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  1. Making Skin Visible: How Consumer Culture Imagery Commodifies Identity.Jonathan E. Schroeder & Janet L. Borgerson - 2018 - Body and Society 24 (1-2):103-136.
    Human skin, photography, and consumer culture combine to produce striking images designed to promote visions of the good life. Branding and marketing imagery mobilize skin to resonate and communicate with consumers, which influences the meaning-making possibilities of skin more broadly. Representations of skin in consumer culture, including marketing communications, are anything but ‘blank’ backgrounds or ‘neutral’ meaning spaces. We analyse how skin ‘appears’ to work, and how its appearance in consumer culture imagery reveals ideological and pedagogical aspects of skin. Building (...)
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  • Historicizing inversion: or, how to make a homosexual.Matt T. Reed - 2001 - History of the Human Sciences 14 (4):1-29.
    At the end of the 19th century, the vocabulary of sexuality - perversion - became one of the primary means by which people began to articulate and think about their individuality, their sense of self. Joining authors like Ian Hacking and Arnold Davidson, I suggest the importance of a ‘style of reasoning’ to the creation of sexual kinds at the end of the 19th century, a kind of reasoning that might be styled as historical. For the invert to become possible (...)
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  • A Few Steps Toward an Anthropology of the Iconoclastic Gesture.Bruno Latour - 1997 - Science in Context 10 (1):63-83.
    The ArgumentA large part of our critical acumen depends on a clear distinction between what is real and what is constructed, what is out there in the nature of things and what is in there in the representation we make of them. Something has been lost however for the sake of this clarity and a heavy price has been paid for this dichotomy between ontological questions on the one hand and the epistemological questions on the other: it has become impossible (...)
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  • Fetishism and Hysteria: The Economies of Feminism Ex Uterod.Susan Squier - 2000 - Journal of Medical Humanities 21 (2):59-69.
    Laurie Foos's feminist novel Ex Utero is a comic exploration of the value of the uterus. Simultaneously recursive and resistant, Foos's novel reenacts, with a difference, two confining essentialisms: hysteria, a female disorder, and fetishism, whether understood as the psychosexual response to female lack, or as capitalism's motor, the displacement of desire onto commodities. The essay explores how, if we think of the womb neither as individual possession or commodified object, we can create a new space of possibility for women (...)
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  • Fetishism and Ideology: A Reply to Dimoulis and Milios.Mike Wayne - 2005 - Historical Materialism 13 (3):193-218.
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