If the arguments of Edward Said's "Orientalism" are valid, Joseph Needham's "Science and Civilisation in China" stands condemned. The opposition between Foucault, Said's main source of inspiration, and both Marxism and hermeneutics is highlighted. Utilizing the work of MacIntyre, recent hermeneutic philosophy is defended against Foucault, and through this, Needham's work is defended as a form of Marxist hermeneutics.

Las narrativas que han afirmado la relación de la modernidad con lo Occidental, así como aquellas que han tratado de descentralizar el centro de lo moderno coinciden en un aspecto primordial: ver la modernidad como un producto de Occidente. Lo que está en cuestión, entonces, es pensar si se puede hallar una manera de teorizar la cuestión de la modernidad que la relocalice en un contexto mundial, y al mismo tiempo, permita a ese contexto complejizar, en lugar de simplemente revertir, (...) la lógica narrativa de la modernización. En este sentido, una de las cuestiones que se proponen revisar es la manera en la que se da la interacción entre Occidente y el no-Occidente para poder asumir la escenificación que define lo moderno en la diferencia constitutiva de su espacialidad y su representación. (shrink)

The concept of Orientalism has been widely dealt with in the humanities and social sciences. It helps explain a peculiar construction of the Arab-Muslim world. Orientalism has operated in various historical paradigms but has always emphasised specific Western constructions of the Orient. Nowadays, the concept has metamorphosed to refer to new constructions of the Orient. New representations of Islam and the Muslim world are dominating the Western public space. The aim of this paper is twofold. It explores the historical development (...) and paradigmatic shifts that have affected the concept of Orientalism. It then suggests that a neo-Orientalism has recently emerged, is less territorialised and operating within a new paradigm. It holds a new ideologically motivated agenda, constructs new objects, and feeds the social phenomenon called Islamophobia. (shrink)

It is established in the literature that touristic images of the Orient are grounded in Occidental authority and dominant global power relations. Scholars have suggested that indigenous image creators in the Middle East continue to read from an Occidental script, perpetuating oppositional perspectives of us and them, the familiar and the strange, the dynamic and the atrophied – fuelling the development of neo-Orientalist tourist sites/sights. This paper explores the extent to which such scripting continues to persist in official representations of (...) rentier states in the Arabian Peninsula. Through a critical discourse analysis of the Omani tourism promotional film Welcome to My Country, it is suggested that when Oman speaks for itself within a Western discourse of tourism promotion, what results is a form of self-Orientalism. (shrink)

At the forefront of critically examining the effects of colonization on the Middle East is Edward Said’s magnum opus, Orientalism. In the broadest theoretical sense, Said’s work through deconstructing colonial discourses of power-knowledge, presented an epistemologico-methodological equation expressed most lucidly by Aimé Césaire, colonization=thingification. Said, arguing against that archaic historicized discourse, Orientalism, was simply postulating that colonialism and its systems of knowledges signified the colonized, in Anouar Abdel-Malek’s words, as customary, passive, non-participating and non-autonomous. Nearly four decades later, Said’s contribution (...) has become tamed and domesticated to an extent that most heterodoxic critical endeavours in the field have become clichéd premeditated anti-Orientalist tirades. At best, these critiques are stuck at analysing the impact of power at the macro-level, polemically regurgitating jargons like “hegemony”, “misrepresentation” and “Otherness”. At worst... (shrink)