This essay suggests that to understand the pacifist position Woolf takes in her critique of fascism and patriarchy, it is essential to recognize how, not only why, she explores the relationship between narrative and political authority. Creating an intersection between a feminist conceptualization of Woolf's narrative technique and philosophical notions about ethical forms of representation, it argues that Woolf fragments the locus of narrative authority in Three Guineas to model a stylistic resistance to linguistic practices she thinks support totalitarian ideology.

This essay suggests that to understand the pacifist position Woolf takes in her critique of fascism and patriarchy, it is essential to recognize how, not only why, she explores the relationship between narrative and political authority. Creating an intersection between a feminist conceptualization of Woolf's narrative technique and philosophical notions about ethical forms of representation, it argues that Woolf fragments the locus of narrative authority in Three Guineas to model a stylistic resistance to linguistic practices she thinks support totalitarian ideology.

This essay suggests that to understand the pacifist position Woolf takes in her critique of fascism and patriarchy, it is essential to recognize how, not only why, she explores the relationship between narrative and political authority. Creating an intersection between a feminist conceptualization of Woolf's narrative technique and philosophical notions about ethical forms of representation, it argues that Woolf fragments the locus of narrative authority in Three Guineas to model a stylistic resistance to linguistic practices she thinks support totalitarian ideology.

This article is a close reading of Edward Said’s image of the intellectual and offers a critique and restatement of that image. Said characterizes the intellectual in contrast to two other images:...

: This essay suggests that to understand the pacifist position Woolf takes in her critique of fascism and patriarchy, it is essential to recognize how, not only why, she explores the relationship between narrative and political authority. Creating an intersection between a feminist conceptualization of Woolf's narrative technique and philosophical notions about ethical forms of representation, it argues that Woolf fragments the locus of narrative authority in Three Guineas to model a stylistic resistance to linguistic practices she thinks support totalitarian (...) ideology. (shrink)

The contemporary brain disorders debate echoes a century-long conflict between two different approaches to mental suffering: one that relies on natural sciences and another drawing from the arts and humanities. We review contemporary neuroimaging studies and find that neither side has won. The study of mental differences needsboththe sciences and the arts and humanities. To help develop an approach mindful of both, we turn to physician-writer Anton Chekhov’s story “A Nervous Breakdown.” We review the value of the arts and humanities (...) as a coequal partner with natural sciences in the creation of a robust mental health humanities. (shrink)

There are broadly five interconnected meanings of the noun ‘discipline’. Disciplinawere instructions to disciples, and hence a branch of instruction or department of knowledge. This religious context provided the modern educational notion of a ‘body of knowledge’, or a discipline such as sociology or economics. We can define discipline as a body of knowledge and knowledge for the body, because the training of the mind has inevitably involved a training of the body. Second, it signified a method of training or (...) instruction in a body of knowledge. Discipline had an important military connection involving drill, practice in the use of weapons. Third, there is an ecclesiastical meaning referring to a system of rules by which order is maintained in a church. It included the use of penal methods to achieve obedience. To discipline is to chastise. Fourth, to discipline is to bring about obedience through various forms of punishment; it is a means of correction. Finally there is a rare use of the term to describe a medical regimen in which ‘doctor's orders’ brings about a discipline of the patient. In contemporary society, there is, following the work of Michel Foucault, the notion of increasing personal regulation resulting in a ‘disciplinary society’ or a society based upon carceral institutions. (shrink)

This paper gives an account of the most significant elements of Derrida’s ethical thought, drawing on the desert of the Hebrew Bible, which Derrida associates with a moral law that is ethically troubling. Partly with reference to Kierkegaard’s account of the story of Abraham and Isaac, Derrida examines how ethical law can become subordinate to the sovereignty of the power apparently at the source of ethics which may then destroy moral law. The political equivalent of this is the decision proposed (...) by Carl Schmitt, drawing on Kierkegaard. Derrida’s famous statement that “deconstruction is justice” is the recognition that justice, and ethics in general, is caught between the formality of law and the violence of the sovereign power. One outcome of this is sacrifice as substitution, where ethics becomes recompense for violation through sacrifice. Sacrifice is the offering of a substitute. The substitution becomes repeated and itself is then the source of violence contravening some sense of ethics. Derrida’s attempts to escape from these deserts include a poetics which recognises the subjective and the aesthetic in the interpretation of law. It also includes the development of a form of sacrifice which is the individual responding to violation in an individualised way which cannot be substituted. (shrink)

