This article engages the crisis of measure currently being articulated within social and cultural theory and the associated claim that this crisis should compel an embrace of methods which seek to know the heterogeneous, the multiple, the complex and the vague. Taking the rise of immaterial forms of labour and value as paradigmatic of the crisis of measure, it questions the use of the figure of a domestically labouring woman who lacks ownership of her labour to illuminate this crisis, as (...) well as the structural equivalence currently being forced between ‘women’s work’ (especially the work of social reproduction) and productive activities. It does so with reference to the changing relationship between women and social reproduction, a changing relationship which suggests that at the heart of the crisis of measure is a restructuring of time. This article therefore adds fuel to the view that the relations of temporality are now a key ground for feminist theory. (shrink)

Through illustrating the similarities between embodied practices rooted in different cultural contexts (such as `African' female genital cutting and `Western' cosmetic surgery), feminist theorists seek to reveal the instability of essentialist binaries which distinguish various groups as culturally, ethnically and morally `different'. They also aim to query how the term `culture' is employed differentially on the basis of embodied axes such as race and nation. However, in emphasizing overarching commonalities between practices, feminist cross-cultural comparisons risk collapsing into economies of sameness (...) that elide the complex relations of power through which such practices have been constituted. They can also fix the imagined subjects of these practices in troubling ways. Using the ubiquitous `African' female genital cutting and `Western' cosmetic surgery binary as an example, this article explores the difference it might make to address culturally essentialist constructions of embodied practice with a focus on relationality rather than commonality. As a means to reorient feminist cross-cultural approaches which depend on assertions of similarity or sameness, it argues for the theoretical and pedagogical utility of thinking through relational webs. (shrink)

Who or what counts as a feminist subject? This article considers the place of the child, in particular, within the framework of feminist theories of the subject. Locating these theories in a framework of ‘oppositional’ theory, the article asks how and when the child appears in this field of theory. Although children’s oppression and representations of the child in culture have been continuously addressed in contemporary feminism at least since the 1970s, it is simultaneously the case that the child appears (...) in feminism as well as other theories of the subject as the other to the presumed adult subject, even – and sometimes especially – when that subject is being retheorized in oppositional terms, that is, against a hegemonic order of things. The article focuses on instances of the child’s appearance as a resource in feminist theories of the subject, and particularly in feminist uses of psychoanalysis. After considering male poststructuralist or postmodern uses of the child, this article contrasts their generic use of the child with feminist uses of psychoanalysis in the work of Valerie Walkerdine, Judith Butler and Teresa de Lauretis. Psychoanalysis, even in its feminist guises, emerges as a technology of childhood that figures the child as the adult’s ontological origin, and as such an origin that the adult theorist can claim to know by way of psychoanalysis itself. Frequently constituted as a not-yet subject, the child stands in for this ontological origin, from which theorists of the subject, both feminist and not, refashion theories of subjective resistance to the very forms of power that make us subjects in the first place. Working both with and against feminist and other appropriations of the child by way of its ontological positioning, this article attempts to offer an alternative theorization of subjects that accounts for the differences between children and adults. While undercutting the claims to knowledge of the child as the site of human ontology, this alternative theorization also makes a claim to the transformative possibilities that have been located in ontology itself. In addressing feminist uses of the child together with theories of the feminist subject, this article speaks not only to questions of the child, but to the possibility of a feminist politics that begins from a position of privilege – that is, one that does not require subordination as a condition of its own possibility. (shrink)

This paper uses an intersectional analysis to look at contemporary forms of women's popular protest in the hopes of raising questions about the explicit use of the gendered body in struggles for women's emancipation. Specifically, it explores the protests of SlutWalk and FEMEN to suggest that such body protests exemplify a problematic interface between third-wave and postfeminism. This interface or junction is most noticeable and problematic in relation to uncontested auto-sexualisation or ‘femmenism’. I argue that any subversive potential these recent (...) mobilisations might offer is limited through their reproduction of patriarchal, hegemonic norms. This piece is theoretical in the main, though it does include some preliminary qualitative research by way of drawing on websites, news reports, Twitter feeds, Facebook pages, and other online content produced by or about SlutWalk and FEMEN. The hope is to raise questions about the value of this increasingly pervasive use of sexualised, gender protest for feminist organising, not merely as an academic exercise but for its utility in practice. (shrink)

Pakistan’s women educational attainment has been the lowest in the entire South Asia; with women and girls continuing to suffer discrimination in the field of education. This study is designed to examine the linkage between gender disparity in education and Pakistan economic success, using annual secondary data to date range 1980 to 2019. Also the study checked the variables integration order by using Dickey-Fuller and Philip-Peron tests apart from utilizing the ARDL bound test technique for long-run co-integration relationship while the (...) direction of causality were tested by using Granger causality. The analyses reflect that a strong adverse influence on growth was the result to be yielded from gender educational disparity in Pakistan. This finding is based on the empirical interpretation such as women educational attainment at primary and secondary levels, government expenditures on education, total secondary education and male secondary education significantly contribute to growth. However, the associations of population growth, total labor force, male education at primary level and total primary education with growth being significantly negative. This study also found long run pair-wise causality from male and female secondary school attainment separately, male primary education, total primary and total secondary education to economic success. (shrink)

A historically feminized profession, education in North America remains remarkably unaffected by feminism, with the notable exception of pedagogy and its impact on curriculum. The purpose of this paper is to describe characteristics of feminism that render it particularly useful and appropriate for developing potentialities in education and music education. As a set of flexible methodological tools informed by Gilles Deleuze's notions of philosophy and art, I argue feminism may contribute to education's becoming more efficacious, reflexive, and reflective of the (...) values of its participants. Its impetus involves ‘feminist imperative(s)’ to help in the sense articulated by Elizabeth Grosz: to provoke thought, challenge, and problematize. (shrink)

In this essay, I sketch the contours of a critical phenomenology of walking. I begin by briefly characterizing the critical phenomenological project and marking some of its invitations to think method and movement alongside one another. Then, I explore two modes of doing a critical phenomenology of walking: attending to how one walks and when and where one walks. I revisit and reread, in particular, the stories of Charlie Howard and Latisha King, whose walks not only signaled a unique comportment (...) in the world, but a comportment so offensive as to be extinguished by a fatal admixture of homophobia, transphobia, and racism. Finally, I close by considering the conditions under which a critical phenomenology of walking can be ameliorative—that is, how it can participate in liberatory projects of thinking and making. Drawing on Michel de Certeau and María Lugones, I argue not only that a critical phenomenology of walking can diagnose how structures of oppression constrain walking chances in the world, but also can witness how walking critiques those very structures. Walking is a movement of resistance and reimagination against the constraints of embodiment and subjectivity so singularly inherited and enforced. Traversing the space of this inquiry, I aim to complexify my understanding of walking as a practice, but also to deepen my appreciation of critical phenomenology as a method. (shrink)

This article charts the feminist perspectives that have come out of the author’s thinking on the dance performance text Human Sex and how this has informed her own feminism. In doing so, the author argues that a feminist agenda is shifting and dynamic but also reliant upon prior readings and interpretations that provide the point of reference for a departure to other readings and perspectives. Using autobiographical material, the author highlights the importance of considering the personal histories of subject-hood that (...) influence a feminist consciousness and how these are the condition of possibility for making other readings. To demonstrate the shifting character of identity over time, she engages in different readings of Human Sex through the work of feminist theorists Sara Ahmed, Judith Butler and Peggy Phelan. (shrink)

This article considers the issue of racial difference in the Goddess movement, using the mythological figure of Arachne, a skilful weaver whom the goddess Athena transformed into a spider, to explore the unequal relational dynamics between white Goddess feminists and women of colour. Bringing Goddess spirituality and thealogical metaphors of webs and weaving into dialogue with postcolonial and black feminist perspectives on the politics of voice, marginality and representation, the article points to some of the ways in which colonial narratives (...) weave through Goddess feminism, including practices of silencing and the romanticization of racial difference. Ultimately, I argue that feminist spirituality must recognize and address structural inequality between white women and women of colour, or in other words, listen to Arachne’s voice. (shrink)

Alias Grace is just one of the many recent TV shows that was labelled ‘feminist’ so quickly and with such ease that one is left to wonder how much of a genre ‘feminism’ has already become. This article interrogates what is at stake for ‘feminist’ critique in labelling cultural phenomena as ‘feminist’. I argue that certain ways of reading Alias Grace as a ‘feminist’ show preclude an alternative reading in which Alias Grace emerges as a critique of ‘feminism’ itself. What (...) is at stake in the debate on ‘feminism’ in popular culture is thus not only whether or not we can recognise the potential for ‘feminist’ critique that resides within popular culture, but also whether or not we can allow socio-cultural phenomena, like TV shows, to take ‘feminism’ as an object of critique: to generate the kind of critical movement that renders futile any attempt to stabilise, or reify, the signifier ‘feminism’ as an ahistorical object with fixed meanings – as a genre even. In so doing, I take it that there is no privileged site from which to engender such movement; and I do not take popular culture as a self-contained domain that could qualify for being such a site. The point, then, is not to treat Alias Grace as a representative case study in popular ‘feminism’; but rather, to demonstrate, by way of Alias Grace, the complex and contradictory readings that socio-cultural phenomena are amenable to, and which in turn give rise to critical possibilities that unfold from within these phenomena. Reading Alias Grace critically, as I understand it in this article, means allowing it to be, at one and the same time, a reflection on itself and a reflection on the world in which it so quickly comes to be labelled ‘feminist’. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:World Alienation in Feminist ThoughtThe Sublime Epistemology of Emphatic Anti-EssentialismBonnie Mann (bio)The earth is the very quintessence of the human condition.Hannah ArendtWe are tied to place undetachably and without reprieve.Edward CaseyThe alliance between feminism and postmodernism1 in the American academy has brought about a revolution in feminist epistemology. The early feminist epistemology of unmasking, of sorting through appearances to get to the real underneath, has been discredited as "essentialist."2 (...) Feminist standpoint epistemology was an attempt to respond to this accusation by using social location as a "standpoint" from which at least local and situated knowledge could be articulated.3 More recently, many feminists have taken on the epistemology of the simulacrum. Here "the real" plays a part only as that which dissolves into the appearances themselves. Behind the appearances, if there were such a place, would be only an abyss of absence.With this revolution in feminist epistemology comes a wholesale displacement [End Page 45] of the feminist project. Others have argued that the feminist political project is displaced in the alliance with postmodernism.4 On my view, the epistemological and political displacements accompany and instantiate an even deeper level of dispossession. The ultimate price we pay for the feminist alliance with postmodernism may well be a material displacement, in which we are dispossessed of our ability to inquire into and articulate our relationship to the earth itself. We find this planet we inhabit, this physical place that sustains us moment by moment, to be effectively shut out of what now passes as "good" feminist inquiry.In 1958, Hannah Arendt wrote already of "the advent of a new and yet unknown age," marked by world-alienation, a "twofold flight from the earth into the universe and from the world into the self" (1958, 6). The "unknown age" has now been named. Postmodernity takes this flight one step further than Arendt foresaw, however, and even folds the universe and the self into discourse. World-alienation has taken the form of the self-enclosed universe of the text. Our sojourn in the world of signs is so paradigmatic of "the postmodern condition," that asking the question of our relationship to the physical planet we inhabit seems naive and nostalgic. Anything we might say about the earth, after all, is already in language, already bound up in discourse. To speak of an "earth" or "nature" that exceeds discourse is to find oneself locked, even so, within discourse. Having lost our belief in the referentiality of language, in the relation between words and things, we are stuck with signs that refer only to other signs.A capitulation to our very real physical and phenomenological experience of world-alienation finds here its theoretical form. We give in to placelessness. As Edward S. Casey writes, "To say 'I have no place to go' is to admit to a desperate circumstance. Yet we witness daily the disturbing spectacle of people with no place to go: refugees from natural catastrophes or strife-torn countries, the homeless on the streets of modern cities, not to mention 'stray' animals. In fearing that 'the earth is becoming uninhabitable'—a virtual universal lament—we are fearing that the earth will no longer provide adequate places in which to live. The incessant motion of postmodern life in late-capitalist societies at once echoes and exacerbates this fear" (Casey 1993, xiii). Intellectually, we find ourselves in equally desperate circumstances, trapped as we are inside a language that can refer only to itself. This self-enclosure becomes a kind [End Page 46] of no place, a world-alienated space without place,5 and feminist thinking is set adrift from the physical places that give feminist thinkers our moment by moment sustenance. In its alliance with postmodernism, feminism has capitulated to the placelessness that so marks our phenomenological experience at the turn of the millennium.6Yet we inhabit this planet. Faced with its destruction we are compelled to make sense of our relationship to it and to act to save it. A feminist philosophy that turns its back on the earth embraces, rather than contests, the world-alienation of which Arendt spoke. Yet our alienation... (shrink)

