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  1. Socrates and Gorgias at Delphi and Olympia: Phaedrus 235d6–236b4.Kathryn A. Morgan - 1994 - Classical Quarterly 44 (02):375-.
    It is a commonplace of modern criticism that every text is to be located within a complex network of cultural practices and material. Students of the ancient world may sometimes feel at a disadvantage; we simply do not have as much information as we would like in order to contextualize thoroughly. This has been especially true in the study of Platonic dialogues. The meagre remains of the writings of the sophists against whom Plato measured himself and of the art to (...)
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  • The Hippogratic Question.G. E. R. Lloyd - 1975 - Classical Quarterly 25 (02):171-.
    The question of determining the genuine works of Hippocrates, a topic already much discussed by the ancient commentators, still continues to be actively debated, although the disagreements among scholars remain, it seems, almost as wide as ever. In comparatively recent times, Edelstein's IIEPI AEPQN and two subsequent studies of his written in the 1930s and marked a turning-point in that they presented a particularly clear and comprehensive statement of the sceptical view, according to which Hippocrates is, as Wilamowitz put it (...)
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  • Platonic Anamnesis Revisited.Dominic Scott - 1987 - Classical Quarterly 37 (2):346-366.
    The belief in innate knowledge has a history almost as long as that of philosophy itself. In our own century it has been propounded in a linguistic context by Chomsky, who sees himself as the heir to a tradition including such philosophers as Descartes, the Cambridge Platonists and Leibniz. But the ancestor of all these is, of course, Plato's theory of recollection or anamnesis. This stands out as unique among all other innatist theses not simply because it was the first, (...)
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  • Plato, Phaedrus 263b6.Friedrich Solmsen - 1986 - Classical Quarterly 36 (01):263-.
    Οκον τν μέλλοντα τέχνην ητορικν μετιέναι πρτον μέν δε τατα δ διρσθαι, κα εληέναι τιν χαρακτρα κατέρου το εδουδ, ν ᾧ τε νγκη τ πλθος πλανσθαι Kα ν ᾧ μή . To the best of my knowledge the soundness of the first six words of this sentence has never been questioned, yet to accept them as they are in the manuscripts means to close one's eyes to the direction of the argument. At 260d5–9 rhetoric personified and allowed to plead its (...)
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  • The etymologies in Plato's "Cratylus".David Sedley - 1998 - Journal of Hellenic Studies 118:140-154.
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  • The Fall of the Soul in Plato's Phaedrus.D. D. McGibbon - 1964 - Classical Quarterly 14 (01):56-.
    In the myth of the Phaedrus Plato sets forth a picture of the life of discarnate souls in heaven. He represents these souls by the symbol of a winged charioteer driving winged horses. In the case of the souls of the gods, the charioteers and horses are good. In the case of the other souls whom Plato calls daimones, and among whom our own souls are included, the soul is represented by a charioteer with two horses of which the right (...)
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  • Zeus and philosophy in the myth of plato’s phaedrus.M. Dyson - 1982 - Classical Quarterly 32 (02):307-.
    The matter which I wish to discuss is a discrepancy between two accounts of the origin of the philosopher in the myth of Plato's Phaedrus. Before their incarnation the souls of all humans are imagined as having enjoyed the vision of reality, but not all in the same company or to the same degree. For, in the first place, the souls are distributed among the companies that severally follow eleven different gods, 247 a-b, a distribution which is regarded as important (...)
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  • Alcidamas of Elaea in Plato's Phaedrus.Slobodan Dušanić - 1992 - Classical Quarterly 42 (02):347-357.
    In Bk. 3 of the Institutio oratoria, Quintilian gives a list of the Greek artium scriptores of the classical epoch (1.8ff.). It contains a controversial entry: ‘…et, quem Palameden Plato appellat, Alcidamas Elaites’ (1.10). The historicity of the rhetorician and sophist from Elaea named Alcidamas, Gorgias' pupil, is of course beyond doubt; scholars disagree only as to the ‘quem Palameden Plato appellat’.
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