The Oxford Handbook of the History of Physics brings together cutting-edge writing by more than twenty leading authorities on the history of physics from the seventeenth century to the present day. By presenting a wide diversity of studies in a single volume, it provides authoritative introductions to scholarly contributions that have tended to be dispersed in journals and books not easily accessible to the general reader. While the core thread remains the theories and experimental practices of physics, the Handbook contains (...) chapters on other dimensions that have their place in any rounded history. These include the role of lecturing and textbooks in the communication of knowledge, the contribution of instrument-makers and instrument-making companies in providing for the needs of both research and lecture demonstrations, and the growing importance of the many interfaces between academic physics, industry, and the military. (shrink)

This paper argues that a debate between Toland and Clarke is the intellectual context to help understand the motive behind the critic and the significance of Berkeley's response to the critic in PHK 60-66. These, in turn, are responding to Boyle's adaptation of a neglected design argument by Cicero. The paper shows that there is an intimate connection between these claims of natural science and a once famous design argument. In particular, that in the early modern period the connection between (...) the scientific revolution and a certain commitment to final causes, and god's design, is more than merely contingent. The details of PHK 60-66 support the idea that the critic is responding to concerns that by echoing features of Toland's argument Berkeley undermines the Newtonian edifice Clarke has constructed. (shrink)

The ArgumentFocusing on the celebrations of Newton and his work, this article investigates the use of the concept of genius and its connection with debates on the methodology of science and the morality of great discoverers. During the period studied, two areas of tension developed. Firstly, eighteenth-century ideas about the relationship between genius and method were challenged by the notion of scientific genius as transcending specifiable rules of method. Secondly, assumptions about the nexus between intellectual and moral virtue were threatened (...) by the emerging conception of genius as marked by an extraordinary personality – on the one hand capable of breaking with established methods to achieve great discoveries, on the other, likely to transgress moral and social conventions. The assesments of Newton by nineteenth-century scientists such as Brewster, Whewell, and De Morgan were informed by these tensions. (shrink)

Although many historians of science acknowledge the extent to which Greek and Roman ideals framed eighteenth-century thought, many classical references in the texts they study remain obscure. Poems played an important role not only in spreading ideas about natural philosophy, but also in changing people’s perceptions of its value; they contributed to Newton’s swelling reputation as an English hero. By writing about Latin poetry, we focus on the intersection of two literary genres that were significant for eighteenth-century natural philosophy, but (...) seem alien to modern science. We classify Augustan Latinate scientific poetry by considering the audiences for whom the poems were intended. We distinguish three broad categories. One type of poetry was circulated amongst gentlemanly scholars. A second group comprised poetry written specifically to promote or criticise Newton and his books, particularly the Principia. After Newton’s death, a third type of poetry became increasingly significant, included in collections of poems rather than in texts of natural philosophy. Overall, we show how the classical past was vital for creating the scientific future.Author Keywords: Isaac Newton; Neo-Latin; Lucretius; Oxford and Cambridge verse; Edmond Halley; Queen Caroline. (shrink)

In 1736, an 80-year-old Edmond Halley, dignified by the academic robes of his alma mater, Queens College Oxford, sat down at the brush of transplanted Swedish artist Michael Dahl for his final official portrait.1 By the time he posed for Dahl, Halley occupied a rank of distinction among practical philosophers of the early Enlightenment. His manifold achievements included authorship of the first catalogue of stars in the Michael Dahl, “Dr E Halley, Aged 80.” © The Royal Society. southern hemisphere, the (...) laying of actuarial foundations for life insurance and annuities, his correct prediction of the return in 1758, 1835, and 1910 of a bright periodic comet that today bears .. (shrink)

In this article, we document how, in the public arena, British readers of the first edition of Isaac Newton's Philosophiae naturalis principia mathematica (1687) tried to make sense of the relation between gravity, matter, and divine and natural causation—an issue on which Newton had remained entirely silent in the first edition of the Principia. We show that readers attached new meanings to the Principia so that parts of it migrated to a different intellectual debate. It will be shown that one (...) particular result Newton obtained in the Principia, namely the rejection of a vacuum in Corollary 3 to Proposition 6 in Book 3, was the most important locus in debates on the relation between gravity, matter, and causation. (shrink)