In 1966, Paul Feyerabend published a short essay on the relation between dialectical materialist philosophy and Niels Bohr’s quantum theory, in which he develops several provocative ideas about the relations between science, ideology and society. I use Feyerabend’s essay to construct an account of his ‘Dadaist’ philosophical methodology. I argue that Dadaism is an ironic form of intellectual seriousness, such that the Dadaist is prepared to take any idea or practice seriously as a potentially valuable contribution to collective human thought (...) and action (despite any diverging personal convictions), especially if they find such engagement to be lacking in their local culture. I identify a weakness in Feyerabend’s formulation of Dadaism, so far as it is conceived as a matter of individual epistemic character and thus fails to account for the role of the social structure of intellectual activity. This weakness can be remedied by supplementing philosophical Dadaism with descriptions of the kinds of institutions and incentive structures that might cultivate its constitutive epistemic dispositions. (shrink)

I argue that philosophical studies of the virtues of creativity should attend to the ways that our conceptions of human creativity may be grounded in conceptions of human nature or the nature of reality. I consider and reject claims in this direction made by David Bohm and Paul Feyerabend. The more compelling candidate is the account of science, creativity, and human nature developed by the early Marx. Its guiding claim is that the forms of creativity enabled by the sciences are (...) ultimately valuable insofar as they advance our emancipation from a state of existential alienation. I end by encouraging future investigations of such vertical explanations of the significance of certain virtues in the context of scientific enquiry. (shrink)

ABSTRACTThis article asks whether the philosophy of Paul K. Feyerabend can be reasonably classified as postmodernist, a label applied to him by friends and foes alike. After describing some superficial similarities between the style and content of both Feyerabend’s and postmodernist writings, I offer three more robust characterisations of postmodernism in terms of relativism, ‘incredulity to metanarratives’, and ‘depthlessness’. It emerges that none of these characterisations offers a strong justification for classifying Feyerabend as ‘postmodern’ in any significant sense. Indeed, what (...) does emerge is that Feyerabend’s work was fundamentally informed by a humanitarian vision of the value of science that is, in fact, strikingly modern. (shrink)