O propósito deste artigo é trazer à luz os pressupostos românticos que animam o livro de Hannah Arendt de título Eichmann em Jerusalém. De maneira a fazê-lo, explorarei na parte II a concepção romântico-alemã de “cultura” enquanto formação subjetiva da alma ; após isso, abordarei na parte III determinadas teses de cunho romântico articuladas por diferentes pensadores do século XIX relativas ao processo de massificação e, no seu entender, ao esvaziamento dos indivíduos na modernidade; por fim, na parte IV, a (...) sutil reelaboração arendtiana de várias dessas teses. Argumentarei, portanto, que o conceito romântico de “cultura” opera como premissa central na interpretação que Arendt fez do criminoso nazista Otto Adolf Eichmann. Eichmann, em suma, teria cometido os crimes que cometeu por não ter sido formado, cultivado, como um verdadeiro ser humano. (shrink)

In theological discourse of sexuality, queer theory has often been regarded as an extension of the project of gay and lesbian liberation, when it actually challenges an organizing value of the entire discourse, because it challenges any ascription of ultimate value to "sex," an imaginative formation of power relations. Rather than appeal to God to authorize the privileged status of sex, queer commentary suggests that theological writers should refuse assertions of the absolute importance of any particular formation of human imagination (...) as a basis of relation between self and God. The goal is to recognize the violence—symbolized and real—that enforces the worth of certain imaginations of intelligibly sexed personal identity and stunts the formation of alternative imaginations of intelligible personal identity. Critical account of this violence as sentimental-homicidal-suicidal opens space to confess a theological discourse of personal identities that is entirely beyond sex. (shrink)

ABSTRACTThis article discusses the turn to polytheism in postmodern theory. In postmodernism, there is a strong interest in polytheism as an alternative to the much-criticized dominance of onto-theology in the philosophical tradition. The article argues that the new polytheism cannot be unequivocally understood as an alternative for an onto-theological way of thinking, or as a ‘liberation’ from monotheism. Already in Romanticism, the engagement with polytheism and paganism was ambiguous. There was the familiar superiority of Christian monotheism over polytheism. But there (...) was also an appropriation of polytheism that served a new self-perception of the West. This article focuses on this second line of interpretation and argues that postmodern theory inherits the theo-political concerns central to eighteenth- and nineteenth- century Romanticism. The article sets out to sketch the role of polytheism in a post-secular paradigm. Subsequently, it sketches the engagement with polytheism in British and German Romanticism. It will be argued that in Romanticism, polytheism was always embedded in more substantial cultural and political narratives. The remainder of the article will scrutinize the function of polytheism in the writings of Richard Rorty and John Milbank and how their respective forms of polytheism give way to different political theologies. (shrink)

In this article, the concept of school discipline will be explored in relation to that of educational interest. Initially, Clark’s account of two different kinds of school order (discipline and control) will be explained. The interest-based theory of school discipline advanced by Pat Wilson will thereafter be analysed. It will be argued that both these scholars persuasively explain how school discipline may follow when learning activities are successfully married to pupil interests and experiences. However, it will be maintained that the (...) epistemic position adopted by Wilson is problematic. Although Wilson suggests that Richard Peters placed too great an educational emphasis on initiating pupils into public traditions of knowledge, it is here claimed that Wilson did not value that development enough. With reference to Whitehead, it is concluded that discipline in schools ought to be arranged so as to help pupils foster wisdom for life, as this concept integrates liberal knowledge and educational interest. (shrink)

У статті розглянуто історичні та соціокультурні відмінності між масовою і популярною культурою. З’ясовано стосунок обох феноменів до загальної сфери культури та її головних засад. Розуміючи культуру як облаштування, плекання, виховання, вміння, вдосконалення, можна говорити про високі зразки осягання світу. Позаяк масові соціальні явища пов’язані з ослабленням інтелектуально-естетичних параметрів, виникає потреба порівняти високі та низькі рівні культури. Індустріалізація й урбанізація прискорили розвиток медій, які допомогли наблизити здобутки цивілізації до мас. Але ринкові механізми розповсюдження благ сприяли диктату комерції. Мистецькі виміри культури не (...) відповідали прагматичним вимогам і були притлумлені маркетинговими програмами, що спричинили інфантильність і споживацтво. Ці риси характеризують масову культуру. Та поруч із високою культурою віддавна існувала й народна, традиційна, низова культура, ознаками якої є доступність, поширеність, неофіційність, периферійність, неоднорідність і субкультурність. Проаналізовано становлення популярної культури від стародавніх до модерних часів. З’ясовано, що творці культури зарівно оперують високими ідеалами та популярними смислами. Втім, популярне відрізняється від масового завдяки породженню альтернатив. Тобто популярна культура не виродилася у конформізм, а зберегла запал протесту. Популярні тенденції не лише містять прагнення до задоволення широких потреб, а й враховують шанс протистояти примусу. Отже, варто визнати нетотожність маскульту і поп-культури. Тому популярна культура є цариною виникнення ідей, у якій соціальні гравці здатні творчо реалізувати свої уявлення та цінності. (shrink)

