Giorgio Agamben's The Kingdom and the Glory opens by intervening in a debate between the jurist Carl Schmitt and the theologian Erik Peterson. Peterson's “Monotheism as a Political Problem” undermined Schmitt's thesis that the modern concept of sovereignty derives from Christian theology by arguing that divine monarchy is a Judaic and Greek idea that was liquidated by the doctrine of the Trinity. Agamben, by contrast, argues that the Trinity preserves and transforms the model of divine monarchy by casting God as (...) singular in his being and multiple in his management of the world. I argue that this critique of Peterson in fact builds upon the “Monotheism” essay, which shows how political theologians inherited and rearticulated conceptual problems derived from Aristotle's Metaphysics, and is driven by Agamben's concern with the impact of Aristotle's thought on ontology and politics. (shrink)

This article clarifies and resituates Althusser’s materialist philosophical project in relation not only to such predecessors as V.I. Lenin and Jean-Toussaint Desanti but also to such successors as Pierre Macherey and Pierre Raymond. The thesis of the article is that Althusser’s project to establish a philosophical practice that would be appropriate for Marxism did not simply consist of identifying and defending a ‘materialist’ position in philosophy against external ‘idealist’ challenges or threats. On the contrary, it recognised that there exists an (...) interminable struggle between inextricably linked but ever-shifting materialist and idealist tendencies – a struggle that operates as a defining feature in the history of philosophy. As a result, the problem explored in this article concerns how best to conceptualise this struggle and to determine whether or not the term ‘tendency’ genuinely holds analytical value and can serve as an important conceptual resource for Marxists working within the field of philosophy. (shrink)

This paper presents a Heideggerian phenomenological analysis of screens. In a world and an epoch where screens pervade a great many aspects of human experience, we submit that phenomenology, much in a traditional methodological form, can provide an interesting and novel basis for our understanding of screens. We ground our analysis in the ontology of Martin Heidegger's Being and Time [1927/1962], claiming that screens will only show themselves as they are if taken as screens-in-the-world. Thus, the phenomenon of screen is (...) not investigated in its empirical form or conceptually. It is rather taken as a grounding intentional orientation that conditions our engagement with certain surfaces as we comport ourselves towards them “as screens.” In doing this we claim to have opened up the phenomenon of screen in a new and meaningful way. (shrink)