterizes one (...)
    Download  
     
    Export citation  
     
    Bookmark  
  23. Performing the Future.Winnie Toonders, Roald P. Verhoeff & Hub Zwart - 2016 - Science & Education 25 (7-8):869-895.
    Drama is a relatively unexplored tool in academic science education. This paper addresses in what way the use of drama may allow science students to deepen their understanding of recent developments in the emerging and controversial field of neuro-enhancement, by means of a case study approach. First, we emphasise the congruency between drama and science, notably the dramatic dimension of experimental research. Subsequently, we draw on educational literature to elaborate the potential of using drama as a (...)
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  24. Throne of Blood and the Metaphysics of Tragedy.Henry Somers-Hall - 2013 - Film-Philosophy 17 (1):68-83.
    The aim of this paper is to explore the metaphysical foundations of Throne of Blood , Kurosawa's reworking of Shakespeare's Macbeth . Using Hegel's theory of tragedy, I develop the distinction between Greek and modern tragedy, with their differing bases in ethical and subjective freedom. I then show that Noh drama also includes a very different metaphysical account, stemming from its theoretical roots in Buddhism. I then use these three differing accounts (Greek, modern and Noh drama) to explore (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  25. The Aesthetic Value of the World.Tom Cochrane - 2021 - Oxford, UK: Oxford University Press.
    This book defends Aestheticism- the claim that everything is aesthetically valuable and that a life lived in pursuit of aesthetic value can be a particularly good one. Furthermore, in distilling aesthetic qualities, artists have a special role to play in teaching us to recognize values; a critical component of virtue. I ground my account upon an analysis of aesthetic value as ‘objectified final value’, which is underwritten by an original psychological claim that all aesthetic values are distal versions of practical (...)
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  26. Critical Evaluation of Shelagh Delaney’s A Taste of Honey.Jasvant Rathod - manuscript
    1950s witnessed a drastic change in the history of British drama. The publication of John Osborne’s masterpiece, Look Back in Anger in 1956 radicalised the British theatre. The play was a blow against establishment. Osborne portrayed Jimmy Porter, the anti-hero of the play. He is frustrated and malcontent. He attacks the establishment in every sense. Following the success of this play, a generation of writers emerged who are labelled as “angry young men”, though they were not a unified group. (...)
    Download  
     
    Export citation  
     
    Bookmark  
  27. Thrasymachus in Plato’s Politeia I.Ivor Ludlam - 2011 - Maynooth Philosophical Papers (6):18-44.
    This is an earlier version of a chapter from my book "Plato's Republic as a Philosophical Drama on Doing Well" (2014). The book analyses Plato’s Politeia (= Republic) as a philosophical drama in which the participants turn out to be models of various types of psychic constitution, and nothing is said by them which may be considered to be an opinion of Plato himself (with all that that entails for Platonism). The debate in Book I between Socrates and (...)
    Download  
     
    Export citation  
     
    Bookmark  
  28. Natural and divine orders: The politics of sophocles' philoctetes.Ryan Drake - 2007 - Polis 24 (2):179-192.
    A closer look at the character of Odysseus in the opening passages of the Philoctetes reveals a more nuanced psychology of guilt and justification than commentators have thus far appreciated in the cunning hero's role. This paper examines the relations of sympathy between Odysseus, Neoptolemus, and Philoctetes as a way of entering into the complicated political drama of the work. Conceiving politics in the Philoctetes as a hybrid construction of the demands of nature and the demands of the gods, (...)
    Download  
     
    Export citation  
     
    Bookmark  
  29. Recepcja myśli Sørena Kierkegaarda w filozofii Józefa Tischnera.Antoni Szwed - 2011 - Argument: Biannual Philosophical Journal 1 (2):275-290.
    English title: The Reception of Søren Kierkegaard’s Thought in Józef Tischner’s Philosophy. The aim of this article is to indicate sources of Józef Tischner’s philosophical inspiration in Søren Kierkegaard’s texts. For Tischner Kierkegaard apperared as a great expert of human matters and as a exquisite, subtle romantic writer. In his refined use of metaphors Tischner searches material to describe a network of almost imperceptible connections of values, norms and customs, by which a human being is wrapped in his/her everyday life. (...)
    Download  
     