The current heated debate on the deteriorating status of the university raises a range of pertinent questions, including: What role can the humanities play in culture today in the face of the crisis of higher education? To answer this question, the authors begin by problematizing the relationship between culture, the humanities, and education. In the second part of the paper, they examine the changing role of the humanities in conjunction with the understandings of culture, and outline three salient ways in (...) which culture is conceived of today. Subsequently, they focus on the loss of the dominant status that culture suffered when everyday life was discovered in modernity. In the third part, they argue that everyday life, or rather social representations of everyday life and its practices, are currently becoming the chief criterion for assessing culture, the humanities, and education. However, everyday life remains complex both in theoretical conceptualizations and in research observations. For example, everyday life harbors a range of risks and anxieties which are veiled by its own obviousness and reinforced by socialization. The authors conclude that, given this, everyday life in democratic societies calls for the work of understanding, support, affirmation, and criticism, in which the humanities can retain their superior status. In the fourth part, the authors discuss non-consensual democracy, critical community, and the pedagogy of asylum as the forms of organization and action that promote an auspicious interconnection of culture, the humanities, and education. (shrink)

But with the member of a Nonconforming or self-made religious community, how different! The sectary's eigene grosse Erfindungen, as Goethe calls them,—the precious discoveries of himself and his friends for expressing the inexpressible and defining the undefinable in peculiar forms of their own,—cannot but, as he has voluntarily chosen them and is personally responsible for them, fill his whole mind. He is zealous to do battle for them and affirm them; for in affirming them, he affirms himself, and that is (...) what we all like. Matthew Arnold. (shrink)

The dominant model of curriculum design in the last century assumed that school education could be organized around aims, defined primarily in terms of students' behaviour. The credentials of this model were questioned by, among others, Lawrence Stenhouse, who pointed out that education serves purposes that cannot be stated in terms of behavioural objectives. In this article, I offer support for Stenhouse's conclusion and go beyond it, showing that if education aims at critical understanding of its own value, then it (...) is even more radically open-ended than Stenhouse argued.My argument is based on two premises. One of them is that the reason why people disagree about what education involves is that they have less-than-perfect knowledge of what human characteristics are worth cultivating. This premise is supported by a theory of meaning advanced by Hilary Putnam. The other premise is that one of the aims of education is intellectual independence. From these premises, I conclude that a successful course of education serves purposes that cannot be completely stated in advance. (shrink)

You think that a wall as solid as the earth separates civilisation from barbarism. I tell you the division is a thread, a sheet of glass’... This essay is a biography of this traumatic Edwrdian image, expressed in J. G. Fraser and H. G. Wells as well as in John Buchan's first thriller, The Power‐House of 1913. It traces the creer of the volcanic metaphor, particularly eruptive in Scotland, beyond Carlyle's French Revolution to the scientific controversies of the Enlightenment.

Discussion is widely held to be the pedagogical approach most appropriate to the exploration of controversial issues in the classroom, but surprisingly little attention has been given to the questions of why it is the preferred approach and how best to facilitate it. Here we address ourselves to both questions. We begin by clarifying the concept of discussion and justifying it as an approach to the teaching of controversial issues. We then report on a recent empirical study of the Perspectives (...) on Science AS-level course, focusing on what it revealed about aids and impediments to discussion of controversial ethical issues. (shrink)

The manifesto presented in Philip Kitcher's exhaustive appraisal of contemporary American education—and the case for its potential reform—is so wide-ranging that it is not possible to do justice to its every component. Instead, I will speak to one of its parts in an attempt to recognize what I take to be the value of the whole. My aim is to address the section on the role of the arts in formal education, and the nature of aesthetic experience within that, to (...) test whether we can take the arts from their current state of being subject to Adam Smith's model of market utility, to being appreciated for their necessary and organic vitality. Kitcher provides strong arguments for exposure to the arts as leading to invaluable aesthetic experiences for young people. By extension—and at times by contrast—I will explore the possibility that the ‘aesthetic’ in aesthetic education does not just come into force with the student's encounter with art works or creative activity in the classroom, but should be integral also to the development of a particular sensibility amongst educators (i.e. the aesthetic education of the educators) for the shape and form of a ‘good’ education, according to its context and circumstance. It is through this sensibility that we might rediscover the necessity of the arts in schools at a time when their importance has been significantly devalued. (shrink)

1. In the Fall Issue of the Harvard Educational Review, Choo’s (2017) ‘Globalizing Literature Pedagogy’ makes the case for ‘applying cosmopolitan ethical criticism to the teaching of literature’. S...

