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  1. Musical Ontology and the Audibility of Musical Works.Sofía Meléndez Gutiérrez - 2023 - British Journal of Aesthetics 63 (3):333-350.
    There are compelling reasons to believe that musical works are abstract. However, this hypothesis conflicts with the platitude that musical works are appreciated by means of audition: the things that enter our ear canals and make our eardrums vibrate must be concrete, so how can musical works be listened to if they are abstract? This question constitutes the audibility problem. In this paper, I assess Julian Dodd’s elaborate attempt to solve it, and contend that Dodd’s attempt is unsuccessful. Then I (...)
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