Mourning, especially melancholic mourning, has recently emerged as a significant site of expressing and addressing loss in feminism. While feminism’s hard-won successes in achieving institutional power globally have brought exuberance over achievement, they have also come with an acute sense of despondency and loss; one that is not easily mourned or relinquished. The institutionalization of feminism in governmental, non-governmental and academic sites has precipitated this sense of loss in India, wherein the discussion of this article is located. In exploring the (...) politics of loss in contemporary feminist discourse in India, feminist melancholia is seen to condition a fetishized attachment to the past, and to past modes of knowledge, action and consciousness in ways that demand the generational reproduction of feminism rather than its renewal in times of perceived crisis. Present-day anxieties over the ‘co-option’ and resultant depoliticization of the Indian women’s movement constitute a narrative of loss in which a politically more ‘authentic’ past functions as a normative standard for feminist politics in the present, and as a prescriptive model of feminism’s future. Advancements in Women’s Studies and activist (now ‘NGOized’) practice that are seen to be deviating from the redemption of such an idealized past are thus deemed apolitical. In interrogating contemporary anxieties about feminism’s present and impending future (that resonate beyond the bounds of India), the article demonstrates how melancholic loss can inform a potentially conservative politics that seeks to contain feminism in a once loved but now lost ‘home’. (shrink)

Anyone who goes beyond procedural questions of a discourse theory of morality and ethics and, in a normative attitude … embarks on a theory of the well-ordered, or even emancipated, society will very quickly run up against the limits of his own historical situation.For some time now, a certain strand of contemporary critical theory has understood its task not as providing a substantive critique of power relations, let alone an alternative normative conception of what social relations might be, but as (...) how to justify critique as such: how to justify those elements which critique owes to its philosophical origins, albeit in a nonfoundationalist manner.1 This focus on—if not obsession with—the theoretical problem of... (shrink)

Who owns feminist theory? and just what is meant by the idea of ‘theory’? We explore these fundamental questions as part of interrogating some emergent orthodoxies about feminist theory, proposing that there is a ‘missing revolution’ in feminist thinking, for while ideas about feminist epistemology, methodology and ethics have been fundamentally reworked, those concerning feminist theory have not. Our purpose is to stimulate a debate about the form of feminist theory, rather than the more usual controversies about its content; and (...) thus our concern is with promoting the development of feminist metatheory. We argue that the now-dominant version of feminist theory is a parallel project to that of mainstream/malestream social theory, and that a feminist autocritique of this and related developments is needed, with the aim of achieving a transformation of the fundamental categories of feminist theory. (shrink)

As has been widely observed, histories of feminism have often been conceived via notions of generation where feminism is positioned as a kind of familial property, a form of inheritance and legacy which is transmitted through generations. Thus feminism and its history have been imagined as following a familial mode of social reproduction. Despite the dominance of this model, it has nonetheless been subject to critique, not least because of its reliance on teleological and progressive notions of history. Judith Roof, (...) for example, has called for new conceptualizations of temporality in an attempt to decouple histories of feminism from a generational model. This need to move away from a generational model is also underscored by what commentators such as Angela McRobbie have identified as a dispersal of feminism – a broad-scale circulation of feminist values in popular culture – as well as by the emergence of a certain kind of reflexivity whereby past and current feminist practices are increasingly subject to critique. For McRobbie such developments are understood as part of the articulation of a post-feminism in which feminism can no longer be passed on as it is positioned as having already passed away. However, in this article via an exploration of recent accounts of the passing of feminism it is suggested that what allows for a declaration of this passing is an attachment to feminism as a particular way of knowing as well as to a particular arrangement of the social. Indeed, it will be suggested that recent histories of feminism and commentaries on the state of contemporary feminism are driven not only by generational logics but also by these attachments – attachments which lose and fix both feminism and women in time. (shrink)