    Export citation  
     
    Bookmark  
  30. Fenomenologia doświadczenia granicznego w ujęciu Józefa Tischnera.Joachim Piecuch - 2011 - Argument: Biannual Philosophical Journal 1 (2):239-258.
    English title: Józef Tischner’s Phenomenology of Boundary Experience. Author of the paper distinguishes four paradigms of phenomenological analysis one can indicate in Tischner’s philosophical writing. Each of these paradigms captures the issue of the genuine source of phenomenological experience. This genuine source can be provided with: transcendental ‘I’, axiological ‘I’, Dasein, or the relationship to another man. By developing the latter, i.e. the paradigm based on the experience of meeting (dialogue), Tischner makes the foundations for his Philosophy of Drama (...)
    Download  
     
    Export citation  
     
    Bookmark  
  31. L'autre scène du désir : Strange Fruit de Caryl Phillips.Frédéric Lefrançois (ed.) - 2018 - Paris: Yehkri.
    Strange Fruit is an exemplary study of the question of the integration of West Indians of immigrant origin living in England in the 1980s. Through this play structured in three acts, Caryl Phillips offers the reader-viewer privileged access to the inner world of a West Indian family living in a deprived London neighborhood. At the heart of this intimate drama with tragic overtones, there is a cultural conflict between two successive generations of immigrants. Philosophical and existential issues are deftly (...)
    Download  
     
    Export citation  
     
    Bookmark  
  32. Carl Schmitt e Walter Benjamin.Saul Kirschbaum - 2002 - Cadernos de Filosofia Alemã 8:61-84.
    There is a particular ressonance between the thinking of Walter Benjamin and that of the German jurist Carl Schmitt, including the fact that both analyse the 16th and 17th centuries in order to understand the 20th. Regarding this fact, the article attempts to clarify some themes that lead Schmitt’s work, i.e that of State of Exception, that of theologization of politics, the critique of parliamentarism as support of the Modern State, the tension between democracy and dictatorship, to explain how the (...)
    Download  
     
    Export citation  
     
    Bookmark  
  33. How We Get Along.James David Velleman - 2009 - New York: Cambridge University Press. Edited by J. David Velleman.
    In How We Get Along, philosopher David Velleman compares our social interactions to the interactions among improvisational actors on stage. He argues that we play ourselves - not artificially but authentically, by doing what would make sense coming from us as we really are. And, like improvisational actors, we deal with one another in dual capacities: both as characters within the social drama and as players contributing to the shared performance. In this conception of social intercourse, Velleman finds rational (...)
    Download  
     
    Export citation  
     
    Bookmark   89 citations  
  34. Plato's Phaedo: Forms, Death, and the Philosophical Life.David Ebrey - 2022 - Cambridge: Cambridge University Press.
    Plato's Phaedo is a literary gem that develops many of his most famous ideas. David Ebrey's careful reinterpretation argues that the many debates about the dialogue cannot be resolved so long as we consider its passages in relative isolation from one another, separated from their intellectual background. His book shows how Plato responds to his literary, religious, scientific, and philosophical context, and argues that we can only understand the dialogue's central ideas and arguments in light of its overall structure. This (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  35. A Study on Miasma, Purification and the Problem of Evil in Modern Cinema: The Case of the Movie La Jauria (2022) (15th edition).Atilla Akalın & Burcu Yüce Akalın - 2024 - International Journal of Eurasia Social Sciences (Ijoess) 15 (55):406-418.
    In the ancient Greek world, the concept of 'miasma,' which becomes permanent and has the potential to grow over time due to evil acts such as murder committed in the city, is a concept frequently referred to in many classical tragedies. To the extent that miasma has a bad connotation due to its nature and is a situation that occurs due to evil actions, it can be considered together with the philosophical problem of evil. In this study, we aim to (...)
    Download  
     
    Export citation  
     
    Bookmark  
  36. Platonic Mimesis.Mitchell Miller - 1999 - In Thomas M. Falkner, Nancy Felson & David Konstan (eds.), Contextualizing Classics: Ideology, Performance, Dialogue : Essays in Honor of John J. Peradotto. Rowman & Littlefield. pp. 253-266.
    A two-fold study, on the one hand of the thought-provoking mimesis by which Plato gives his hearer an occasion for self-knowledge and self-transcendence and of the typical sequential structure, an appropriation of the trajectory of the poem of Parmenides, by which Plato orders the drama of inquiry, and on the other hand a commentary on the Crito that aims to show concretely how these elements — mimesis and Parmenidean structure — work together to give the dialogues their exceptional elicitative (...)
    Download  
     
