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  1. Bioethics and professionalism in popular television medical dramas.M. J. Czarny, R. R. Faden & J. Sugarman - 2010 - Journal of Medical Ethics 36 (4):203-206.
    Television medical dramas sometimes depict medical professionalism and bioethical issues, but their nature and extent are unclear. The authors systematically analysed the bioethical and professionalism content of one season each of Grey's Anatomy and House M.D., two of the most popular current television medical dramas. The results indicate that these programmes are rife with powerful portrayals of bioethical issues and egregious deviations from the norms of professionalism and contain exemplary depictions of professionalism to a much lesser degree.
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  • Is there a real nexus between ethics and aesthetics?John Miles Little - 2010 - Journal of Bioethical Inquiry 7 (1):91-102.
    Aesthetics is a vexed topic in philosophy, with a long history. For my purposes, an aesthetic experience is a foundational affective response to an object, to which terms such as “ugly”, “beautiful”, “pretty” or “harmonious” are applied. These terms are derived from a Discourse of aesthetics; some remain constant, others change from generation to generation. Aesthetics and ethics have been linked in Western thought since the days of Plato and Aristotle. This essay examines what is happening to that link in (...)
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  • Physicians, Patients, and Medical Dialogue in the NYPD Blue Prostate Cancer Story.Bethany Crandell Goodier & Michael Irvin Arrington - 2007 - Journal of Medical Humanities 28 (1):45-58.
    Extending literature on health information to entertainment television, we analyze the prostate cancer narrative presented in the police drama, NYPD Blue. We explain how the physician-patient interaction depicted on the show followed (and sometimes did not follow) the medical dialogue model. Findings reveal that the producers of this show advocate a more dialogic model of medical interaction. Portrayals of incompetent, ineffective physicians are contrasted with the superior, effective efforts of other physicians. The audience learns that a non-dialogic approach characterizes “bad (...)
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