Much international and intercultural discourse about historiography is influenced by a way of historical thinking deeply rooted in human historical consciousness and that works throughout all cultures and in all times: ethnocentrism. Ethnocentric history conceives of identity in terms of “master-narratives” that define togetherness and difference as essential for identity in a way that causes tension and struggle. These narratives conceive of history in terms of “clashes of civilizations,” and they reinforce the idea that international and intercultural relations are merely (...) struggles for power. The main elements of ethnocentrism are: asymmetrical evaluation, teleological continuity, and centralized perspective. This essay articulates possibilities for overcoming these three elements by replacing asymmetrical evaluation with normative equality; teleological continuity with reconstructive concepts of development that emphasize contingency and discontinuity; and centralized perspectives with multi-perspectivity and polycentric approaches to historical experience. Adopting these possibilities would lead to a new mode of universal history rooted in a concept of humankind that can help solve the problem of ethnocentrism. This idea of humankind conceptualizes the unity of the human species as being manifest in a variety of cultures and historical developments. This is in fact the traditional concept of historicism, which can be further developed towards a historiography that responds to the challenges of globalization and cultural differences. The essay outlines theoretical and methodological means in historical studies that bring this idea of humankind into the work of historians, thus enabling them to contribute to a new culture of recognition. The article is based on the assumption that the creation of such a culture is the most important task of scholarly work in the humanities in general, and historical studies in particular, at the beginning of the twenty-first century. (shrink)

In his famous 1936 essay “The Work of Art in the Age of Mechanical Reproduction” Walter Benjamin tells us that in his time art became valued for its exhibition value instead of what he refers to as its secularised ritual or cult value. This essay makes this bold claim plausible by arguing that it means that a historicising gaze no longer has a function in the reception of art. Although this argument is supported by Benjamin’s use of the concepts of (...) authenticity and aura, it is somehow missed by Benjamin’s many readers. His essay, as it turns out, presents an end of history thesis, which foreshadows the condition of the image in contemporary media. (shrink)

My purpose in the researching and the writing of this thesis has been to investigate, and to try to explain, Frank Ankersmit's curious shift from his well expressed and firmly held narrativist position of "Narrative Logic", to an arguably contradictory, yet passionately held counter belief in the plausibility of a form of direct historical experience - an authentic unmediated relationship with the past. I am, accordingly, presenting here what I believe to be the most adequate explanatory account of/for Ankersmit's intellectual (...) journey. A journey which, in essence, constituted a substitution of his earlier representational, language centred philosophy of history for what might be taken as a new and mystical non-representational theory. This alternative theory of Ankersmit' s, lacking cognitive foundations, works on the basis of sensations, moods, feelings and therefore a consciousness deemed to be received directly from the past itself, and therein - for this thesis - lies its fatal weakness as a historical theory. Belief in the mystical may be all right at some level, if this is what is wanted, but a mystical experience itself cannot produce a historical re-presentation which is the only way that the past can be presented historically. Thus, I argue that Ankersmit's journey from language to experience - the latter phenomenon being more appropriately situated within the field of sociology/social theory and memory studies - is, in the end, a lost historical cause. (shrink)