Renewed interest in the relationship between music education and cultural identity draws its vigor from strongly divergent sources. Globalized education and globalized musical culture supply new paradigms for understanding the central tasks of music education and their responsibility to a multicultural ethic of diversity, hybridity and difference. Yet recent anthropological studies of musical cognition and development emphasise both the centrality of ethnic and cultural particularism to the formation of musical awareness and the transcultural, factors in which such particularism is embedded. (...) These seemingly contrasting perspectives on the relationship of music to culture and identity offer a fertile context for redefining the place of music education in the curriculum. (shrink)

This paper explores the nature of virtue theory as applied to engineering practice. It links virtue to specific areas of practice such as the selection of ends, devotion to service, the formation of justified belief, the conduct of dialogue, the taking of actions, and exercises of the will. These areas are related to a culture of virtue in which an engineering society creates the conditions enabling acts of virtue and celebrates individuals and their acts which exemplify identified virtues. The result (...) is a basis for engineering ethics which draws attention to the impetus for an ethically sound life. (shrink)

The purposes of higher education in general and of university education in particular have long been subject to controversy. Whereas for some, the main role of universities is to provide professional and vocational education and training and their benefits are to be measured in terms of social or economic utility, their value for others is to be seen more in terms of the liberal development and promotion of certain intrinsically worthwhile qualities of mind and intellect. In this context, indeed, much (...) recent literature on university education has been concerned to reaffirm what are usually taken to have been the liberal purposes of bygone university education over the more instrumental or vocational agendas of much contemporary university and higher education. While recognising, along with other treatments of this issue, that it is to some extent implicated in a false dichotomy between the liberal and the vocational, this paper seeks a clearer rationale for the liberal dimensions and aspirations of university education. (shrink)

Though far from new, the rhetoric of transparency is on the ascent in public and political life. It is cited as the answer to a vast array of social, political, financial and corporate problems. With the backing of a ‘movement’, transparency has assumed the position of an unassailable ‘good’. This article asks whether the value ascribed to transparency limits political thinking, particularly for the radical and socialist Left. What forms of politics, ethics, of being-in-common, might it be possible to think (...) if we pay attention to secrecy rather than transparency? (shrink)

This article opens a special section on the politics of opacity and openness. The rise of transparency as a political and cultural ideal has left secrecy to accumulate negative connotations. But the moral discourse that condemns secrecy and rewards transparency may cause us to misread the symbiotic relationship between these terms. After providing a historical account of transparency in public and political life, this article therefore makes the case for working with the tension between these terms rather than responding to (...) the dyad as a choice. We need to find different ways of staying with the aporia of transparency-as-secrecy and secrecy-as-transparency. Despite common demands to support either transparency or secrecy in political and moral terms, we live with the tension between these terms and its inherent contradictions daily. The theoretical questions posed by this material reality need to be asked and responded to. This article and the special section as a whole begin such an enterprise. (shrink)

Although Spinoza's formative influence on the cultural ideals of the West is widely recognized, especially with reference to liberal democracy, secular humanism, and naturalistic ethics, little has been written about the educational implications of his philosophy. This article explores the pedagogical tenets that are implicit in Spinoza's writings. I argue (1) that Spinoza's ethics is eudaimonistic, aiming at self‐affirmation, full humanity and wellbeing; (2) that the flourishing of individuals depends on their personal resources, namely, their conatus, power, vitality or capacity (...) to act from their own inner natures; and (3) that the combination of the Spinozian conceptions of humanism, liberal democracy, eudaimonistic ethics, and the enlightened and sovereign individual constitute together the grounds for a comprehensive empowering and liberating pedagogy. (shrink)

