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The conflict between Jupiter and Juno in the Aeneid is commonly read as a battle between the forces of order and chaos . The present article argues that this schematization, though morally and aesthetically satisfying, fails to account for most of the data. Virgil's Jupiter is in fact concerned solely with power and adulation , despite persistent attempts by readers—and characters in the poem—to see him as benign. By systematically discussing every appearance of Jupiter in the poem, the article seeks (...) |
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I argue that the prologue of Tacitus' Agricola is at pains to maintain for the work the option to be important or to be inconsequential. The goal of this effort is to anticipate a spectrum of possible receptions: if the work is welcomed by its audiences, it can serve as the first step in a prestigious literary career; if it meets with indifference or hostility, Tacitus' already-existing social self can find protection behind the claims to limited importance. In the first (...) |
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The extravagant, not to say fulsome, praise showered upon Nero in Lucan's proem to his De Bello Civili tends to divide scholars neatly into two factions. In the blue corner are those for whom it is ‘obviously’ sarcastic or ironic in some degree, whether they consider it intended to be circulated privately or understood only by a small group of initiates, or else see it as actually being designed to offend the princeps. In the red we find those who attempt (...) |
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This thesis aims to illuminate Seneca’s criticisms of Neronian Rome through a novel exploration of the philosopher’s collection of moral letters – the so-called Epistulae Morales ad Lucilium. Noting the glaring absence of court politics in these letters the thesis identifies themes of dissimulation and veiled criticism, penned by Seneca in a concealed manner to ensure his safety during a time of dire political unrest. The first chapter establishes the cultural context of this collection by examining how they fit in (...) |
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The hypothesis that approaches the use of humour throughout the ages as something approximating a coping mechanism, has been subject to a long-standing discussion in what is known as humour studies. In this particular essay, by looking through the spectacles of one of the discipline’s theories, called relief theory, I will attempt to find out whether humour was used to lighten the weight of oppression in Imperial Rome, and can thus corroborate this hypothesis. |
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Parrhesia is the rhetorical figure of dissent par excellence. The essay argues that parrhesia is understood as risky argumentation within the rhetorical tradition. The relation of frank speech and flattery has been a core discussion about the predicaments of advocacy since Greece and Rome. Whereas Foucault models the term primarily from the aesthetic enactments of Euripides, the essay studies parrhesia as a mutually implicating struggle articulated in Sophoclean drama. Dilemmas of wartime dissent found in United States Congressional debate over Iraq (...) |
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