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  1. Un constructivisme enraciné : élucidation, ontologie et création de concepts chez Cornelius Castoriadis.Thibault Tranchant - 2021 - Dialogue 60 (3):579-600.
    Jean-Marc Ferry stands opposed to the philosophy of Cornelius Castoriadis, claiming that it relies upon an arbitrary ontological decision. According to Ferry, Castoriadis’ philosophy does not respect the Kantian critique of reason. In this contribution, I reply to this objection. I comment on his specific methodological operation: elucidation. I show that this method does not go beyond Kantian finitude, and that it allows him to justify his ontological concepts. In the last part of this article, I interpret his method as (...)
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  • Beyond a socio-centric concept of culture: Johann Arnason's macro-phenomenology and critique of sociological solipsism.Suzi Adams - 2019 - Thesis Eleven 151 (1):96-116.
    This essay unpacks Johann Arnason’s theory of culture. It argues that the culture problematic remains the needle’s eye through which Arnason’s intellectual project must be understood, his recent shift to foreground the interplay of culture and power (as the religio-political nexus) notwithstanding. Arnason’s approach to culture is foundational to his articulation of the human condition, which is articulated here as the interaction of a historical cultural hermeneutics and a macro-phenomenology of the world as a shared horizon. The essay discusses Arnason’s (...)
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  • Castoriadis and the Non-Subjective Field: Social Doing, Instituting Society and Political Imaginaries.Suzi Adams - 2012 - Critical Horizons 13 (1):29 - 51.
    Cornelius Castoriadis understood history as a self-creating order. In turn, he elaborated history in two directions: as the political project of autonomy, and as the ontological modality of the social-historical. On his account, history as self-creation was only possible through the interplay of social (or political) imaginaries and social doing. Although social imaginaries are readily situated within the non-subjective field, non-subjective modes of doing have been less explored. Yet non-subjective contexts are integral to both the “doing” and “imaginary” dimensions of (...)
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