Who are you? And did you have any say in choosing who you are? Identity is a complicated issue, it is both individualistic and necessarily relies on your environment and peers. I believe that as it stands, your identity may be a result of both solitary and societal thinking. However, I think that society and government act as the sole authenticators of an individual’s identity. I do not believe this is how an individual’s life ought to be treated. Thus, I (...) am arguing in this thesis that the individual has the capacity to choose their own identity, and that society and government ought to authenticate the decisions made by individuals. In order to prove my claim I will first specify the types of identity I will be discussing in this thesis. I will then explore the theories of three philosophers: Anthony Appiah, Ian Hacking, and Charles Taylor. In chapters 2 & 3, I will first analyze Anthony Appiah, who in arguing against the existence of race posits several ideas about identity including a theory of identity. Second, in chapter 4, I will analyze Ian Hacking, who presents a theory of identity creation, named labeling theory, and then presents a counter-theory of identity creation. Third, in chapter 5, I will analyze Charles Taylor’s claims about the effect recognition has on identity formation. Continuing to analyze Taylor in chapter 5, I will also analyze the importance of championing the politics of difference both to the individual and towards my claim. I will then provide examples of how my claim may be actualized in chapter 6, alongside counterarguments to my claims. Last, I will conclude my thesis in chapter 7. (shrink)

Many of us have experienced a peculiar feeling of freedom, of the world being open before us. This is the feeling that is captured by phrases like “the freedom of the open road” and “free spirits,” and, to quote Phillip Larkin, “free bloody birds” going “down the long slide / To happiness, endlessly.” This feeling is associated with the ideas that my life could go in many different directions and that there is a vast range of things that I could (...) become. It arises in concert with a wide range of human experiences, including experiences of artistic creation, play, fun, and resistance to authority. This freedom of openness and spontaneity, which I call spontaneous freedom, is central to our ordinary talk about freedom. Yet it is a phenomenon largely ignored in discussions of freedom in contemporary moral philosophy. This is because moral philosophers are primarily concerned to identify the sort of freedom that is a prerequisite for moral responsibility, and so focus on deliberate, voluntary action rooted in rational choice. When moral philosophers do discuss spontaneous freedom, it is often to disparage it as, in the words of Harry Frankfurt, the freedom of “the wanton” whose liberty is merely that of “anarchic impulsive behavior.” My dissertation develops a theory of spontaneous freedom and of the role it does and should play in our lives, including our moral and political lives. I argue that, to do full justice to the human aspiration for freedom, moral and political theory must recognize the value of spontaneity. Through a study of characters from stories and films by Virginia Woolf, Saki, Akira Kurosawa, and Aman Sethi, I develop a phenomenological account of the nature of spontaneous freedom. I argue that we experience spontaneous freedom when we experience our actions as arising out of ourselves but not fixed in advance either by the decisions of other agents or by our own preexisting commitments or plans. I further argue that spontaneous freedom is valuable because it allows for the distinctive pleasure of feeling that one’s life is unforetold and that one is among the sources of novelty in the world, a feeling that is central to artistic creativity. It also affords solace from the anxiety associated with the inevitability of death. As with many experiences, like falling in love or seeing an alpine lake, experiences of spontaneous freedom are most valuable when they are veridical. But even the subjective experience of spontaneous freedom, I suggest, activates our awareness of and openness to possibility. Achieving this awareness, at least on occasion, is valuable because it provides us with a sense of our own psychological potential and sharpens a skill that contributes to practical deliberation. My claim that spontaneous freedom is valuable conflicts with a popular account of the self. According to that account—endorsed by a number of moral philosophers but most famously associated with Christine Korsgaard—the ideal self is one that is well-ordered, actively constituted through rational deliberation. Such integrity theories of the self are attractive because they provide an account of agency according to which ideal moral agents invariably endorse their own actions and beliefs. Integrity theories view freedom as involving rational, deliberative control of one’s actions. But I argue that integrity theories forbid well-constituted moral agents to seek out experiences of spontaneous freedom: such agents must act in a manner that they antecedently and reflectively endorse, while spontaneous freedom requires acting in a manner not antecedently fixed by one’s own decisions. Insofar as spontaneous freedom is a kind of freedom that we do and should value, my account exerts pressure on this standard view of agency and the self. My account of spontaneous freedom also has important political implications. One version of liberal theory holds that the only sort of political freedom worth having is the freedom of each individual to effectively exercise choice compatibly with every other individual doing likewise. On this picture, I have all of the freedom that I could want if I am able to choose autonomously and act in accordance with my choices. But I argue that a community that secures this liberal variety of freedom does not yet provide its members with all the freedom for which people rightly yearn. When public and private institutions arrange our circumstances in ways that make the courses of our lives predictable, our own choices about how to act may be largely settled by the plans and decisions of other agents. This in turn makes it difficult for us to regard our futures as open in the way that is characteristic of experiences of spontaneous freedom. States should promote spontaneous freedom by providing the material and social preconditions for us to feel that our lives could head in radically different and unanticipated directions. (shrink)