Mutilation, along with all forms of maltreatment of the dead, was widely condemned by Greek authors of the Classical period. In a culture where the obligation to bury and respect the dead was seen as one of the strongest moral compulsions universal to all men, mistreating the dead was considered to be the most outrageous and unholy of actions, more suitable, as Herodotus states, for barbarians than for Greeks, ‘and even in them we find it loathsome’. The importance of the (...) theme of mutilating the dead in theIliad, where one can find numerous and surprisingly detailed descriptions of warriors maltreating the corpses of their enemies, is therefore puzzling, to say the least. (shrink)

One of the most striking features of theIliadis that the gods are constantly present as an audience. Not only are they shown intervening and responding to human action, but repeatedly they are explicitly said to be watching. It will here be argued that this is much more than a ‘divine apparatus’, that it stands in a peculiar and identifiable relation to real religion, and that it is of the greatest importance both for theIliadand for later Greek poetry.

One of the most striking features of the Iliad is that the gods are constantly present as an audience. Not only are they shown intervening and responding to human action, but repeatedly they are explicitly said to be watching. It will here be argued that this is much more than a ‘divine apparatus’, that it stands in a peculiar and identifiable relation to real religion, and that it is of the greatest importance both for the Iliad and for later Greek (...) poetry. (shrink)

Any attempt to grapple with the issue of divine behaviour towards men in Aischylos or any other Greek thinker must begin with the question of expectations: what do the gods expect from men, and what, if anything, may men expect in return from the gods? A. W. H. Adkins has I think demonstrated clearly that in Homer at least the defining barrier between mortal and immortal is one of degree, not kind; the gods are gods not because of moral excellences (...) or all-encompassing wisdom, but simply by virtue of their greater power. This power, and the capacity to defend it, is the essence of their τιμή, which they guard as jealously as any mortal γαθός. What is expected of men, therefore, is a healthy respect for divine τιμή, and an avoidance of any action, however innocent, which might seem to lessen divine status. Thus when Hermes in the first book of the Odyssey tells Aigisthos not to kill Agamemnon or to take his wife, he does so qua god, not moral adviser, and Aigisthos' transgression lies foremost in his rejection of that command. In the same way Hesiod's Prometheus offends against the prerogatives and τιμή of Zeus, and is appropriately punished; that he meant well is irrelevant to Hesiod, nor is there any interest in his rehabilitation. Examples in the lyric poets are by the nature of the genre less abundant, but we may certainly note Stesichoros 223 PMG, where Tyndareos' accidental slight of Aphrodite draws down the anger of the goddess on his daughters. Similar too is the fate of the daughters of Proitos, whose boast in Bakchylides 11 that their father is wealthier than Hera brings about their subsequent madness. (shrink)