Switch to: References

Add citations

You must login to add citations.
  1. Dark play: Aesthetic resistance in Lukács, Benjamin and Adorno.Surti Singh - 2020 - Philosophy and Social Criticism 46 (10):1182-1202.
    This article examines the turn to the aesthetic dimension in early 20th century critical theory, particularly in the work of Lukács, Benjamin and Adorno. It focuses on the concept of play, which garnered particular attention as a possible form of aesthetic resistance to the reification of reason in modern society. The article traces the concept of play from the work of Lukács, who engaged with Schiller’s notion of the play-drive but ultimately viewed it to be an inadequate form of aesthetic (...)
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  • Subjectivity and its crisis: Commodity mediation and the economic constitution of objectivity and subjectivity.Frank Engster - 2016 - History of the Human Sciences 29 (2):77-95.
    Neither Critical Theory nor western Marxism ever understood crises as being solely concerned with the economy. Both saw them rather as necessarily involving consciousness and subjectivity as well. How does Critical Theory conceptualize economy and subjectivity as inseparable? This is the crucial question. Critical Theory claims, indeed, that it shows the inner connection between the economy and subjectivity. In its first generation, at any rate, Critical Theory meant to show that the economy is a constitutive part of subjectivity, while also (...)
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  • Lukács in the 1920s and the 2020s: The practice and praxis of intellectual history.Richard Westerman - 2020 - Thesis Eleven 157 (1):24-40.
    This article examines different intellectual-historical approaches to the work of Georg Lukács, arguing that a methodology similar to that of the Cambridge School is, curiously, that most in line with Lukács’s own approach. I begin with some general methodological comments on intellectual history, before showing that a proper appreciation of the discourses within which Lukács was situated is essential to understanding both the specifics and the overall project of History and Class Consciousness. Finally, I argue that situating thinkers like Lukács (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation