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A question of style

[author unknown]
The Philosophers' Magazine 10 (10):33-33 (2000)

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  1. Crossing Lovers: Luce Irigaray's Elemental Passions.Cecilia Sjöholm - 2000 - Hypatia 15 (3):92-112.
    Luce Irigaray's Elemental Passions could be read as a response to Merleau-Ponty's article “The Intertwining—The Chiasm” in The Visible and the Invisible. Like Merleau-Ponty, Irigaray describes corporeal intertwining or vision and touch. Counteracting the narcissistic strain in Merleau-Ponty's chiasm, she assumes that sexual difference must precede the intertwining. The subject is marked by the alterity or the “more than one” and encoded as a historically contingent gendered conflict.
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  • The style of the speaking subject: Irigaray's empirical studies of language production.Marjorie Hass - 2000 - Hypatia 15 (1):64-89.
    : I argue that Irigaray's linguistic research is not merely supplementary to her theoretical writing, but, in its depiction of sexed linguistic "styles," illuminates Irigaray's call for a new syntax. I show the effect of this research on her analysis of the unconscious meaning of interrogative expressions. I address the question of Irigaray's standing as a social scientist and argue that attention to her method reveals her positive program in this domain.
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  • Crossing Lovers: Luce Irigaray's Elemental Passions.Cecilia Sjöholm - 2000 - Hypatia 15 (3):92 - 112.
    Luce Irigaray's Elemental Passions could be read as a response to Merleau-Ponty's article "The Intertwining-The Chiasm" in The Visible and the Invisible. Like Merleau-Ponty, Irigaray describes corporeal intertwining or vision and touch. Counteracting the narcissistic strain in Merleau-Ponty's chiasm, she assumes that sexual difference must precede the intertwining. The subject is marked by the alterity or the "more than one" and encoded as a historically contingent gendered conflict.
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