In Feminist theory: from margin to center, feminist theorist bell hooks questioned the existing feminist discourses during her time by pointing out the lack of a solid definition of feminism and the predominance of white, privileged feminists in the movement. Although several other feminist theorists have made the same criticisms, what sets hooks apart is her invitation to a revolutionary feminist outlook, which uses a pluralistic lens to recognize the absence of oppressed groups and the interrogation of cultural representations. Even (...) before “intersectionality” became a buzzword in feminist circles, hooks has already been talking about the interlocking webs of oppression, a concept that most feminists associate with intersectionality. Despite her novel ideas though, most critics raise concerns about her inconsistencies, lack of methodology, and critical awareness. What I aim to do in this paper is to re-evaluate hooks and propose ways to address some of these supposed contradictions. To enrich hooks’ feminist theory, I propose three main points: the emphasis on the crossing of borders, feminist solidarity and global transgression. (shrink)

This article examines religious and gendered identities through an ethnographic study of unmarried evangelical Christian women in London. Moving away from an approach that shows that women feel empowered through their conservative, male-dominated religious environment, or else they find it constraining and leave the church, this article investigates the experiences of women who feel limited by their church, and still remain embedded in their Christian environment. The article begins by exploring the normative figure of the ideal Christian woman operative in (...) this context. It then describes the experiences of women who do not fit the norm, outlining the affective toll they suffer through marginality. Finally, the article examines how some women rely on hope in order to change the normative framework within their church. This article argues that leaving and staying are not static categories; instead evangelical women, frustrated with their marginal positions, revealed a continuum of investment underlain by resilience and hope. (shrink)

Back in October 2015 I had the opportunity to chair the book launch for all three works discussed in this review essay. At the event, Shirley Anne Tate said, “Black feminist theory is the theory”. The comment referred to how it is not ‘just’ that Black feminist theory is typically marginalised within institutional contexts and academic scholarship, ‘even’ within critical, feminist and poststructural work, but also to highlight the capacity of Black feminist scholarship to unpick and destabilise the known and (...) knowable in ways that are profoundly ontological, and which offer potential routes to meaningful social change through the hard task of working across difference. The three books reviewed here by Shirley Anne Tate, Suryia Nayak and Shona Hunter are theoretically rich and complex in breadth, scope and range, drawing on extensive Black feminist scholarship, as well as critical race, critical feminist, psychosocial, psychoanalytic, postcolonial, decolonial and poststructural approaches. Each book is embedded in everyday practices and social processes, offering multi-layered movement across different spatial-social and affective scales in ways that allow ‘big’ insights to emerge from the locatedness and particularity of human experience. They are reviewed in turn and some concluding comments identify important commonalities across the texts. (shrink)

‘Hetero’ (from the Greek, ‘different’) is most familiar to us in its attachment as a prefix to ‘sexuality’. In gender studies, sexuality studies and feminist scholarship, heterosexuality is routinely contrasted with homosexuality, and this contrast is often mapped over the opposition of heteronormative versus queer (ideas, practices, effects). These word-pairs (heterosexual and homosexual; heteronormative and queer) tend to operate dichotomously – that is, in exclusive, exhaustive and hierarchically ordered ways. Taking up Sara Ahmed’s work on orientation, this article experiments with (...) an alternative pairing, exploring the potential for admixture or subversion in those dichotomies. ‘Heterodoxy’ is introduced as a concept that might be usefully contrasted with ‘orthodoxy’ in sexuality/gender studies – particularly in relation to current debates on marriage. The larger aim of this endeavour is to theorise heterosexuality in more accurate ways, and to seek out understandings of heterosexuality (including its historical relationship with heteronormative marriage) which acknowledge its horrors without foreclosing hope for its future. (shrink)

The focus of my inquiry in this article is the figure of the Human that is enacted in the design of the humanoid robot. The humanoid or anthropomorphic robot is a model (in)organism, engineered in the roboticist’s laboratory in ways that both align with and diverge from the model organisms of biology. Like other model organisms, the laboratory robot’s life is inextricably infused with its inherited materialities and with the ongoing — or truncated — labours of its affiliated humans. But (...) while animal models are rendered progressively more standardised and replicable as tools for the biological sciences, the humanoid robot is individuated and naturalised. Three stagings of human— robot encounters (with the robots Mertz, Kismet and Robota respectively) demonstrate different possibilities for conceptualising these subject objects, for the claims about humanness that they corporealise, and for the kinds of witnessing that they presuppose. (shrink)