Switch to: References

Add citations

You must login to add citations.
  1. Identity in Dance: What Happened?Julie C. Van Camp - 2019 - Midwest Studies in Philosophy 44 (1):81-91.
    Midwest Studies In Philosophy, EarlyView.
    Download  
     
    Export citation  
     
    Bookmark  
  • Work(s) and (Non)Production in Contemporary Movement Practices.Hetty Blades - 2016 - Performance Philosophy 2 (1):35-48.
    This paper considers how the presentation of movement practices in performance contexts blurs the distinction between making and performance, raising questions about the nature of dance ‘works’. I examine the way that practice is foregrounded in the work of UK dance artists Katye Coe and Charlie Morrissey, and American choreographer Deborah Hay, troubling distinctions between the internal and external aspects of performance. In response to this, I examine the applicability of the work–concept, to current dance practices, suggesting that the concept (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • Improvisational Artistry in Live Dance Performance as Embodied and Extended Agency.Aili Bresnahan - 2014 - Dance Research Journal 46 (1):84-94.
    This paper provides an account of improvisational artistry in live dance performance that construes the contribution of the dance performer as a kind of agency. Andy Clark’s theory of the embodied and extended mind is used in order to consider how this account is supported by research on how a thinking-while-doing person navigates the world. I claim here that while a dance performer’s improvisational artistry does include embodied and extended features that occur outside of the brain and nervous system that (...)
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark   3 citations  
  • The Dancer as Artist and Agent.Peter J. Arnold - 1988 - Journal of the Philosophy of Sport 15 (1):49-55.
    Download  
     
    Export citation  
     
    Bookmark   2 citations