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The peculiarity of color

In Kathleen Akins & Martin Hahn (eds.), Color Perception: Philosophical, Psychological, Artistic, and Computational Perspectives. New York: Oxford University Press (2000)

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  1. (1 other version)Reflectance Physicalism About Color: The Story Continues.Zoltan Jakab - 2012 - Croatian Journal of Philosophy 12 (3):463-488.
    A stubborn problem for reflectance physicalism about color is to account for individual differences in normal trichromat color perception. The identification of determinate colors with physical properties of visible surfaces in a universal, perceiver-independent way is challenged by the observation that the same surfaces in identical viewing conditions often look different in color to different human subjects with normal color vision. Recently, leading representatives of reflectance physicalism have offered some arguments to defend their view against the individual differences challenge. In (...)
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  • Color.Barry Maund - 2008 - Stanford Encyclopedia of Philosophy.
    Colors are of philosophical interest for two kinds of reason. One is that colors comprise such a large and important portion of our social, personal and epistemological lives and so a philosophical account of our concepts of color is highly desirable. The second reason is that trying to fit colors into accounts of metaphysics, epistemology and science leads to philosophical problems that are intriguing and hard to resolve. Not surprisingly, these two kinds of reasons are related. The fact that colors (...)
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  • Revelation and normativity in visual experience.Zoltán Jakab - 2006 - Canadian Journal of Philosophy 36 (1):25-56.
    A traditional explanation that dates back to Aristotle is that we access color in one perceptual modality only, whereas shape we perceive via two different modalities: visual and tactile. Two independent modalities make possible a verification of our percepts which is not possible for qualities accessed in one modality only.
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  • Colour Vision and Seeing Colours.Will Davies - 2018 - British Journal for the Philosophy of Science 69 (3):657-690.
    Colour vision plays a foundational explanatory role in the philosophy of colour, and serves as perennial quarry in the wider philosophy of perception. I present two contributions to our understanding of this notion. The first is to develop a constitutive approach to characterizing colour vision. This approach seeks to comprehend the nature of colour vision qua psychological kind, as contrasted with traditional experiential approaches, which prioritize descriptions of our ordinary visual experience of colour. The second contribution is to argue that (...)
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  • Looks as powers.Philip Pettit - 2003 - Philosophical Issues 13 (1):221-52.
    Although they may differ on the reason why, many philosophers hold that it is a priori that an object is red if and only if it is such as to look red to normal observers in normal conditions.
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  • Wavelength Theory of Colour Strikes Back: The Return of the Physical.W. R. Webster - 2002 - Synthese 132 (3):303-334.
    There have been a number of criticisms, based on visual processes, of the Australian view that colour is an objective property of the world. These criticisms have led to subjective theories about colour. These visual processes (metamers, retinex theory, opponent processes, simultaneous contrast, colour constancy, subjective colours) have been examined and it is suggested that they do not carry their supposed critical weight against an objective theory. In particular, it is argued that metamers don’t occur in nature and primate colour (...)
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  • The represented object of color experience.Elizabeth Schier - 2007 - Philosophical Psychology 20 (1):1 – 27.
    Despite a wealth of data we still have no clear idea what color experiences represent. In fact, color experiences vary with so many factors that it has been claimed that they do not represent anything at all. The primary challenge for any representational account of color experience is to accommodate the various psychophysical results that demonstrate that color appearance depends not only on the spectral nature of the target but also on the spectral, spatial and figural nature of the surround. (...)
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