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  1. Double Blind: Supervising Women as Creative Practice-Led Researchers.Courtney Pedersen & Rachael Haynes - 2015 - Educational Philosophy and Theory 47 (12):1265-1276.
    Many women creative practice-led researchers appear inhibited by a number of factors directly connected to their gender. This article discusses these factors, including the culture of visual arts professional practice, the circumstances surrounding women postgraduate students and unproductive self-theories about intelligence and creativity. A number of feminist strategies are discussed as potential interventions that may assist women creative practice-led researchers and their supervisors to reap more personal and professional rewards from their postgraduate research.
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  • Feminist Art Epistemologies: Understanding Feminist Art.Peg Brand - 2006 - Hypatia 21 (3):166 - 189.
    Feminist art epistemologies (FAEs) greatly aid the understanding of feminist art, particularly when they serve to illuminate the hidden meanings of an artist's intent. The success of parodic imagery produced by feminist artists (feminist visual parodies, FVPs) necessarily depends upon a viewer's recognition of the original work of art created by a male artist and the realization of the parodist's intent to ridicule and satirize. As Brand shows in this essay, such recognition and realization constitute the knowledge of a well-(in)formed (...)
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  • Liberal Feminism, From Law to Art: The Impact of Feminist Jurisprudence on Feminist Aesthetics.L. Ryan Musgrave - 2003 - Hypatia 18 (4):214-235.
    : This essay explores how early approaches in feminist aesthetics drew on concepts honed in the field of feminist legal theory, especially conceptions of oppression and equality. I argue that by importing these feminist legal concepts, many early feminist accounts of how art is political depended largely on a distinctly liberal version of politics. I offer a critique of liberal feminist aesthetics, indicating ways recent work in the field also turns toward critical feminist aesthetics as an alternative.
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  • Feminism and Aesthetics.Peg Brand - 2007 - In Linda Alcoff & Eva Feder Kittay (eds.), The Blackwell Guide to Feminist Philosophy. Blackwell.
    This chapter presents an overview of feminism and aesthetics in the 2007 Blackwell Guide to Feminist Philosophy edited by Linda Martin Alcoff and Eva Feder Kittay. Sections cover the topics of distinguishing aesthetics and philosophy of art, bringing feminist theory into aesthetics, developing feminist challenges to aesthetics, the role of women artists in feminist aesthetics, feminist philosophers reflect on self-portraiture and women as objects of beauty, and future developments.
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  • Scientific Practices and Their Social Context.Daniel Hicks - 2012 - Dissertation, U. Of Notre Dame
    My dissertation combines philosophy of science and political philosophy. Drawing directly on the work of Alasdair MacIntyre and inspired by John Dewey, I develop two rival conceptions of scientific practice. I show that these rivals are closely linked to the two basic sides in the science and values debate -- the debate over the extent to which ethical and political values may legitimately influence scientific inquiry. Finally, I start to develop an account of justice that is sensitive to these legitimate (...)
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  • The Feminist Art Project (TFAP) and its Significance for Aesthetics.Peg Zeglin Brand Weiser - forthcoming - In Feminist Aesthetics and Philosophy of Art: Critical Visions, Creative Engagements. Springer Press.
    In 1970, art critic Linda Nochlin articulated the radical question, "Why are there no great women artists?" The Feminist Art Project (http://feministartproject.rutgers.edu) is engaged in a national and international re-assessment of that question, complete with a long overdue commemoration and celebration of women artists. Given TFAP's stated emphasis on recognizing the aesthetic impact of women on the visual arts and culture, questions arise within our own philosophical community about the potential impact of TFAP, the significance of women artists, and the (...)
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  • Picturing Lesbian, Informing Art Therapy : A Postmodern Feminist Autobiographical Investigation.Susan Joyce - unknown
    Within art therapy discourses there is a dearth of scholarly literature related to the dilemmas of voicing lesbianism and picturing lesbians. This is the result of sustained discrimination and censorship worldwide. In order to address this issue, a research study was designed to investigate this topic and its relationship to informing art therapy. There were two research methods and two research processes used in the project. Autobiography and art based research were the methods, and intertextuality and reflexivity were the research (...)
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  • Oppression, Privilege, & Aesthetics: The Use of the Aesthetic in Theories of Race, Gender, and Sexuality, and the Role of Race, Gender, and Sexuality in Philosophical Aesthetics.Robin James - 2013 - Philosophy Compass 8 (2):101-116.
    Gender, race, and sexuality are not just identities; they are also systems of social organization – i.e., systems of privilege and oppression. This article addresses two main ways privilege and oppression are relevant topics in and for philosophical aesthetics: the role of the aesthetic in privilege and oppression, and the role of philosophical aesthetics, as a discipline and a body of texts, in constructing and naturalizing relations of privilege and oppression . The first part addresses how systems of privilege and (...)
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  • Feminist Philosophy of Art.A. W. Eaton - 2008 - Philosophy Compass 3 (5):873-893.
    This article outlines the issues addressed by feminist philosophy of art, critically surveys major developments in the field, and concludes by considering directions in which the field is moving.
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