    Export citation  
     
    Bookmark   7 citations  
  37.  75
    Imagining Hedda Gabler: Munch and Ibsen on Art and Modern Life.Kristin Gjesdal - 2017 - Text Matters - a Journal of Literature, Theory and Culture 7 (7):71-86.
    Among Edvard Munch’s many portraits of Henrik Ibsen, the famous Norwegian dramatist and Munch’s senior by a generation, one stands out. Large in scope and with a characteristic pallet of roughly hewed gray blue, green and yellow, the sketch is given the title Geniuses. Munch’s sketch shows Ibsen, who had died a few years earlier, in the company of Socrates and Nietzsche. The picture was a working sketch for a painting commissioned by the University. While Munch, in the end, chose (...)
    Download  
     
    Export citation  
     
    Bookmark  
  38. Eden Inverted: On the Wild Self and the Contraction of Consciousness.Eugene Halton - 2007 - The Trumpeter 3 (23):45-77.
    The conditions of hunting and gathering through which one line of primates evolved into humans form the basis of what I term the wild self, a self marked by developmental needs of prolonged human neoteny and by deep attunement to the profusion of communicative signs of instinctive intelligence in which relatively “unmatured” hominids found themselves immersed. The passionate attunement to, and inquiry into, earth-drama, in tracking, hunting, foraging, rhythming, singing, and other arts/sciences, provided the trail to becoming human, and (...)
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  39. Dialogue or Narrative? Exploring Tensions between Interpretations of Genesis 38.Nathan Eric Dickman - 2021 - Religions 11 (12):947.
    We examine dialectical tensions between “dialogue” and “narrative” as these discourses supplant one another as the fundamental discourse of intelligibility, through juxtaposing two interpretations of Genesis 38 rooted in changing interpretative paradigms. Is dialogue properly understood as a narrative genre, or is narrative the content about which people are in dialogue? Is the divine–human relationship a narrative drama or is it a dialogue between a god and human beings? We work within parameters laid out by the philosophical hermeneutics of (...)
    Download  
     
    Export citation  
     
    Bookmark  
  40. Incarnation.Michael Gorman - 2011 - In Brian Davies & Eleonore Stump (eds.), The Oxford handbook of Aquinas. New York: Oxford University Press.
    According to Christian belief, Jesus Christ is a divine person who became “incarnate,” i.e., who became human. A key event in the second act of the drama of creation and redemption, the incarnation could not have failed to interest Aquinas, and he discusses it in a number of places. A proper understanding of what he thought about it is thus part of any complete understanding of his work. It is, furthermore, a window into his ideas on a variety of (...)
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  41. Emotional creativity and real-life involvement in different types of creative leisure activities.Radek Trnka, Martin Zahradnik & Martin Kuška - 2016 - Creativity Research Journal 28 (3):348-356.
    The role of emotional creativity in practicing creative leisure activities and in the preference of college majors remains unknown. The present study aims to explore how emotional creativity measured by the Emotional Creativity Inventory (ECI; Averill, 1999) is interrelated with the real-life involvement in different types of specific creative leisure activities and with four categories of college majors. Data were collected from 251 university students, university graduates and young adults (156 women and 95 men). Art students and graduates scored significantly (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  42. Towards an ethics of shame.Zlatan Filipovic - 2017 - Angelaki 22 (4):99-114.
    Departing from Levinas, this paper will address the significance of shame in contemporary discourse in order to approach what could be called its ethical intrigue. Focusing on its political, social and phenomenological implications, I intend to reconsider the experience of shame as it has been appropriated within the politics of affect and account for its relation to ethics, which alone can reveal its transformative possibilities. Shame will emerge as an affect of proximity whose basic structure of being exposed is an (...)
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  43. Is the Post- in Postmodernism the Post- in Postcolonial?Kwame Anthony Appiah - 1991 - Critical Inquiry 17 (2):336-357.
    Sara Suleri has written recently, in Meatless Days, of being treated as an "otherness machine"-and of being heartily sick of it.20 Perhaps the predicament of the postcolonial intellectual is simply that as intellectuals-a category instituted in black Africa by colonialism-we are, indeed, always at the risk of becoming otherness machines, with the manufacture of alterity as our principal role. Our only distinction in the world of texts to which we are latecomers is that we can mediate it to our fellows. (...)
    Download  
     
