Is Machiavelli an Epicurean in his political and religious thought? Recent scholarship has identified him as the foremost representative of Epicureanism in Renaissance Florence. In particular, his incomplete epic poem, The Ass, is read as an expression of his adherence to Lucretian naturalism. This article offers a new reading of the poem and shows that its teaching reveals that Machiavelli is closer to a Platonic variant of classical naturalism linked with the idea of a natural virtue modelled on the lives (...) of animals which has been lost through human civilization and progress and to which it is necessary to return periodically. The article focuses on the poem’s claim that civil religion is a necessary component for good laws that maintain a free republic and argues that Machiavelli offers a poetic reflection on the role of Numa as the founder of Roman religion on the model of a neo-Pythagorean philosophical religion that was instrumental in the rise of constitutional government. More than Lucretius’s critique of religion, Machiavelli’s poem can be read as an extended reflection on Plutarch’s texts – above all, his Life of Numa. (shrink)

In this article we investigate the value and utility of Machiavelli’s work for Community-Based Natural Resource Management. We made a selection of five topics derived from literature on NRM and CBNRM: Law and Policy, Justice, Participation, Transparency, and Leadership and management. We use Machiavelli’s work to analyze these topics and embed the results in a narrative intended to lead into the final conclusions, where the overarching theme of natural resource management for the common good is considered. Machiavelli’s focus on practical (...) realities produces new, sometimes unsettling, insights. We conclude that this focus helps to understand the development and performance of management regimes and their consequences and that institutional design should be seen as an ongoing process, which requires a constant adaptation of these institutions. (shrink)

This article explores the ways in which Gramsci’s engagement with Machiavelli and The Prince in particular result in three significant developments in the Prison Notebooks. First, I analyse how the ‘heroic fury’ of Gramsci’s lifelong interest in Machiavelli’s thought develops, during the composition of his carceral writings, into a novel approach to the reading of The Prince, giving rise to the famous notion of the ‘modern Prince’. Second, I argue that the modern Prince should not be regarded merely as a (...) distinctive figure, but rather should be understood as a dramatic development that unfolds throughout ‘the discourse itself’ of the Prison Notebooks, particularly in the crucial phase of reorganisation in the ‘special notebooks’ composed from 1932 onwards. Third and finally, I suggest that the combination of the two preceding themes is decisive for understanding the modern Prince as a distinctive form of political organisation. Rather than equated with a generic conception of the ‘ political party’, this notion was developed as a part of Gramsci’s larger argument regarding the necessity for anti-Fascist political forces in Italy in the early 1930s to grow into an antagonistic collective body guided by principles of ‘living philology’. (shrink)

This article revisits the long-standing question of the relations between ethics and politics in Machiavelli’s work, assessing its relevance to the ‘liberalism of fear’ in particular in the work of Judith Shklar, Bernard Williams and also John Dunn. The article considers ways in which Machiavelli has been a ‘negative’ resource for liberalism – for instance, as a presumed proponent of tyranny; but also ways in which even for the liberalism of fear he might be considered a ‘positive’ resource, above all (...) around the issues of political necessity and prudential judgement. (shrink)

This paper engages the debate within the ‘democratic turn’ in Machiavelli scholarship, where an ‘institutional’ approach has celebrated Machiavelli's theorisation of the institutions under which the people can rule while a ‘no-rule’ approach has traced Machiavelli's attention to the popular capacity to subvert all relations of rule. What do we make of Machiavelli's concurrent reception as a champion of popular rule and an antagonist to all rule? I argue that both institutionalising and subversive impulses appear simultaneously in Machiavelli's works, though (...) in a dynamic for which neither of the democratic approaches adequately accounts – namely, a rhetorical dimension of Machiavelli's works wherein political knowledge unfolds from a continuous multiplicity of perspectives and the ensuing implication that perspective is crafted and shaped through political action. Perspectival readings of Machiavelli's accounts of the Capuan debate and the Ciompi rebellion thus reveal that both democratic approaches have neglected to question certain ‘princely’ orientations toward political action inherited in their conceptualisations of Machiavellian democracy. In contrast, I suggest that Machiavelli's comedy La Mandragola offers an opportunity to reframe perspective as a uniquely democratic phenomenon. Reading the comedy alongside the democratic turn, I argue that it enacts, satirises and even casts doubts on Machiavelli's princely lessons, in turn proposing a popular capacity to cultivate perspective in a newly organised public space. (shrink)