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Apology

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Feminist Review 52 (1):i-i (1996)

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  1. Reading Shaftesbury's Pathologia: An Illustration and Defence of the Stoic Account of the Emotions.Christian Maurer & Laurent Jaffro - 2013 - History of European Ideas 39 (2):207-220.
    The present article is an edition of the Pathologia (1706), a Latin manuscript on the passions by Anthony Ashley Cooper, the third Earl of Shaftesbury (1671-1713). There are two parts, i) an introduction with commentary (http://dx.doi.org/10.1080/01916599.2012.679795), and ii) an edition of the Latin text with an English translation (http://dx.doi.org/10.1080/01916599.2012.679796) . The Pathologia treats of a series of topics concerning moral psychology, ethics and philology, presenting a reconstruction of the Stoic theory of the emotions that is closely modelled on Cicero and (...)
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  • Fame and Redemption: On the Moral Dangers of Celebrity Apologies.Benjamin Matheson - 2023 - Journal of Social Philosophy.
    In this paper, I first consider three possible explanations for why celebrities typically apologise publicly and sometimes also include their fans among the targets of their apology. I then identify three moral dangers of celebrity apologies, the third of which arises specifically for fan-targeted apologies, and each of which teaches us important lessons about the practice of celebrity apologies. From these individual lessons, I draw more general lessons about apologies from those with elevated social positions and the powers they are (...)
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  • Obedience and Disobedience in Plato’s Crito and the Apology: Anticipating the Democratic Turn of Civil Disobedience.Andreas Marcou - 2020 - The Journal of Ethics 25 (3):339-359.
    Faced with a choice between escaping without consequences and submitting to a democratic decision, Socrates chooses the latter. So immense is Socrates’ duty to obey law, we are led to believe, that even the threat of death is insufficient to abrogate it. Crito proposes several arguments purporting to ground Socrates’ strong duty to obey, with the appeal to the Athenian system’s democratic credentials carrying most of the normative weight. A careful reading of the dialogue, in conjunction with the ‘Apology’, reveals, (...)
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  • Montaigne as a Public Man.Ken Stunkel - 2018 - The European Legacy 24 (3-4):423-431.
    Volume 24, Issue 3-4, May - June 2019, Page 423-431.
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