    Export citation  
     
    Bookmark   12 citations  
  44.  57
    Dialectic and the Activity of the Soul when Reaching for Being and the Good in Plato’s Theaetetus 184b3–186e12.Jens Kristian Larsen - 2023 - In Melina G. Mouzala (ed.), Ancient Greek Dialectic and Its Reception. De Gruyter. pp. 129-156.
    In a crucial passage in the Parmenides, Parmenides states that the power of conversation (ten tou dialegesthai dynamin) depends on forms (135b-c) and indicates that this power is a prerequisite for philosophy. In chapter xx Kristian Larsen raises the question what implications this passage has for Plato’s conception of dialectic and argues that the discussion of the thesis that knowledge is perception in the Theaetetus, and in particular the conclusion to this discussion found at 184b3-186e12, provides an explanation of Parmenides’ (...)
    Download  
     
    Export citation  
     
    Bookmark  
  45. An Experiment that Tests an Interpretation: The Dream of the Six-Legged Dog.Maxson J. McDowell, Joenine E. Roberts & Rachel McRoberts - manuscript
    We present experimental evidence that an interpretation was accurate. Current wisdom notwithstanding, we could interpret from the text alone because its information is redundant: repetition provides internal checks. Knowing neither dreamer nor their associations we made falsifiable predictions that we tested by subsequently gathering information about the dreamer. Predictions were supported. Results were repeated with seven additional dreams. Each dream was tightly crafted, used humor, drama or hyperbole to penetrate the dreamer’s defenses, and furthered the emergence of personality. Our (...)
    Download  
     
    Export citation  
     
    Bookmark  
  46. No abiding city: Hume, naturalism, and toleration.Samuel Clark - 2009 - Philosophy 84 (1):75-94.
    This paper rereads David Hume's Dialogues Concerning Natural Religion as dramatising a distinctive, naturalistic account of toleration. I have two purposes in mind: first, to complete and ground Hume's fragmentary explicit discussion of toleration; second, to unearth a potentially attractive alternative to more recent, Rawlsian approaches to toleration. To make my case, I connect Dialogues and the problem of toleration to the wider themes of naturalism, scepticism and their relation in Hume's thought, before developing a new interpretation of Dialogues part (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  47. Kierkegaard's Concepts: Psychological Experiment.Martijn Boven - 2015 - In Steven M. Emmanuel, William McDonal & Jon Stewart (eds.), Kierkegaard's Concepts. Tome V: Objectivity to Sacrifice. Ashgate. pp. 159-165.
    For Kierkegaard the ‘psychological experiment’ is a literary strategy. It enables him to dramatize an existential conflict in an experimental mode. Kierkegaard’s aim is to study the source of movement that animates the existing individual (this is the psychological part). However, he is not interested in the representation of historical individuals in actual situations, but in the construction of fictional characters that are placed in hypothetical situations; this allows him to set the categories in motion “in order to observe completely (...)
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  48. The Birth of a Research Animal: Ibsen's The Wild Duck and the Origin of a New Animal Science.H. A. E. Zwart - 2000 - Environmental Values 9 (1):91-108.
    What role does the wild duck play in Ibsen's famous drama? I argue that, besides mirroring the fate of the human cast members, the duck is acting as animal subject in a quasi-experiment, conducted in a private setting. Analysed from this perspective, the play allows us to discern the epistemological and ethical dimensions of the new scientific animal practice (systematic observation of animal behaviour under artificial conditions) emerging precesely at that time. Ibsen's play stages the clash between a scientific (...)
    Download  
     
    Export citation  
     
    Bookmark   5 citations  
  49. The Jinn and the Shayatin.Edward Moad - 2017 - In Benjamin W. McCraw & Arp Robert (eds.), Philosophical Approaches to Demonology. New York, USA: Routledge. pp. 137-155.
    If by “demon” one understands an evil occult being, then its equivalent in the Islamic narrative is the intersection of the category jinn with that of the shayātīn: a demon is a shaytān from among the jinn. The literature in the Islamic tradition on these subjects is vast. In what follows, we will select some key elements from it to provide a brief summary: first on the nature of the jinn, their nature, and their relationship to God and human beings; (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  50. "And Why Not?" Hegel, Comedy, and the End of Art.Lydia L. Moland - 2016 - Verifiche: Rivista Trimestrale di Scienze Umane (1-2):73-104.
    Towards the very end of his wide-ranging lectures on the philosophy of art, Hegel unexpectedly expresses a preference for comedy over tragedy. More surprisingly, given his systematic claims for his aesthetic theory, he suggests that this preference is arbitrary. This essay suggests that this arbitrariness is itself systematic, given Hegel’s broader claims about unity and necessity in art generally and his analysis of ancient as opposed to modern drama in particular. With the emergence of modern subjectivity, tragic plots lose (...)
    Download  
     
    Export citation  
     
    Bookmark  
1 — 50 / 120