My thesis reads Ernst Bloch’s materialist ontology with the aim of producing a utopian perspective on language’s materiality. As my Introduction outlines, set against the backdrop of a contemporary renewal in speculative philosophy, the present context is marked by a twofold limitation: (1) the perdurant marginalisation of Bloch’s form of utopian speculation, serving to couch contemporary materialism in thoroughly un-prospective tendencies; and (2), a relative failure of contemporary speculative philosophy to reflect on language, a failure attributable to the long drawn-out (...) dominance of post-structuralism’s linguistic form of relativism. To overcome these limitations I dedicate Chapter I of my thesis to expounding the core categories of Bloch’s materialism, casting a light on what I call its fundamental compositional structure: Incompleteness → Process → (possibility of an) Outfall, i.e. completion or arrival. In light of this, I argue that, placed within the horizon of Bloch’s materialism, incompleteness, process, and futural-directedness ought to be taken as cornerstones of language’s materiality. So as to better position what this means, in Chapter II a reading of the metaphysical Sens of Bloch’s materialism is given. There I consider Bloch’s materialism as a novel form of analogic metaphysics. Insofar as at the core of Bloch’s materialism there lies a metaphysical conception whereby being as such (e.g. Aristotle’s ontōs on) names an ultimate desire and not—pace the classical metaphysical tradition—an already existent beingness—a metaphysical conception Bloch proleptically terms the “ontology of not-yet being“—so then the essential dynamic of this materialism hinges on an incomplete analogy, for all things relate to that which is not-yet in existence; this not-yetness is the sustaining meaning of what is. In the final chapter I concretise my findings by turning to the question of language proper, reading “anacoluthon” as a speculative materialist figure of language which expressive this utopian analogic metaphysics. Anacoluthon denotes an interruption in syntactical flow (Greek: an-akóluthos, “not following“; German: Satzbruch, “sentence fracture/rupture“) and marginally features in Bloch’s corpus. But precisely because of its marginal status the figure possesses a real force in understanding language’s utopian materiality. Indeed, I read anacoluthia as expressive of the Blochian ontological composition. Anacoluthic discontinuities of speech are read as linguistic expressions of ontological incompleteness, ontological novelty, and ontological directedness to what is not yet. They linguistically express both the non-existence of ontological totality, but also, crucially, a real and open intending towards it: a utopian, creative, linguistically-based transgressiveness expressive of the world’s ontology. (shrink)

resumo Procura-se, por meio da análise imanente da segunda parte do livro Dialética negativa, destacar os elementos centrais da posição de Adorno frente a Kant. Torna-se assim possível estabelecer a singularidade de Adorno perante as críticas empreendidas pelo idealismo alemão, por Nietzsche, pela psicanálise e pela própria tradição marxista na qual ele se insere. Sua proposta consiste em submeter a filosofia transcendental a uma segunda reflexão que desemboque no materialismo, constituindo um “duplo giro copernicano”. palavras-chave Adorno; Kant; idealismo; materialismo.

This paper investigates the compatibility of Hegel’s analyses of the mechanization of work in industrial society with Hegel’s notion of freedom as rational self-determination. Work as such is for Hegel a crucial moment on the way to a more complete realization of human freedom, but, as I maintain with Adorno, the technological developments of the last two centuries raise the question of whether the nature of work itself has changed since the industrial revolution. In his Jena lectures, Hegel recognized significant (...) problems that the mechanization of work poses for human freedom that—on my assessment—his later, mature thought does not sufficiently address. One finds, however, a more comprehensive depiction of the same worries that Hegel mentioned in his Jena lectures in Adorno’s critique of the dominant forms of labor in contemporary society and his understanding of technological rationality, which according to Adorno, dominates the contemporary world. I suggest, furthermore, that juxtaposing Hegel’s and Adorno’s thoughts on technology and the mechanization of work reveals Adorno’s philosophy of technology to be an extension, rather than a critique, of the spirit of Hegel’s own philosophical project as immanent critique of the necessary entailments of any given concept. (shrink)

When Susan Sontag addresses the problem of pornography and relates it to Hegel, she is not merely describing a path in European philosophy aimed to construct a new language, but she is also committing this aim to the importance of re-reading culture. The fashion in which pornography describes reality is meaningful when we are trying to approach Hegel in his aim to construct a post-religious language that finally will make ready-to-hand life as life. Politics, and society, being two essential elements (...) to understand reality, become singularly interesting when analyzed through the gaze of Sontag in combination of Hegel’s philosophy. The conservative morals that reign over what we understand as pornography, and the cultural moment of Europe since the most progressive moments of the 19 th century, describe a fatalist landscape for the future of society and politics. Yet, the learnings from Hegel remain meaningful. In this paper I examine how a post-religious philosophy, aimed long ago by Hegel’s contribution to philosophy, can serve to the understanding of a post-pornographic society: a society that is able to learn from the contributions of Frankfurt’s school with regards to an efficient cultural tissue, and defeat the old religious morals that are inserted in the backbone of politics and philosophy still today. (shrink)

This monograph sets out from the idea of an obscure and perverted relationship between environmentalism, understood as a 21 st century green and popular movement, and pornography, understood as a traditionalist and conservative art form. Both sides seem to come together in the interest of what has been called the Anthropocene. Somehow the same groups that rely on a fierce defense of the planet and demand a collective awareness of the risk the entire humanity faces do not do it any (...) longer on behalf of an unknown future or revolutionary goal, but for the conservation of a still image of Earth: a positive conviction on how the future is going to look like. This aporia is dissolved into an oxymoron when environmentalist practices are put at work. (shrink)