The essay’s argument is twofold: First, it contends that Ricœur’s articulation of the social imaginary in the Lectures on Ideology and Utopia, reveals a turn to a general theory of culture, which is best understood as a shift from a hermeneutics of culture to a cultural hermeneutics. This move forms part of his philosophical anthropology of “real social life.” The essay proposes it is epitomized in Ricœur’s changing reception of Cassirer. Second, the essay hermeneutically reconstructs the emergence of this turn (...) in Ricœur’s intellectual trajectory, and, in so doing, contends that it is connected to a rearticulation of both the phenomenological reduction and the symbolic function that took place in the mid- to late 1960s. Ricœur’s developing response to the phenomenological problematic of the world horizon underlies these further phenomenological-hermeneutic considerations. The essay concludes with a brief sketch of Ricœur’s understanding of the symbolic mediation of action as a reconfiguration of the hermeneutical actualization of phenomenological preconditions of the symbolic. (shrink)

This article critically considers Castoriadis’ central concept of creation ex nihilo. It does so in two ways. It first draws on recent research to suggest that the historical inauguration of the project of autonomy in ancient Greece - in both its political and philosophical aspects - was more complex and contextually anchored than Castoriadis acknowledges: it did not surge forth out of nothing. Second, it considers the idea of creation from a theoretical perspective. Here the idea of creation as contextual (...) rather than absolute is offered. Within this suggested qualification, two lines of discussion - drawn from the hermeneutical and phenomenological traditions - are broached. (shrink)

The problematic of world articulation is central to post-phenomenological approaches. With Castoriadis, it emerges as a significant if shadowy thematic. Its shifting contours in his thought are redolent of the ongoing dialogue between romantic and enlightenment currents. They are also indicative of the ambiguity inherent to cultural articulations of the world in modernity. Here, two world perspectives open up various — and conflicting — interpretative challenges to which a response is necessitated. In Castoriadis's case, these take on particular forms of (...) more general trends of `alienation' and `worldliness'. In particular, the isolation of the social-historical as the sole bearer of creativity tends to result in world alienation, whilst his later shift towards radical physis indicates a trend towards vertical worldliness. Arnason's theorization of world articulation in its twofold sense re-imagines the worldliness of the social-historical both in terms of the world tout court and our concrete stance towards it (or the world towards us). As such, it offers a corrective to the `worldless freedom' of the social-historical in Castoriadis's thought. (shrink)

This essay unpacks Johann Arnason’s theory of culture. It argues that the culture problematic remains the needle’s eye through which Arnason’s intellectual project must be understood, his recent shift to foreground the interplay of culture and power (as the religio-political nexus) notwithstanding. Arnason’s approach to culture is foundational to his articulation of the human condition, which is articulated here as the interaction of a historical cultural hermeneutics and a macro-phenomenology of the world as a shared horizon. The essay discusses Arnason’s (...) elucidation of his theory of culture as a contribution to debates on the ‘meaning of meaning’. It traces its beginnings from his critique of Habermas’s theory of modernity to its development via a trialogue with Max Weber, Maurice Merleau-Ponty, and Cornelius Castoriadis. It argues that Arnason's theory of culture moves beyond socio-centric perspectives, and, in so doing, offers a critique of what we might call sociological solipsism. In decentring society/anthropos, a more nuanced understanding of the human condition as a unity in diversity is achieved. The essay concludes with a discussion of some tensions in Arnason’s understanding of culture, and argues for the importance for incorporating a qualitative notion of ‘movement’ in order to make sense of historical novelty and social change. (shrink)

The article reconstructs the unfinished dialogue between Arnason and Castoriadis, with a particular emphasis on the problematic of world articulation. Arnason’s thought is situated as reconfiguring classical sociological constellations, especially as they pertain to the revitalization of the civilizational problematic and the emphasis on the philosophical dimension of sociological investigation. His interpretative framework is located within the nascent field of post-transcendental phenomenology, which he elaborates via the overlapping problematics of cultural articulations of the world as an inter-cultural horizon, and the (...) human condition as various modes of being-in-the-world. Arnason’s encounter with Castoriadis is considered. Despite the many points of fruitful contact, Castoriadis’ neglect of the phenomenological question of the world as a ‘shared horizon’ is, in Arnason’s view, too great to overcome; Arnason looks instead to Weber, Merleau-Ponty and, more recently, Patočka for interpretative resources. Although Castoriadis’ elucidation of the world proceeds ‘in fragments’, the article contends that hermeneutical reconstruction of his thought reveals openings onto the problematic of elemental world orders that can further the dialogue with Arnason. (shrink)

A collaborative article by the Editorial Collective of Social Imaginaries. Investigations into social imaginaries have burgeoned in recent years. From ‘the capitalist imaginary’ to the ‘democratic imaginary’, from the ‘ecological imaginary’ to ‘the global imaginary’ – and beyond – the social imaginaries field has expanded across disciplines and beyond the academy. The recent debates on social imaginaries and potential new imaginaries reveal a recognisable field and paradigm-in-the-making. We argue that Castoriadis, Ricoeur, and Taylor have articulated the most important theoretical frameworks (...) for understanding social imaginaries, although the field as a whole remains heterogeneous. We further argue that the notion of social imaginaries draws on the modern understanding of the imagination as authentically creative. We contend that an elaboration of social imaginaries involves a significant, qualitative shift in the understanding of societies as collectively and politically-instituted formations that are irreducible to inter-subjectivity or systemic logics. After marking out the contours of the field and recounting a philosophical history of the imagination, the essay turns to debates on social imaginaries in more concrete contexts, specifically political-economic imaginaries, the ecological imaginary, multiple modernities and their inter-civilisational encounters. The social imaginaries field imparts powerful messages for the human sciences and wider publics. In particular, social imaginaries hold significant implications for ontological, phenomenological and philosophical anthropological questions; for the cultural, social, and political horizons of contemporary worlds; and for ecological and economic phenomena. The essay concludes with the argument that social imaginaries as a paradigm-in-the-making offers valuable means by which movements towards social change can be elucidated as well providing an open horizon for the critiques of existing social practices. (shrink)

Postphenomenologists and performativists criticize classical approaches to phenomenology for isolating human subjects from their socio-material relations. The purpose of this essay is to repudiate their criticism by presenting a nuanced account of phenomenology thus making it evident that phenomenological theories have the potential for meshing with the performative idiom of contemporary science and technology studies. However, phenomenology retains an apparent shortcoming in that its proponents typically focus on human–nonhuman relations that arise in localized contexts. For this reason, it seems to (...) contrast with one of the core assumptions behind practical ontologies: that socio-practical significance extends beyond an agent’s immediate situatedness in a localized context. Turning to Heidegger’s phenomenology and his notion of ‘de-distancing’, the essay explores how localized phenomena that pertain to human experience connect with global practices and, thus, the possibility of consilience between phenomenological research and present-day STS. (shrink)